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Terpsichore in Sneakers: Post-Modern Dance (Wesleyan Paperback) [Paperback]

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Item description for Terpsichore in Sneakers: Post-Modern Dance (Wesleyan Paperback) by Sally Banes...

Drawing on the postmodern perspective and concerns that informed her groundbreaking Terpischore in Sneakers, Sally Bane's Writing Dancing documents the background and development of avant-garde and popular dance, analyzing individual artists, performances, and entire dance movements. With a sure grasp of shifting cultural dynamics, Banes shows how postmodern dance is integrally connected to other oppositional, often marginalized strands of dance culture, and considers how certain kinds of dance move from the margins to the mainstream.

Banes begins by considering the act of dance criticism itself, exploring its modes, methods, and underlying assumptions and examining the work of other critics. She traces the development of contemporary dance from the early work of such influential figures as Merce Cunningham and George Balanchine to such contemporary choreographers as Molissa Fenley, Karole Armitage, and Michael Clark. She analyzes the contributions of the Judson Dance Theatre and the Workers' Dance League, the emergence of Latin postmodern dance in New York, and the impact of black jazz in Russia. In addition, Banes explores such untraditional performance modes as breakdancing and the "drunk dancing" of Fred Astaire.

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Item Specifications...

Studio: Wesleyan
Pages   311
Est. Packaging Dimensions:   Length: 1.25" Width: 7.25" Height: 9.25"
Weight:   1.35 lbs.
Binding  Softcover
Release Date   Jun 30, 1987
Publisher   Wesleyan
ISBN  0819561606  
ISBN13  9780819561602  

Availability  7 units.
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More About Sally Banes

Register your artisan biography and upload your photo! SALLY BANES is associate professor of dance history and theater studies at Cornell University. She graduated from University of Chicago (B.A. 1972) and New York University (Ph.D. 1980) and has taught at Wesleyan University, the State University of New York at Purchase, Florida State University, and the New York City School of Visual Arts. Banes has received Guggenheim, Mellon, and The American Council of Learned
Socities fellowships. She has been editor of Dance Research Journal and performance art critic for the Village Voice, and she was formerly a senior critic at Dance Magazine, a contributing editor to Dance Scope and Performing Arts Journal, and the dance editor of the Chicago Reader and Soho Weekly News. Her books include Democracy's Body: Judson Dance Theater 1962-1964; Fresh: Hip Hop Don't Stop, with Nelson George, Susan Flinker, and Patty Romanowski; Our National Passion: 200 Years of Sex in America, with Sheldon Frank and Tem Horwitz; Sweet Home Chicago: The Real City Guide, with Sheldon Frank and Tem Horowitz; and Amazing Grace: Images in the Avant-Garde Arts of the 1960s, to be published in 1990. She has edited Footnote to History, by Si-lan Chen Leyda, and Soviet Choreographers in the 1920s by Elizabeth Souritz. She lives in Freeville, New York.

Sally Banes currently resides in the state of Wisconsin. Sally Banes has an academic affiliation as follows - University of Wisconsin-Madison, USA.

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Product Categories

1Books > Subjects > Arts & Photography > Performing Arts > Dance > General
2Books > Subjects > Arts & Photography > Performing Arts > Dance > Modern
3Books > Subjects > Arts & Photography > Performing Arts > Theater > General
4Books > Subjects > Entertainment > Games > General
5Books > Subjects > Entertainment > Games
6Books > Subjects > Literature & Fiction > Books & Reading > Reference
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9Books > Subjects > Sports

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Reviews - What do customers think about Terpsichore in Sneakers: Post-Modern Dance (Wesleyan Paperback)?

Tripping the Post-Modern Light Fantastic  May 17, 2000
The evolution of the roughly twenty-five years of American post-modern dance is expounded upon in Sally Banes' articulate and comprehensive treatment of the period from 1960 to 1985. Pivotal characters in this history, of which there are several, are examined in detail, with many descriptive passages of definitive works and happenings from the era. Post-modern, originally referring only chronologically (and vaguely) to the period following what we now call historical modern dance, actually has several specific and revolutionary veins of philosophy and aesthetics attached to it. Well researched, Terpsichore in Sneakers has several photographs, choreographers' scores, charts, and notes (including some previously unpublished), a selected bibliography, and an alphabetical list of works by and about seminal contributors to the movement. Fascinating and enlightening reading not only for dancers, but for those interested in American cultural history and anthropology.

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