Item description for Cy Twombly: A Monograph by Richard Leeman, Cy Twombly & Isabelle D. Hauteville...
The pictorial creations by American artist Cy Twombly have represented, for more than 50 years, a sort of enigma that reinforces the mythic status of the artist. This book, takes into consideration Twombly's immense and complex body of work from the 1950s up through his current works, offers a thematic and chronological interpretation of his paintings, drawings, sculptures, and collages. Richard Leeman's study elucidates the symbols found in Twombly's paintings―pictograms, numbers, words, colors―that, at first glance, constitute diverse and unique entities, but then assemble to form a veritable language, where their often primitive forms mix on the canvas with allusive fragments of a vast culture. From scribbles and drawings to words, Twombly's work profoundly articulates a language and memory of desire where painting, drawing, and writing meld into a single art form. This exquisitely produced volume, complete with six gatefolds, is an important addition to the existing bibliography of works on one of America's preeminent contemporary artists. Exhibition Schedule “Cy Twombly: Fifty Years of Works on Paper” Whitney Museum of Art: January 27—May 8, 2005 Menil Collection, Houston, TX: May 27—September 4, 2005
Richard Leeman is a professor of Art History at Bordeaux University. After completing his doctorate thesis on Cy Twombly, he has contributed to a book on the history of visual art published in French and to the launch of the first issue of the new art history journal 20/21e siècles. He was head of research and subsequently scientific advisor for Vektor, a European project that fosters the exchange of information in the field of contemporary art.
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Est. Packaging Dimensions: Length: 1.5" Width: 10.25" Height: 12" Weight: 5.7 lbs.
Release Date Jun 28, 2005
ISBN 2080304836 ISBN13 9782080304834
Availability 0 units.
More About Richard Leeman, Cy Twombly & Isabelle D. Hauteville
Richard Leeman is a professor of Art History at Bordeaux University. After completing his doctorate thesis on Cy Twombly, he has contributed to a book on the history of visual art published in French and to the launch of the first issue of the new art history journal 20/21e siecles. He was head of research and subsequently scientific advisor for Vektor, a European project that fosters the exchange of information in the field of contemporary art.
Reviews - What do customers think about Cy Twombly: A Monograph?
Fabulous book on a major artist Jun 26, 2008
This is the best book on a major contemporary artist and belongs in the library of anyone at all interested in his work. Truly exceptional illustrations of many works in large format, with over 300 plates, virtually all in full color (!) including fold out pages showing close-ups of some of his paintings, allowing one to see individual brush strokes, pencil marks, etc. The reproductions extend to the edge of the page in many instances; the detail shots are particularly rewarding.
When this first came out, it seemed fully priced at $75 after this site's discount. In retrospect, it was a bargain and if you can get one of those copies offered at $100 now, new in hardcover, jump on it. Those people asking $500 and up are telling you this is a book that sells well on Madison Avenue. Books on Cy Twombly wind up selling at high prices, as O.D.Jones pointed out in his review. I suspect this is a book like the Guggenheim's tomes on Roy Lichtenstein, Ellsworth Kelly and David Smith that not long after going out of print (and being recognized as the best book on a major artist) wind up selling at large premiums to their original price.
This is not a book which is bought for the text, which yields space to allow more illustrations. Good idea. You can read the Varnedoe book if you want insight and in depth analysis; he's one curator/critic who actually made sense when he wrote and is sorely missed for that reason. Buy this book principally for the aesthetic delight of looking at the work.
The best book on Twombly Apr 3, 2007
Cy Twombly is the typical "my-kid-could-do-that" artist...and yet being face to face with one of his best paintings is always a mysterious, entrancing, exhilarating experience. This book, through its many high-quality reproductions (close-ups even succeed in rendering the thick brushstrokes, a trademark of the artist), manages to convey some of this experience to the reader. It is a very well written work which deciphers Twombly's art better than any other publication on the artist as far as I know (I own more than 20 books on the artist...). I highly recommend it to anyone interested in the work of this great artist.
Fifty plus years of an extraordinary artist's output Dec 30, 2005
Cy Twombly is an artist who remains on the playing field, creating much the same type work over the years, yet still inspiring artists and audience alike. There is something gloriously spontaneous and innocent about his seemingly random 'scribblings' on canvas or paper. Perhaps he connects with the nascent artist in each of us: 'if this man can do this, I could, too!'
Perusing this well constructed monograph quickly suspends delusions of being able to recreate Twombly's art. In generous foldout pages and richly reproduced examples of works from 1950 to the present we find hints of symbols, fragments of words that hold as much mystery as cave paintings or hieroglyphics, just variations on themes that serve to nurture excitement for the idiosyncratic work of this fine artist.
The visuals are what make this book. The essay contributions by Richard Leeman who wrote his doctoral dissertation on Twombly are a bit on the dry side but as secure information as one is likely to find on this fascinating artist. Highly Recommended for all who have fallen under the spell of Twombly. Grady Harp, December 05
About the only major Twombly book in print Nov 13, 2005
Basically, works on Twombly seem to come and go out of print, and become rather pricey collectors items quickly. This book contains an excellent selection of reproductions, including foldouts, of all phases of his career. The only thing that prevents this from being a five star book is the rather pedestrian (although well researched) text, in the usual obfuscating artspeak that passes for deep insight today. The out of print Varnadoe book from the major restropective of the 90's has a far more lucid outline of the works in question...but, really, you're probably buying the book for the reproductions anyway, and there are plenty of them, including some nice full page close up details of the often massive works. Not an inexpensive book, but well worth it for anyone interested in this "painter's painter" works.