Item description for Uncommon Places: The Complete Works by Stephen Shore & Stephen Shore...
Originally published by Aperture in 1982 and long unavailable, Stephen Shore's now legendary book Uncommon Places has influenced a generation of photographers. Shore was among the first artists to take color beyond the domain of advertising and fashion photography. Uncommon Places--his visionary series of images of the American vernacular landscape of the seventies and early eighties--stands at the root of what has become a vital photographic tradition over the past three decades.
Uncommon Places: The Complete Works presents an expanded, definitive collection of the early work of this major artist, much of which has never before been published or exhibited. In 1972 Shore set out with a friend for Amarillo, Texas and--like Robert Frank and Walker Evans before him--discovered a hitherto unarticulated vision of America via highway and camera.
Shore approaches his subjects with cool objectivity, the photographs seemingly devoid of drama or commentary. Yet each image has been distilled, retaining precise internal systems of gestures in composition and light through which a parking lot emptied of people, a hotel bedroom, or a building on a side street assumes both an archetypal aura and an ambiguously personal importance. In contrast to Shore's signature landscape images, this new, expanded survey of the original series reveals equally substantial collections of interiors and portraits. Shore's broad influence can be seen today in the work of countless contemporary photographers--Thomas Struth, Andreas Gursky and Catherine Opie among them. Uncommon Places: The Complete Works provides an opportunity to reexamine the diverse implications of Shore's groundbreaking project and offers a fundamental primer for the last thirty years of large-format color photography.
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Est. Packaging Dimensions: Length: 1" Width: 10.75" Height: 13.25" Weight: 4.16 lbs.
Release Date Jun 15, 2004
ISBN 1931788340 ISBN13 9781931788342
Availability 0 units.
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Reviews - What do customers think about Uncommon Places: The Complete Works?
Great Vintage Work Mar 30, 2008
An excellent retrospective of Stephen Shore work mainly from the 70's. Explores his vision from 35mm to large format 8x10 and how his vision was forced to change through his chosen tools for the work. Highly recommended for those looking for offbeat retro work.
I love it Jan 4, 2007
This is a very nice book featuring the worls of Stephen Shore. As usual Aperture put together a very nice book. The printing and binding are top notch.
If you have never seen the work of Stephen Shore you are in for a real treat. His classic urban landscapes are very original and are beautifully done in this book
Awesome Nov 2, 2006
This is my new favorite book. I found it by accident as I didn't know Stephen Shore. The feeling, mood, and color in his images are so great. If you're like me who like anything 70's, then you will love this book.
His photography was considered very cutting edge at a time when all fine art was shot in black & white. Mr. Shore has a gift to make the ordinary like extra-ordinary and beautiful. If you love photography, you need to own this book! [...]
a TRUE master Apr 24, 2006
this is one of the first great works of color photography, and is still as fresh and significant as it was 30 years ago. forget all the imitators of today's contemporary scene, this was one of the first and is still better than anything to come along since (with the exception of sternfeld's american prospects which is equally great).
and for those who say this is snapshot photography, think again. view camera, deliberation, and intent here are razor sharp and NOT filled with accidents or casual images.
Not impressed. Nov 30, 2005
Although not nearly as heinous as Richard Avedon's "In the American West", Stephen Shore's "Uncommon Places" earns an honored place in the annals of overrated art. Its sole interest is its time-capsule appeal.
Imagine if you will, taking a camera across America and shooting ugly buildings, roads, humble homes, and desolate scenery with nary a concern of cohesiveness or narrative. Make no attempt to include a theme, other than perhaps a New Yorker's condescension much like the lyrics in the Talking Heads song "The Big Country." You then have this book.
Perhaps 15-20 of these photgraphs hold some genuine magic. The rest are totally ridiculous. Much better is Eggleston's "Los Alamos."