Item description for King Lear (Arden Shakespeare: Third Series) by William Shakespeare, Jay Leno, Thomas J. Healey, Archbishop Desmond Tutu, Jane Goodall, William Link & Sylvia Yount...
'By far the best edition of King Lear - in respect of both textual and other matters - that we now have.' John Lyon, English Language Notes 'This volume is a treasure-trove of precise information and stimulating comments on practically every aspect of the Lear-universe. I know of no other edition which I would recommend with such confidence: to students, professional colleagues and also the 'educated public'.' Dieter Mehl, Shakespeare Jahrbuch, vol 134
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Est. Packaging Dimensions: Length: 1" Width: 5.5" Height: 8.25" Weight: 1.15 lbs.
Release Date Jan 1, 1998
ISBN 1903436583 ISBN13 9781903436585
Availability 0 units.
More About William Shakespeare, Jay Leno, Thomas J. Healey, Archbishop Desmond Tutu, Jane Goodall, William Link & Sylvia Yount
William Shakespeare was an English poet and playwright, widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the "Bard of Avon." His extant works include some collaboration, consisting of about 38 plays, 154 sonnets, two long narrative poems, and a few other verses, the authorship of some of which is uncertain. His plays have been translated into every major living language and are performed more often than those of any other playwright.
William Shakespeare lived in Stratford-Upon-The Avon. William Shakespeare was born in 1564 and died in 1616.
William Shakespeare has published or released items in the following series...
Reviews - What do customers think about King Lear (Arden Shakespeare: Third Series)?
Sir Alec Guiness's BBC radio recording of King Lear may be adequate for those familiar with this great play for our day Sep 6, 2008
If you have already carefully read the play, and seen various presentations, this ancient BBC radio recording may prove an adequate and refreshing version. There are jarring interludes of Stravinsky-inspired music which may now seem anachronistic or otherwise out of place, rather than tragically atmospheric, but you may find as well redeeming qualities within this recording.
For one we do not find the monotone reedy Guiness voice familiar from his films, but a broad spectrumed and robust rendition of the mighty (and tragic) character of Lear. I find nevertheless the voicings of the Fool unfortunately most often nearly indistinguishable from the young gentlemen, and the voicings of the royal women barely distinguishable one from the other, even Cordelia. Although this may seem a prerequisite for any radio presentation in which only aural cues are possible, anyone reading along, for instance in the venerable and traditional and reliable King Lear (Arden Shakespeare) edition, or intimately familiar with this ancient fable may be able to distinguish well who speaks when. Otherwise it can grow incomprehensibly, dismayingly, even discouragingly confusing.
Thus you may find here an adequate aural presentation of this play. You may also wish to hear the great Paul Scofield as King Lear (Naxos AudioBooks). Audio recordings by Gielgud, etc. are also available, but this serves as a good place to start and not too greatly eviscerated, even if our eyes are plucked out and we must hear only, nosing our way to Dover. Certainly an excellent tragedy to revisit as we find a mad old man approaching the throne and a woman in the waiting.
Review of the Signet edition of Shakespeare's "King Lear" Apr 10, 2008
This paperback is a handy edition of Shakespeare's great play, useful for students on all levels. The critical essays in the back are helpful, though one or two more recent ones could have been included.
Helpful Jan 15, 2007
I have my degree in English... I like reading and teaching with this version as "help" not as a substitution. It gives a clearer understanding to Shakespeare for people who have difficulty with it.
Great Ideas--But Beware! Nov 10, 2006
I bought this edition as a teaching supplement, not realizing that it is the folio version of the play. The words "quarto" and "folio" refer to the size of the pages in the two editions. Many secondary schools and universities use the quarto edition and a lot is left out of the folio--this version cuts out three hundred lines and adds one hundred new ones. The effect is that it alters the way the characters are shown. If you are reading the play with a class and they have a quarto version, while you are using your trusty teacher's Cambridge, chances are there will be a lot of blank expressions and confusion on their faces. The lines they see will not jibe with yours. The extra articles and class activities are great though--just make sure that if you use the Cambridge, you have your students buy only folio editions.
Good value for your money Sep 8, 2006
Although this edition is not quite as exhaustive as the Arden Shakespeare paperbacks, it does have good commentary and even includes a fair bit of criticism. It's not expensive and the print is clear and readable, not small or cramped like some Shakespeare editions. The comments, which largely explain difficult words in the text, are printed on the same page as the text, which is helpful. I use a copy of this for studying Shakespeare - at such a good prize, you don't feel bad for scribbling notes in the margins.