Item description for Pinkerton, Behave! (Picture Puffins) by Steven Kellogg...
Overview His behavior may be rather unconventional, but Pinkerton the dog proves it doesn't really matter.
Publishers Description Pinkerton doesn't understand his owner's commands. When told to come, he jumps out the window. When asked to fetch the newspaper, he destroys it. Pinkerton's desperate owner sends him to obedience school, but he flunks out in record time. Then one night a burglar breaks into their house, and Pinkerton is able to put his bad habits to good use. "Humor abounds in this exuberant tale . . . Kellogg at his best." ("Booklist," starred review)
Citations And Professional Reviews Pinkerton, Behave! (Picture Puffins) by Steven Kellogg has been reviewed by professional book reviewers and journalists at the following establishments -
Wilson Children's Catalog - 01/01/2010 page 1388
PW Notes and Reprints - 02/18/2002 page 99
Publishers Weekly - 02/18/2002
Wilson Children's Catalog - 01/01/2006 page 917
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Est. Packaging Dimensions: Length: 10.2" Width: 7.3" Height: 0.19" Weight: 0.35 lbs.
Release Date Oct 1, 2003
Series Picture Puffins
ISBN 0142300071 ISBN13 9780142300077 UPC 051488006992
Availability 0 units.
More About Steven Kellogg
I have loved picture books ever since I was a child. The illustrations of Beatrix Potter and N. C. Wyeth were early favorites, and I always found any kind of animal story irresistible. I was an enthusiastic young artist as well, and I formulated pre-school plans to make drawing the center of my lifetime career. I used to dream up stories and illustrate them for my younger sisters, Patti and Martha. We called the activity: "Telling Stories on Paper." When it took place, I would sit between them with a stack of paper on my lap and a pencil in my hand, rattling off tales and scribbling illustrations to accompany them, and passing the pictures first to one of the girls and then to the other. I enjoyed these storytelling sessions enormously and I usually persevered until my sisters were too restless to sit there any longer, or until they were buried under pieces ofpaper.
I scribbled my way through elementary, junior- and senior-high school, and afterward I attended the Rhode Island School of Design, where I majored in illustration, and where I was particularly intrigued by the few projects we were given that related to the creation of picture books. I wasfortunate enough to win a fellowship that made possible a senior year of work and study in Florence, Italy. It was an exciting and fulfilling period for me, and I find that I draw constantly on the experience and images that I stored during my time there.
Upon my return to the United States I did some graduate work and teaching at American University, and at the same time I began submitting picture book ideas to various publishers. Itwas an exciting moment when the first acceptances came in, and I realized that I would be able to "tell stories on paper" full-time and to a much larger audience. I loved the challenge of putting the first books together, guiding them through the various stages of the publishing process, and thenwatching them disperse into the lives of their readers. And now, twenty-five years and almost ninety books later, I still find every aspect of my involvement just as absorbing andenjoyable.
During the time that I've been working on the picture books, I've lived in an old farmhouse in the hills of Connecticut which I've shared with my wife, Helen, and where I've raised six stepchildren, to whom most of my books are dedicated. Also in residence have been numerous dogs and cats, including a beloved harlequin Great Dane named Pinkerton, whose stubborn inadaptability during puppyhood inspired the book Pinkerton, Behave! The heroine of the sequel, ARose for Pinkerton, was our senior cat, Secondhand Rose, an independent old grouch who was born a wild thing in the Catskill Mountains, and who devoted her long life to harassing everyone in the world, including Pinkerton.
The ideas for the other books come from lots of different sources, but most of them have their roots in feelings and images that I retain from my own childhood. I try to blend illustrations and the words so that each book is a feast for the eye and ear. I want the time that the reader shares with me and my work to be an enjoyable experience -- one that will encourage a lifetimeassociation with pictures, words, and books.
Steven Kellogg talks about the art of the picturebookThe picture book is an art form that is designed specifically for children, but I feel that it can be appreciated and enjoyed by all ages. For centuries a distinguished tradition of illustrated books and manuscripts has existed of which the picture book is a part. It is a synthesis of literature and the visual arts, and the relationship of the written word and the picture is its essence.I am fascinated by the ways in which the picture book can borrow and combine diverse elements from other art forms to achieve startling and moving effects.
The turning page, for example, gives the illustrator the chance to utilize the elements of surprise to advance the movement of the story, and to deepen the involvement of the viewer in much the same way that the theatrical director uses the revolving stages or the rising curtain between thescenes and acts of a play.
An awareness of movement is extremely important in the conception of a picture book. My favorite illustrators delineate their characters so that animation is implied. The individual spreads are designed so that they crackle with graphic vitality. The characters seem to speak, cavort, andleap from the page so energetically that their life and movement are totally convincing. The moving qualities of each picture are heightened by the placement of the turning pages within the unfolding narrative and by the conception of the book as a whole. It is here that one sees the relationship between the arts of picture book design and filmmaking, as both of them deal with thephenomenon of "moving pictures."
No one will deny that language can be musical, and certainly visual images can suggest different forms of music by the feelings that they convey. The musical qualities of the pictures and the words can be orchestrated by the artist as he moves them across the pages of the book. Rhythms and harmonies can be established on some spreads, and atonal effects or dissonances can be introduced on others.
There are limitless possibilities available to the artist, who sets up relationships and tensionsbetween the illustrations and the text, allowing magical discoveries and subtle revelations to emerge in the areas between. When this happens, there is an uncanny fusion of all the elements, and the dynamic new expression that is created introduces young readers to the world of art.
Steven Kellogg currently resides in Sandy Hook, in the state of Connecticut. Steven Kellogg was born in 1941.
Reviews - What do customers think about Pinkerton, Behave! (Picture Puffins)?
NOT FOR YOUNG KIDS! Mar 11, 2008
I picked up this book at the library for my 4 and 6 year olds. I usually scan through the books before checking them out, but this one got away from me. I was shocked and then mad, while reading this to my kids, to see a scary man breaking in through a bedroom window with a gun in his hand!! He then threatened the mother and held the gun to her head!!! GEE - fun stuff kids - it's a laugh riot!
My bad for not checking through every page - but isn't there a certain level of "safeness" implied in children's books - especially ones with goofy dogs on the front???
Wonderful pictures and story Jan 10, 2007
Steven Kellogg books are my favorites to give as gifts. The pictures are marvelous and each time you read the book you see something you had missed before. I love all the Pinkerton books, The Missing Mitten, and the Jimmy's Boa series. My son (now 15 years old) loved these books as a child, we checked them out of the library again and again. As to the reviewers that are concerned about the gun, I just went and looked at my son again and so far he seems completely normal.
Pinkerton, Behave Or I'll Blow Your Brains Out Oct 21, 2005
The funny thing about reading these reviews is that everyone focuses on the break in at the end. Even many pages before, all the monsters and burglars have guns and guns are a part of the "pictures". The story line could have been cute---My husband is the biggest advocate of gun ownership and has quite a collection, however the very first thing you teach a child is never ever to point even a toy gun at anyone, especially their head. The idea of a child watching their mother being held with a gun to her head and threatened to blow her brains out, not once but twice is totally not permissable. Not even if you are talking about a big doggie and his bad manners! Guns have no place on page illustrations of a child's book!!!
Not for young children Jul 20, 2005
We checked this book out of the library for our 3-year old son without looking through it first. It had a cute title and a cute cover, plus our son loves dogs. Were we surprised! The story takes a dark twist at the end with the mom held at gun-point by a burglar, who basically threatens to kill them. We found this scary, not to mention inappropriate for a children's picture book. I cannot recommend this book to anyone with young children.
Lovely Jul 20, 2005
Loved it, great story and pictures, Just as a Great Dane Puppy would behave!