Item description for American Movie Critics: From the Silents Until Now by Phillip Lopate...
Overview A dual history of American movies and movie reviews evaluates how the nation's films have both fostered new ways of seeing the world and spawned an extraordinary body of critical writing, in a collection of essays that includes contributions by such figures as James Agee, Ralph Ellison, and Roger Ebert.
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Est. Packaging Dimensions: Length: 1.75" Width: 6.25" Height: 9.75" Weight: 2.25 lbs.
Publisher Library of America
ISBN 1931082928 ISBN13 9781931082921
Availability 0 units.
More About Phillip Lopate
Philip Lopate is the author of "Against Joie de Vivre," "Bachelorhood," "The Rug Merchant," "Being with Children," and "Confessions of Summer." A recipient of Guggenheim and National Endowment for the Arts fellowships, his works have appeared in "Best American Essays," "The Paris Review," Pushcart Prize annuals, and many other publications. He lives in Brooklyn, New York, and is Adams Professor of English at Hofstra University.
Phillip Lopate currently resides in Brooklyn, in the state of New York. Phillip Lopate was born in 1943 and has an academic affiliation as follows - Columbia University.
Reviews - What do customers think about American Movie Critics: From the Silents Until Now?
Great book, but where's the index? Jan 28, 2007
I was surprised not to find an index in this otherwise excellent book.
Screen Tests Oct 24, 2006
I wanted a book that would cover a wide array of reviews and struck gold with this one. Though now that I think of it, maybe I should have held out for one that included non-American writers in it. I'm such a dunce, I didn't see until too late that, on the title page, clearly marked, it reads, "A special publication of the Library of America." No wonder it's so America-centric, but I picked up the book and opened it by happenstance to Penelope Gilliatt's scintillating review of Fassbinder's Petra Von Kant, and naturally I took the book to be more international in scope than it actually is. In what universe do people think of Gilliatt as a US writer? It doesn't really matter because what remains deserves four stars.
Lopate doesn't go just for the simple nobrainer essays by each of the authors, but he actually spends time thinking of new ways to showcase their skills. Thus for James Agee we don't get the old Silent Clowns piece, or the one onm MONSIEUR VERDOUX nor Val Lewton. He goes for the unfamiliar nearly every time, which is nice. (The only exception I can see offhand is Molly Haskell on "The Woman's Film," but that's nice in a quite different way since Haskell's essay is so lengthy and comprehensive hat it is only occasionally reprinted anywhere, despite its historical significance.
Bell Hooks and John Ashbery have certainly written better work elsewhere. But it is nice to see James Harvey and Stuart Klawans, both so underrated, here given pride of place. And having Libby Gelman-Waxner in a book of this kind is certainly a victory for gay incursion into the canon. James Baldwin on LADY SINGS THE BLUES and Paul Schrader's "Notes on Film Noir" would alone make a great book, and there are literally dozens of others of equal quality. Gee, that Renata Adler could sure bite back, couldn't she? I don't remember her as so aerbic as she is here about Richard Brooks' film of IN COLD BLOOD. Talk about cold blooded, she's the kind of writer about whom I used to think, admiringly, "She's so New York," when I meant, acidic.
Fast and reasonable Jul 5, 2006
I was surprised, first of all, that the book was available. It had been published the day before. I was also surprised at how fast it came--only about 3 days. And, of course, the price was terrific!
Gift for a grandchild Jul 5, 2006
The book was selected as a gjft because it seemed to be an excellent choice for a grandchild (age 19) who is very interested in all aspects of film.
Over a hundred fifty pieces by nearly eighty contributors span nearly a hundred years May 22, 2006
Any collection strong in entertainment and movie history, especially college-level holdings, will want to have AMERICAN MOVIE CRITICS: AN ANTHOLOGY FROM THE SILENTS UNTIL NOW in their collection. It's the first anthology to categorize, define and explore movie reviewing as a discipline of its own: chapters blend a history of the rose of movies with a concurrent survey of the rise of movie critics and reviewing methods, tracking changes in methods, contributions of notable critics over the decades, and including quotes and samples from some of today's best. Over a hundred fifty pieces by nearly eighty contributors span nearly a hundred years.