Item description for Ángeles fugaces (Falling Angels) by Tracy Chevalier...
Another dazzling novel by the author of the best-selling novel, Girl With A Pearl Earring. Chevalier draws a picture of family life that exposes the prejudices and flaws of a changing time, set against a backdrop of social and political turbulence in early twentieth-century London. "In her New York Times best-selling follow-up, Chevalier once again paints a distant age with a rich and provocative palette of characters. Graced with the luminous imagery that distinguished Girl With a Pearl Earring, Falling Angels is another dazzling tour de force.
Description in Spanish: Enero de 1901, el da despus de la muerte de la reina Victoria : dos familias visitan tumbas vecinas en un cementerio londinense. Los Waterhouse reverencian a la ltima Reina y se aferran a las tradiciones victorianas, los Coleman ansan una sociedad ms moderna. Para su disgusto, ambas se ven irremediablemente unidas cuando sus hijas se hacen amigas. Y pronto las acompaa tambin el hijo del sepulturero. Mientras las nias crecen y el nuevo siglo se asienta, una nacin emerge de las opresivas sombras victorianas hacia una era ms luminosa. Es entonces cuando la hermosa y frustrada seora Coleman apuesta por su libertad personal, con consecuencias que cambiarn las dos vidas de las dos familias para siempre.
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Est. Packaging Dimensions: Length: 1" Width: 4.25" Height: 6.75" Weight: 0.55 lbs.
Publisher Punto de lectura / Suma de letras
ISBN 846631122X ISBN13 9788466311229
Availability 0 units.
More About Tracy Chevalier
"I was born and grew up in Washington, DC. After getting a BA in English from Oberlin College (Ohio), I moved to London, England in 1984. I intended to stay 6 months; I m still here.
"As a kid I d often said I wanted to be a writer because I loved books and wanted to be associated with them. I wrote the odd story in high school, but it was only in my twenties that I started writing real stories, at night and on weekends. Sometimes I wrote a story in a couple evenings; other times it took me a whole year to complete one.
"Once I took a night class in creative writing, and a story I d written for it was published in a London-based magazine called Fiction. I was thrilled, even though the magazine folded 4 months later.
I worked as a reference book editor for several years until 1993 when I left my job and did a year-long MA in creative writing at the University of East Anglia in Norwich (England). My tutors were the English novelists Malcolm Bradbury and Rose Tremain. For the first time in my life I was expected to write every day, and I found I liked it. I also finally had an idea I considered big enough to fill a novel. I began The Virgin Blue during that year, and continued it once the course was over, juggling writing with freelance editing.
"An agent is essential to getting published. I found my agent Jonny Geller through dumb luck and good timing. A friend from the MA course had just signed on with him and I sent my manuscript of The Virgin Blue mentioning my friend s name. Jonny was just starting as an agent and needed me as much as I needed him. Since then he s become a highly respected agent in the UK and I ve gone along for the ride." Tracy Chevalier is the New York Times bestselling author of six previous novels, including Girl with a Pearl Earring, which has been translated into thirty-nine languages and made into an Oscar-nominated film. Her latest novel is The Last Runaway. Born and raised in Washington, D.C., she lives in London with her husband and son.
Reviews - What do customers think about Ángeles fugaces (Falling Angels)?
DECEPTIONS AND PERCEPTIONS... Jan 18, 2005
This is the Spanish text edition of the book, "Falling Angels", which covers the period in the lives of two families that stretches from January 1901, the end of the Victorian era, to May 1910, the end of the Edwardian one. The lives of these two families, the Colemans and the Waterhouses, converge and become inextricably woven together when they inadvertently meet at a cemetery while paying their respects to deceased loved ones. Unbeknownst to them, their lives are moving inexorably towards a tragic denouement, one that is to have ramifications for both families.
Two of the daughters of these respective families, Lavinia Waterhouse and Maude Coleman, find that they have formed the beginning of a friendship during the brief interlude at the cemetery. The two girls also befriend Simon Field, the son of one of the gravediggers at the cemetery. The friendship of the two girls is cemented when they later discover that they are to be neighbors, as through happenstance the Waterhouse family moves onto a property adjacent to that of the Colemans. Despite differences in social class and personal taste, as the Waterhouses are definitely sentimentally bourgeois and the Colemans have pretensions to more refinement, the families are brought together, however unwillingly, through the friendship between Lavinia and Maude.
The mothers of these two girls are unable to form a true friendship, as stolid Gertrude Waterhouse and pretty Kitty Coleman are unable to find much common ground. Gertrude is bound in tradition, while Kitty, dissatisfied with her marriage and her life, is looking to escape tradition and expand the role allotted in society to women. Never the twain shall meet, as these women will never see eye-to-eye, despite the friendship between Lavinia and Maude.
This is a well-plotted novel with each character adding his or her perspective to the events that unfold, many of which are of a secretive nature. Even the husbands, Albert Waterhouse and Richard Coleman, have something to say that contributes to the development of the story, as does Richard Coleman's mother, Edith, as do the Coleman's maid, Jenny Whitby, and their cook, Dorothy Baker. Lavinia's younger sister, Ivy May, who plays a small but pivotal role, also has her say, as does Kitty's admirer, John Jackson. There are also a number of twists and turns in the tale.
The story is told in the clean, spare prose that fans of the author have come to expect. It is told through first person narratives, and it is almost as if the narratives were taken from the personal diary or journal of each character. Therein lies the rub, as the author is unable to make the voice of each character truly distinguishable from that of the others. The book suffers somewhat from the failure of the author to develop a truly unique voice for each one. This is, however, the only failing of this otherwise absorbing and intriguing story that is suffused with period detail. This is an otherwise excellent book that fans of the author will enjoy, as will those who love historical fiction.