Item description for A Rose for Pinkerton (Picture Puffins) by Steven Kellogg...
Overview Pinkerton, the Great Dane, intimidated by Rose, the kitten, who wants to be a Great Dane herself, goes to the International Pet Show for expert advice.
Publishers Description Pinkerton seems lonely. So his young owner goes to the pet show to find him a friend. She returns with a kitten named Rose, who could be the ideal playmate for Pinkerton. But Rose has ideas of her own. She wants to be a Great Dane, and suddenly Pinkerton decides to start acting like a kitten. So Pinkerton, Rose and their owners go back to the pet show to seek professional advice, but what results is a crazy and comical adventure "A zesty tale that is delivered with splendid flourish . . . Funny and well-paced with] dexterous illustrations." ("Booklist," starred review)
Citations And Professional Reviews A Rose for Pinkerton (Picture Puffins) by Steven Kellogg has been reviewed by professional book reviewers and journalists at the following establishments -
PW Notes and Reprints - 02/18/2002 page 99
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Est. Packaging Dimensions: Length: 10.14" Width: 6.5" Height: 0.22" Weight: 0.35 lbs.
Release Date Oct 1, 2003
ISBN 0142300098 ISBN13 9780142300091 UPC 051488006992
Availability 8 units. Availability accurate as of Jan 16, 2017 10:16.
Usually ships within one to two business days from La Vergne, TN.
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More About Steven Kellogg
I have loved picture books ever since I was a child. The illustrations of Beatrix Potter and N. C. Wyeth were early favorites, and I always found any kind of animal story irresistible. I was an enthusiastic young artist as well, and I formulated pre-school plans to make drawing the center of my lifetime career. I used to dream up stories and illustrate them for my younger sisters, Patti and Martha. We called the activity: "Telling Stories on Paper." When it took place, I would sit between them with a stack of paper on my lap and a pencil in my hand, rattling off tales and scribbling illustrations to accompany them, and passing the pictures first to one of the girls and then to the other. I enjoyed these storytelling sessions enormously and I usually persevered until my sisters were too restless to sit there any longer, or until they were buried under pieces ofpaper.
I scribbled my way through elementary, junior- and senior-high school, and afterward I attended the Rhode Island School of Design, where I majored in illustration, and where I was particularly intrigued by the few projects we were given that related to the creation of picture books. I wasfortunate enough to win a fellowship that made possible a senior year of work and study in Florence, Italy. It was an exciting and fulfilling period for me, and I find that I draw constantly on the experience and images that I stored during my time there.
Upon my return to the United States I did some graduate work and teaching at American University, and at the same time I began submitting picture book ideas to various publishers. Itwas an exciting moment when the first acceptances came in, and I realized that I would be able to "tell stories on paper" full-time and to a much larger audience. I loved the challenge of putting the first books together, guiding them through the various stages of the publishing process, and thenwatching them disperse into the lives of their readers. And now, twenty-five years and almost ninety books later, I still find every aspect of my involvement just as absorbing andenjoyable.
During the time that I've been working on the picture books, I've lived in an old farmhouse in the hills of Connecticut which I've shared with my wife, Helen, and where I've raised six stepchildren, to whom most of my books are dedicated. Also in residence have been numerous dogs and cats, including a beloved harlequin Great Dane named Pinkerton, whose stubborn inadaptability during puppyhood inspired the book Pinkerton, Behave! The heroine of the sequel, ARose for Pinkerton, was our senior cat, Secondhand Rose, an independent old grouch who was born a wild thing in the Catskill Mountains, and who devoted her long life to harassing everyone in the world, including Pinkerton.
The ideas for the other books come from lots of different sources, but most of them have their roots in feelings and images that I retain from my own childhood. I try to blend illustrations and the words so that each book is a feast for the eye and ear. I want the time that the reader shares with me and my work to be an enjoyable experience -- one that will encourage a lifetimeassociation with pictures, words, and books.
Steven Kellogg talks about the art of the picturebookThe picture book is an art form that is designed specifically for children, but I feel that it can be appreciated and enjoyed by all ages. For centuries a distinguished tradition of illustrated books and manuscripts has existed of which the picture book is a part. It is a synthesis of literature and the visual arts, and the relationship of the written word and the picture is its essence.I am fascinated by the ways in which the picture book can borrow and combine diverse elements from other art forms to achieve startling and moving effects.
The turning page, for example, gives the illustrator the chance to utilize the elements of surprise to advance the movement of the story, and to deepen the involvement of the viewer in much the same way that the theatrical director uses the revolving stages or the rising curtain between thescenes and acts of a play.
An awareness of movement is extremely important in the conception of a picture book. My favorite illustrators delineate their characters so that animation is implied. The individual spreads are designed so that they crackle with graphic vitality. The characters seem to speak, cavort, andleap from the page so energetically that their life and movement are totally convincing. The moving qualities of each picture are heightened by the placement of the turning pages within the unfolding narrative and by the conception of the book as a whole. It is here that one sees the relationship between the arts of picture book design and filmmaking, as both of them deal with thephenomenon of "moving pictures."
No one will deny that language can be musical, and certainly visual images can suggest different forms of music by the feelings that they convey. The musical qualities of the pictures and the words can be orchestrated by the artist as he moves them across the pages of the book. Rhythms and harmonies can be established on some spreads, and atonal effects or dissonances can be introduced on others.
There are limitless possibilities available to the artist, who sets up relationships and tensionsbetween the illustrations and the text, allowing magical discoveries and subtle revelations to emerge in the areas between. When this happens, there is an uncanny fusion of all the elements, and the dynamic new expression that is created introduces young readers to the world of art.
Steven Kellogg currently resides in Sandy Hook, in the state of Connecticut. Steven Kellogg was born in 1941.
Steven Kellogg has published or released items in the following series...
Reviews - What do customers think about A Rose for Pinkerton (Picture Puffins)?
Steven Kellogg at his best Mar 18, 2006
Steven Kellogg is one of my favorite illustrators. This hilarious tale is about a lonely dog whos owner sets out to find him a new friend. Of course mother wont' agree to another enourmouse great dane, so it has to be something small and quiet. The little girl decides on a kitten she names Rose. the problems begin when Rose thinks she's a dog and Pinkerton tries to be a cat! Find out how Pinkerton saves the day and becomes a kittens best friend.
A Rose For Pinkerton Dec 5, 2003
"A Rose For Pinkerton," is about a relationship between a cat and a dog. This fun, loving, caring, and adventurous book goes through the feelings Pinkerton and Rose(main characters) have. It shows the consequences of their actions whether they are good or bad. This is a greta book that can teach children about the responsibilities of having a pet.
My kids love Pinkerton! Aug 24, 1998
My two daughters insist on having this book read to them every night! They are young enough that it took a while for them to understand about the "thought bubbles" that show what Rose and Pinkerton are thinking, but they loved the illustrations of Rose as a Great Dane. I think they like Pinkerton because he's big, but he's cuddly and not threatening. It's fun to explore the pages and name all the pets they see. My four-year-old wanted to give this book a six-star rating, she likes it so much!
Loving it for almost 15 years! Apr 22, 1998
A Rose for Pinkerton was one of my very first favorite books when I was a little girl. I can remember looking at all the pictures and simply adoring every detailed scene in it, wondering how a person could be as imaginative in thought as I was. I just want to thank the author so very much for writing a book so full of creativity and life that a little girl fell in love with and is still to this day. Thank you for bringing happiness and light to my life with your book. :>
A dozen roses for Steven Kellog Dec 17, 1997
A Rose for Pinkerton is more fun than a boxful of kittens. The illustrations are lavish and reward careful scrutiny. (A display of "small and quiet pets" includes clams, snails, and fruit.) If you don't have a child, borrow one, and read A Rose for Pinkerton.