Item description for Bernini by Rudolf Wittkower...
Overview Examines the contributions to sculpture of the seventeenth-century Italian artist
Publishers Description Gian Lorenzo Bernini (1598 -- 1680) was the greatest and most influential sculptor of his age. Endlessly inventive and gifted with extraordinary skill, he virtually created the Baroque style. In his religious sculptures he excelled at capturing movement and extreme emotion, uniting figures with their setting to create a single conception of overwhelming intensity that perfectly expressed the fervour of Counter-Reformation Rome. Intensity and drama also characterize his remarkable portraits and his world-famous Roman fountains.
Rudolf Wittkower's classic monograph and catalogue raisonne has been the standard work on Bernini since 1955. It is now available in an updated and expanded edition. The concise but masterly survey provides an authoritative introduction to Bernini's work, while the full catalogue gives detailed, scholarly and up-to-date information on his complete oeuvre.
Citations And Professional Reviews Bernini by Rudolf Wittkower has been reviewed by professional book reviewers and journalists at the following establishments -
Library Journal - 02/15/1998 page 137
Booklist - 12/15/1997 page 677
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Studio: Phaidon Press
Est. Packaging Dimensions: Length: 10.96" Width: 9.98" Height: 1.25" Weight: 4.15 lbs.
Release Date Sep 26, 1997
Publisher Phaidon Press
ISBN 0714837156 ISBN13 9780714837154
Availability 0 units.
More About Rudolf Wittkower
Rudolf Wittkower was born in Berlin in 1901. Leaving Germany when the Nazis came to power, he was one of the animators of the Warburg Institute of London. In 1941 he organized, with Fritz Saxl, the exhibition British Art and the Mediterranean, the publication of which (1948) forms an important document of the aims and methods of the Warburg Institute. A great scholar of Italian Renaissance and Baroque art, Wittkower taught at both the University of London and Columbia University. His books, all important works of scholarship, include Die Zeichnungen des Gian Lorenzo Bernini (with H. Bruer, 1931), The Drawings of the Carracci at Windsor Castle (1952), Gian Lorenzo Bernini, the Sculptor of Roman Baroque (1955), Art and Architecture in Italy, 1600-1750 (1958), Born under Saturn (with Margot Wittkower, 1963), and Divine Michelangelo: The Florentine Academy's Homage on His Death in 1564 (with Margot Wittkower, 1964). In addition, he was a frequent contributor to the Journal of the Warbung and Courtauld Institute, the Art Bulletin, Burlington Magazine and the Journal of the Society of Architectural Historians, among others.
sculptor. architect. child prodigy... Bernini's real name was Michaelangelo, but he hid the fact so that his own work would stand apart from that of the greatest sculptor of all time. Here is a tribute to a man who fufilled a great potential to create beauty in this world. The Galleria Borghese in Rome will attest to this. A wonderful volume about a truly incredible talent.
bellissima Jun 18, 2002
Wittkower has created a book that is easily enjoyable for those familiar of Bernini, or those starting to learn about art/archetecture of the Baroque. I highly reccommend this book to anyone remotely interested in this period, as the photos are clear and the explanations are not filled with jargon a lay person could not understand. bravo.
A Must For Bernini Scholars Sep 5, 2000
Wittkower's work is simply stated an artistic anthology of the achievements and life of the chief architect of the Roman Baroque. His perseptive commentary and pertinent factual information are extremely useful to all who attempt to comprehend the complex messages behind all of Bernini's work. While the author stays committed to rendering the artist as a sculptor and architect, one wishes that Wittkower would delve more into the environment, particularly political and religious movements, that continually serve as an impetus and background to Bernini's chef d'oeuvres. Regardless, Wittkower's inclusion of both color and detailed black and white plates allow the viewer to observe the Baroque master's works in their appropriate light.