Item description for Esperando a Godot / Waiting for Godot by Samuel Beckett...
Esperando a Godot / Waiting for Godot by Samuel Beckett
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Est. Packaging Dimensions: Length: 7.5" Width: 4.9" Height: 0.4" Weight: 0.3 lbs.
Release Date Jun 1, 2003
ISBN 8472238652 ISBN13 9788472238657
Availability 0 units.
More About Samuel Beckett
Samuel Beckett: Samuel Beckett (1906-1989), one of the leading literary and dramatic figures of the twentieth century, was born in Foxrock, Ireland and attended Trinity University in Dublin. In 1928, he visited Paris for the first time and fell in with a number of avant-garde writers and artists, including James Joyce. In 1937, he settled in Paris permanently. Beckett wrote in both English and French, though his best-known works are mostly in the latter language. A prolific writer of novels, short stories, and poetry, he is remembered principally for his works for the theater, which belong to the tradition of the Theater of the Absurd and are characterized by their minimalist approach, stripping drama to its barest elements. In 1969, Beckett was awarded the Nobel Prize in Literature and commended for having "transformed the destitution of man into his exaltation." Beckett died in Paris in 1989. At the age of seventy-six he said: "With diminished concentration, loss of memory, obscured intelligence... the more chance there is for saying something closest to what one really is. Even though everything seems inexpressible, there remains the need to express. A child need to make a sand castle even though it makes no sense. In old age, with only a few grains of sand, one has the greatest possibility." (from Playwrights at Work, ed. by George Plimpton, 2000)
Samuel Beckett lived in Dublin. Samuel Beckett was born in 1906 and died in 1989.
Samuel Beckett has published or released items in the following series...
Reviews - What do customers think about Esperando a Godot / Waiting for Godot?
Waiting and Waiting and Waiting and ... Mar 24, 2008
Waiting and Waiting and Waiting and ...
Review of Play: Waiting for Godot - A Tragicomedy in Two Acts
Written in: 1949
Premiere in: 1953
By: Samuel Beckett (1906 - 1989)
Originally written in French and translated to English by the author himself.
This play takes place on a desolate road next to a barren tree. There are two aimless men loitering and passing the time in discussion. They are soon joined by two others. The first act of the play lasts through one evening. The second act lasts through a second evening almost identical to the first. When ever the subject of leaving their spot arises, we learn that they can't leave because they are "Waiting for Godot" and need to stay at this particular spot on the road.
There is a sense of timelessness. The second evenings (second act) seems to be slightly altered copy of the first evening (first act). The characters are "Waiting for Godot" and for salvation. Their wait for salvation might well be endless since all of them are loath to face their true motives, their real needs, their personal wants and honest desires. They don't seem to know why they are "Waiting for Godot" or what Godot (God?) will bring them. When they mention suicide they flippantly dismiss the subject. One time they say they can not hang themselves because they have no rope when in fact there is a rope lying on the stage as one of the few props.
They appear to have voluntarily subjected themselves to a purgatory and don't have the courage or initiative to even question their situation.
The discussion ranges from an inane account of boots being too tight to sophistic meanderings on the purpose of life. The characters seem to relentlessly keep talking to avoid facing something. We are not privy to any of their pasts or in fact any personal information about any of the characters. They might have been meeting on the desolate road for an endless time, so that any past that they had is lost in the mist of their memories.
The nearly barren tree reminds them of a hanging tree and by implication a crucifixion cross. The tree dominates the stage background just as Godot dominates the lives; free choice and every expression of the four main characters. Does the milieu force the characters to think of salvation to the exclusion of a meaningful life? Could their need for salvation keep them trapped in a purgative existence where escape would be a form of condemnation which none of them could tolerate?
The play "Waiting for Godot" forces the reader to ask questions of him/her self.
Waiting for Godot
Krapp's Last Tape
Endgame and Act Without Words
I completely enjoyed and highly recommend this book.