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King Lear (Naxos AudioBooks)

By William Shakespeare, Paul Scofield (Narrator), Alec McCowen (Narrator) & Kenneth Branagh (Narrator)
Our Price $ 16.09  
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Item Number 175642  
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Item description for King Lear (Naxos AudioBooks) by William Shakespeare, Paul Scofield, Alec McCowen & Kenneth Branagh...

This performance of "King Lear" features an all-star cast.

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Item Specifications...

Format: Audiobook,   Unabridged
Studio: Naxos Audiobooks
Pages   144
Est. Packaging Dimensions:   Length: 1" Width: 5.75" Height: 5"
Weight:   0.5 lbs.
Binding  CD
Publisher   Naxos Audiobooks
ISBN  9626342447  
ISBN13  9789626342442  

Availability  0 units.

More About William Shakespeare, Paul Scofield, Alec McCowen & Kenneth Branagh

William Shakespeare William Shakespeare was born in Stratford-upon-Avon in April 1564, and his birth is traditionally celebrated on April 23. The facts of his life, known from surviving documents, are sparse. He died on April 23 1616, and was buried in Holy Trinity Church, Stratford.
Russ McDonald is a professor of English in Goldsmiths College at the University of London. He is the author of The Bedford Companion to Shakespeare. He has served as a trustee of the Shakespeare Association of America and was a director of the Teaching Shakespeare Institute at the Folger Shakespeare Library."

William Shakespeare lived in Stratford-Upon-The Avon. William Shakespeare was born in 1564 and died in 1616.

William Shakespeare has published or released items in the following series...
  1. Annotated Shakespeare
  2. Annotated Shakespeare
  3. Arden Shakespeare
  4. Arden Shakespeare Third (Paperback)
  5. Arkangel Complete Shakespeare
  6. Bantam Classics
  7. Barnes & Noble Classics
  8. Be Classic
  9. Cambridge School Shakespeare
  10. Classical Comics
  11. Cliffs Complete
  12. Dover Giant Thrift Editions
  13. Dover Thrift Editions
  14. Dover Thrift Study Edition
  15. Folger Shakespeare Library
  16. Green Tiger's Illustrated
  17. Ignatius Critical Editions
  18. Knickerbocker Classics
  19. MAXnotes
  20. Modern Library Classics (Paperback)
  21. New Folger Library Shakespeare
  22. Norton Critical Editions
  23. Oxford School Shakespeare
  24. Oxford World's Classics (Paperback)
  25. Pelican Shakespeare (Paperback)
  26. Penguin Classics
  27. Shakespeare Can Be Fun! (Paperback)
  28. Shakespeare Made Easy (Paperback)
  29. Shakespeare on the Double!
  30. Shakespeare Range
  31. Shakespeare Series
  32. Shakespeare, Pelican
  33. Signature Shakespeare
  34. Signet Classic Shakespeare
  35. Signet Classics
  36. Simply Shakespeare
  37. Sourcebooks Shakespeare
  38. Sparknotes No Fear Shakespeare
  39. Thrift Study Edition

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Product Categories

1Books > Audio CDs > Authors, A-Z > ( S ) > Shakespeare, William
2Books > Audio CDs > Literature & Fiction > Classics
3Books > Audio CDs > Literature & Fiction > Drama
4Books > Audio CDs > Literature & Fiction > General
5Books > Audio CDs > Literature & Fiction > Poetry
6Books > Audio CDs > Literature & Fiction > Unabridged
7Books > Audio CDs > Poetry & Drama
8Books > Subjects > Literature & Fiction > Authors, A-Z > ( S ) > Shakespeare, William > Shakespeare, William
9Books > Subjects > Literature & Fiction > Drama > Playwrights, A-Z > ( S ) > Shakespeare, William
10Books > Subjects > Literature & Fiction > General > Classics
11Books > Subjects > Literature & Fiction > General
12Books > Subjects > Literature & Fiction > Poetry > General
13Books > Subjects > Literature & Fiction > Poetry > Poets, A-Z > ( S ) > Shakespeare, William
14Books > Subjects > Literature & Fiction > World Literature > British > Shakespeare
15Music > Styles > Miscellaneous > General

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Reviews - What do customers think about King Lear (Naxos AudioBooks)?

King Lear from a Toby Stephens fan's point of view  Jul 3, 2008
Having purchased this recording to hear the voice of Toby Stephens as much as to enjoy this classic play, I found the experience totally satisfying in both regards. The other reviews have well covered many aspects of the performances of the main characters. I would like to focus on Toby since this is linked to this's ALL Toby All the Time site and might be useful to other fans. Toby plays Edmund (or Edmond per the liner notes), the bastard son of the Earl of Gloucester, an ally of King Lear. Honestly, Toby is brilliant in this. A perfect part to display all the rich tones in his voice and he make the most of it. He has a soliloquy early in the play plotting against his brother and bemoaning the fact that the accident of his birth leaves him with no inheritance. He has a big section at the end displaying his wonderful range, also. There's swordplay, calling out ( think of that voice that called "Jane, Jane"), whispering, mocking, pleading - lots for Toby lovers to appreciate. I am on my second time through and enjoying it even more. The liner notes are quite helpful to place everybody. (Beware - my copy came with several blank pages including the page that should have had Toby's picture and bio. Fortunately, Naxosaudiobooks has been very responsive and is mailing me a replacement.) This is no substitute for him in all his visual glory but it satisfies by reminding me what a magnificent talent he has to display when given words worthy of it.
King Lear (Naxos AudioBooks)  Nov 9, 2006
This series of Shakespeare's plays is read by artists who have wonderful skills, and you can understand the dialogue better than most stage productions. Frequently Shakespearean stage productions, for time constraints or other reasons typically abridge the complete text. These readings are complete, and can be followed word by word from the written plays. They are the best means to prepare to see a stage production, and can be used as a benchmark for judging performances. Often the directors of contemporary productions make other modifications beyond the text for modern audiences. If you want to hear how the classic version should sound, then this is it.
Lear  Mar 9, 2003
Although the liner notes describing portions of Act 4 in the boxed set I received were a little amiss, it would be hard to see how the performance itself could be improved. Paul Scofield is absolutely extraordinary as Lear as is Alec McGowen as Glouster and Kenneth Branagh as the Fool. Five stars isn't enough! It's rare that a story like this, which can become quite complex if one isn't familiar with the action, can literally jump off the recording and present us with visual images all along the way. Every actor deserves the highest praise for his/her performance!
Scofield's second recording after 36 years  Apr 28, 2002
Is there a need for yet another recording of "King Lear"? If it is a superlative reading, then one would quote "Reason not the need" and accept it for a great addition to a swelling library of complete Shakespeare on recordings. We still have available on Caedmon audio tapes the 1965 "Lear" with Paul Scofield in the title role with Pamela Brown and Rachel Roberts as that particularly nasty pair of sisters, Goneril and Regan. 1988 brought out the BBC Audio Book (Modern Library) with Alec Guiness, Jill Bennett and Eilen Atkins in those roles. In 1994 there was a BBC Radio set with John Gielgud, Judi Dench and Eileen Atkins (again) in those three roles; while a late addition to the Arkangel Complete Shakespeare series gave us Trevor Peacock, Penny Downie and Samantha Bond, Peacock giving a more domestic, less grand reading of the role.

Now Naxos Audiobooks has released on tape and CD yet another version with Paul Scofield again, Harriet Walter (Gonerill, as it is spelled on this set), Sara Kestelman (Regan), Emilia Fox (Cordelia), Peter Blythe (Albany), and Jack Klaff (Cornwall) as the dysfunctional royal family. As the parallel set, we have Alec McCowen (Gloucester), Richard McCabe (Edgar), and Toby Stephens (Edmond).

While Kenneth Branagh played the villainous brother in the Gielgud set, he is assigned the Fool in this production with David Burke (Kent) and Matthew Morgan (Oswald).

The reading in the Caedmon recording is in the grand manner, more poetical than is the most recent; but this Naxos effort seems to move faster, is more dramatic (as should be no surprise) in our sense of the word in that it is more realistic, more "modern" sounding. But I would not dismiss the older set by any means.

I found Scofield less earth-shaking in this production, sounding a little more reasonable and vulnerable than in the earlier one--but after 36 years and under a new director (Howard Sackler in 1965, John Tydeman here), an actor must rethink the role. What I do appreciate is that every word in the storm scene is spoken clearly and not drowned out by the sound effects.

All Drama departments should own both Scofield versions. This Naxos release is available on tape (NA324414) and CD (NA324412). It is also the best buy since Naxos is the supreme budget label.


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