Item description for Tuck (King Raven Trilogy) by Stephen R Lawhead & Adam Verner...
Overview In the conclusion of the retelling of the legend of Robin Hood, Bran and his followers desperately try to hold off repeated attacks by Abbot Hugo and the Norman invaders, until Friar Tuck offers them a daring solution to the crisis.
Publishers Description "Pray God our aim is true and each arrow finds its mark." The final installment of a completely reimagined epic of the man known as Robin Hood, told in a far more eerie, earthy, and elemental way than ever before. The story of Rhi Bran y Hud--Robin Hood--concludes as Abbot Hugo and the Norman invaders attempt to wipe out King Raven and his flock once and for all. Their merciless attack, the first of many to come, heralds a dark and desperate day for the realm of Elfael. Bran and his few stalwarts desperately need encouragement and reinforcement if they are to survive. But Friar Tuck, a most unconventional priest, has a daring solution to their dilemma that will radically alter all we've known about the legendary figure known as Robin Hood. Filled with unforgettable characters, breathtaking suspense, and rousing battle scenes, Stephen R. Lawhead's masterful retelling of the Robin Hood legend reaches its stunning conclusion in "Tuck." Steeped in Celtic mythology and the political intrigue of medieval Britain, Lawhead's trilogy conjures up an ancient past while holding a mirror to contemporary realities. Prepare to hear an epic tale that dares to shatter everything you thought you knew about Robin Hood.
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Format: Audiobook, CD, Unabridged
Studio: Oasis Audio
Est. Packaging Dimensions: Length: 5.56" Width: 6.54" Height: 1.09" Weight: 0.6 lbs.
Release Date Feb 4, 2009
Publisher Oasis Audio
Series King Raven Trilogy
Series Number 3
ISBN 1598594885 ISBN13 9781598594881
Availability 0 units.
More About Stephen R Lawhead & Adam Verner
Stephen Lawhead is an internationally acclaimed author of mythic history and imaginative fiction. He was born in 1950, in Nebraska in the USA. His early life was lived in America where he earned a university degree in Fine Arts and attended theological seminary for two years.
His first professional writing was done at Campus Life magazine in Chicago, where he was an editor and staff writer. During his five years at Campus Life he wrote hundreds of articles and several non-fiction books.
After a brief and unsuccessful foray into the music business—as president of his own record company—he launched his free-lance career in 1981. In the Hall of the Dragon King was his first novel.
In 1986 the Lawhead family moved to Britain so that Stephen could conduct research for the PENDRAGON CYCLE books. They settled there permanently in 1990, with some years spent living in Austria and a sabbatical in the United States.
In addition to his twenty-four novels, he has written nine children's books, many of them originally offered to his two sons, Drake and Ross. He is married to Alice Slaikeu Lawhead, with whom he has collaborated on books and articles. They make their home in Oxford, England.
Stephen's non-fiction, fiction and children's titles have variously been published in twenty-four foreign languages. He has won numerous industry awards, and in 2003 was awarded an Honorary Doctorate of Humane Letters by the University of Nebraska.
Stephen R. Lawhead has published or released items in the following series...
Reviews - What do customers think about Tuck (King Raven Trilogy)?
"I Am Too Old and Fat for This..." May 8, 2010
This is the third and final part in "The Raven King" trilogy, begun with Stephen Lawhead's Hood and continued in Scarlet. After publication was delayed for a period of time due to illness, "Tuck" finally concludes the story in a satisfactorily, though perhaps slightly anti-climactically, way. The key concept behind this particular version of Robin Hood is that it proposes to be the "real" story behind the legends, based on events that originated in Wales and which went on to inspire the later bards and minstrels.
Lawhead chooses to transport the traditionally English tale to Wales based on several factors: that country's dense forests, the Welsh skill with longbows, and the historical difficulties that the Normans had in conquering territories in eleventh century Wales due to the guerilla tactics that were used to repel invaders. Wales in circa 1093 (the time period in which this trilogy is set) was a breeding ground for stories that could have eventually grown into the Robin Hood legends as we know it today.
This particular retelling of Robin Hood has Rhi Bran y Hud as the titular character, a Prince of Wales who is driven from his home after Norman invaders kill his father and seize control over his lands. Taking to the woods, Bran embraces his role as a leader to the families that have sought sanctuary in the wild, and he becomes known as "the Raven King" to the people known as the Grellon or "the flock". Joined by his old friend Iwan (Little John), new friend Will Scathelock (or Scarlett), close acquaintance Friar Aethelfrith (Tuck) and his long-time love Merian (no translation needed), Bran uses scare tactics to terrorize and raid Norman convoys and settlements.
After thwarting a plot to overthrow King William Rufus, the outlaws return home in disappointment after the king refuses to return Bran to his rightful place on the throne. Though Rufus has exiled the greedy Baron de Braose and his nephew Count Falkes, the Welsh still have to deal with the sadistic Sheriff de Granville, the corrupt Abbott Hugo de Rainult and their lackey Guy of Gysborne. Although the story is told in first-person narrative (moving away from Scarlett's confessional account of events in the second book) and drifts between several characters' points of view, much of the focus falls upon Tuck, the self-described: "poor, humble mendicant whom God has seen fit to bless with a stooped back, a face that frightens young `uns, and knees that have never had fellowship with the other."
Much like the trilogy itself, "Tuck" is divided into three distinct parts: the outlaws' rescue of a potential ally, the ousting of the Ffreinc from Bran's ancestral home, and the final gathering of two armies in order to fight for the freedom of Elfael. As such, the story feels a little choppy, especially when certain plotlines don't tie together particularly well. Although the lengthy first act involves Bran and his men undergoing a clever but dangerous mission in order to rescue King Gruffydd, the eventual pay-off isn't particularly rewarding. Likewise, Merian (still rather bland) has a short subplot in which she returns to her brother in order to muster his soldiers, only to be taken under house arrest by her family. Although she argues the cause of Bran and the Welsh with passion, her brother and Bran's allies eventually come to a decision that they would have reached with or without Merian's insistence. Likewise the conniving character of Baron Bernard de Neufmarche fizzles out a little bit to the point where I'm not entirely sure why he was necessary at all. The man who was shaping up to be the main antagonist of the series ends up as a minor background character.
As the title would indicate, it is naturally Tuck who keeps the disparate bits of the narrative together. Tuck is often the overlooked character in the legends; often used as comic relief or po-faced pontificating, but here he is warm and kind-hearted, wise and intelligent, witty and pious, and overseeing both the physical and spiritual needs of his little flock. In short, this is one of the best and most humanized Tucks I've ever come across. In various incarnations of this character, Tuck never quite seems a "follower" of Robin in the same sense that Little John, Will Scarlett, Much and even Marian are. Though he's a natural ally to Robin and an active part of the gang, he often comes across as a bit of an outsider, and it's perhaps because of his affiliations with the church that he never takes on true "outlaw" status.
That same idea is at work here; although Tuck is obviously loyal to Bran and happy to take his commands, there's also the sense that he answers to a higher power that transcends both sides of the conflict. His course is usually to encourage peace talks, and in fact this makes up the most crucial part of his role to play in this particular installment.
As the other characters go, Bran has come into his own and fully embraced his role as leader to the people, weighing up his victories and defeats and making the difficult decisions in order to protect what he holds dear. It is a bit odd however that so much of the narrative is somewhat distanced from his point of view, particularly considering how prominent he was at the beginning of the trilogy. I wonder if perhaps it would have been more effective if the first book had been called "Tuck", with the good friar setting Bran on the path to manhood and maturity, and this, the final book, being told from Bran's point of view in order to explore how much he's really grown.
Little John and Will Scarlett are fairly low-key here, and although Merian is more prominent, she and her relationship with Bran is still rather one-note. Alan a'Dale is introduced here as a vagabond and minstrel, and given the appropriate role of translator between the many dialects that existed in Wales at this time (furthermore, an epilogue explores his role in adapting the story into the legends as we know them today). Much never makes an appearance, and rest of the cast are a variety of original characters that help join in the conflict for the freedom of their homeland, but who suffer legitimate loss in the struggle.
Heading several of the chapters are the verses to a ballad that one day turns the events recorded here into legend, as well as an informative author's note that explains several of the concepts and historical ideals used in the narrative.
For what looks like such a large book, the pace is extraordinary quick and flits from scene to scene without any excess dross. Lawhead has a good handle on the distribution of dialogue, setting, characterization, historical context and plot, and never wastes any words when it comes to getting across the pertinent aspects of the story he's trying to tell. All in all, this has been an enjoyable adaptation of the familiar story, both predictable (not that that's necessarily a bad thing) and with plenty of clever and unforeseen twists. Focusing on a character that is so often given short-shrift (in the latest BBC series, Tuck wasn't even included until the third season) this is a warm and memorable portrayal of one of the most iconic and familiar characters in European legend.
Perfection May 2, 2010
Lawhead has always been one of the great storytellers. This threesome is very, very good. What a new, and I think better, way to tell this story. And now Crowe is in a movie that looks similar to these tales. Wonderful.
chivalry is, in fact, alive Apr 6, 2010
The King Raven Series is exciting, profound and life changing. it hearkens back to the day when true chivalry existed and makes one long for its return. The books wisk you away from earthy and gritty daily life and transport you back to a time of beauty, faithfulness and dogged determination for true justice.
Tuck by Stephen R. Lawhead Feb 11, 2010
Im not the kind to leave a super long drawn out commentary about every piece of good litterature that I happen upon. In this case, however, I feel it my duty to reward a writer who has taken a story that was so worn and two dementianal and (in my opinion) turned it into a work to rival LOTR. The characters seem so real and are written into very realistic situations. Your calling me nuts about now but remember the reaction of the reader emotionally is as important as the intellectual aspect of the story. The King Raven trilogy is one of the finest pieces of work I have come across in many-a-year. I am guaranteed to read it again soon.By the way I love LOTR. Just sos ya know. Buy these books! E TERRELL jr.
Last in the series Jan 31, 2010
Lawhead finishes his excellent series about (Robin) Hood with a narrative from Friar Tuck's perspective. While the story is not the typical tale of Hood, this work is far richer and told with believable depth. I did notice that Lawhead's verbiage is less dense in this trilogy than his previous publications which will appeal to a broader audience.