Item description for The Tempest (Arden Shakespeare) by William Shakespeare, Virginia Mason Vaughan & Alden T. Vaughan...
The Tempest has long dazzled readers and audiences with its intricate blend of magic, music, humour, intrigue and tenderness, its vibrant but ambiguous central characters. As Virginia and Alden Vaughan show, in their wide-ranging new edition of this established favourite, such antithetical extremes exemplify the play's endlessly arguable nature, its appeal to diverse eras and cultures. The Vaughans situate The Tempest at the centre of changing cultural attitudes towards colonialism, power politics and patriarchal hierarchies, and demonstrate how the play both shaped and reflected those changing attitudes. Informed by the concerns of a post-colonial international community, their edition emphasizes the play's world-wide cultural appropriation, and includes an extensive discussion of the play's after-life as well as an appendix of selected appropriations. The interdisciplinary editorial approach contributes a distinctively blended cultural and historical focus. 'The Vaughans have provided a valuable new edition of the play, one whose expanded contextualisation, especially, will contribute to The Tempest's lively and varied afterlife both within and beyond the classroom.' Barbara Fuchs, University of Washington, Seattle, Shakespeare Quarterly
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Est. Packaging Dimensions: Length: 0.75" Width: 5" Height: 7.5" Weight: 0.9 lbs.
Release Date Aug 13, 1999
ISBN 1903436087 ISBN13 9781903436080
Availability 0 units.
More About William Shakespeare, Virginia Mason Vaughan & Alden T. Vaughan
William Shakespeare was born in Stratford-upon-Avon in April, 1564, and his birth is traditionally celebrated on April 23. The facts of his life, known from surviving documents, are sparse. He died on April 23, 1616, and was buried in Holy Trinity Church, Stratford. A. R.Braunmuller is Distinguished Professor of English and Comparative Literature at the University of California at Los Angeles. He has written critical volumes on George Peele and George Chapman and has edited plays in both the Oxford (King John) and Cambridge (Macbeth) series of Shakespeare editions. He is also general editor of The New Cambridge Shakespeare. Stephen Orgel is the Jackson Eli Reynolds Professor of the Humanities at Stanford University and general editor of the Cambridge Studies in Renaissance Literature and Culture. His books include Imagining Shakespeare, The Authentic Shakespeare, Impersonations: The Performance of Gender in Shakespeare's England and The Illusion of Power.
William Shakespeare lived in Stratford-Upon-The Avon. William Shakespeare was born in 1564 and died in 1616.
William Shakespeare has published or released items in the following series...
Reviews - What do customers think about The Tempest (Arden Shakespeare)?
Excellent activity based edition Feb 2, 2007
The Tempest is rightly regarded as being one of the Bard's greatest works, containing some of his deepest thoughts on the nature of power and the relationship between rational man as controller of nature, and the animal man always to be at the mercy of the passions both of himself, others, and the world around him. In fact, this play could be thought of as representing Shakespeare's final and definitive statement on topics that he had explored throughout his cannon. But profound as the philosophy is, and despite the beauty of the poetry and the many magical elements contained within the play, the fact is that as far as the average attention lacking teenager is concerned, not a lot happens. This is why this Cambridge schools edition scores over most others. It is almost entirely activity focused, the expressed aim being to 'bring the play to life'. With at least one suggested activity beside each page of Shakespeare's text (as well as a decent amount of background notes and interpretation), every teacher armed with this book should be able to enthuse his charges with the very real relevance of this play to the world which we have bequeathed them.
Wonderful play, but no line numbers in Dover Thrift Edition. Feb 2, 2007
Of course Shakespeare's TEMPEST is an enchanting--and enchanted--play, but my comments here concern the DOVER THRIFT EDITION of the play. Dover is to be commended for making texts such as these affordable for readers on a budget. However, students and teachers alike should note that the Dover edition does not supply line numbers. Students who are considering this text for a class and may have to write about it will not be able to cite specific line numbers as is convention (Act.scene.lines; e.g., 3.1.34-47). Professors and teachers should also be aware of this limitation and weigh it against the affordability of this text.
helpful Jan 15, 2007
I have my degree in English... I like reading and teaching with this version as "help" not as a substitution. It gives a clearer understanding to Shakespeare for people who have difficulty with it.
Excellent edition for students. Nov 9, 2006
I bought this copy admittedly because the magical artwork on the cover drew me towards this edition. I admit that it is shallow but I am very glad I ended up picking this one because it contains a wealth of information that is so perfect for helping students understand the context, background, themes and ideas contained within this beautifully written play.
Shakespeare is always difficult for us young people, but I can easily promise anyone that this edition does a fine job of explaining the play and it definately helps the reader to gain a better understanding of the play so you are prepared to go into an exam and write about it for two hours with the conviction that you will yield good results.
The storms that lead us to "ourselves." Aug 20, 2006
I recently re-read THE TEMPEST prior to attending The Colorado Shakespeare Festival's performance of this play under the summer stars here in Boulder. Shakespeare (1564-1616) produced this emotionally-moving, poetic romance at the end of his career, in 1611, and published it in the First Folio in 1623. In fact, it was his last play.
It tells the story of Prospero, the exiled duke of Milan, and his beautiful daughter, Miranda, who have been stranded for twelve years on a desert island with two servants, the airy sprite Ariel (who Prospero rescued from being imprisonment in a tree) and the savage Caliban. Upon learning that his usurping brother Antonio is sailing near the island with the Neopolitan King Alonso's party, he uses his magic powers to conjure a sea storm that not only leaves the ship and its passengers wrecked on the island, but which also sparks a courtship between his daughter and the king's son, Ferdinand. The survivors of the wreck are separated into several groups, believing one another dead. Three subplots then alternate through the play. In one, Caliban befriends two drunken crew members, whom he believes to have come from the moon, and drunkenly attempts to raise is own rebellion against Prospero. In another, Prospero works to establish the romantic relationship between Ferdinand and Miranda. In the third subplot, Ariel thwarts a murder plot at Prospero's command.
The shipwrecked passengers are eventually reunited by island spirits to discover the marriage of Miranda and Ferdinand. In the end, as its title suggests, THE TEMPEST is as much about the opening scene's violent storm, as the journey that brought Prospero to the island and the psychological storm--"the sea change"--leading him to quit his magic and his remote island to return to Milan.