Item description for Herzog & de Meuron: Natural History (Herzog & de Meuron) by Philip Ursprung...
More than any of their contemporaries, Swiss architects Jacques Herzog and Pierre de Meuron are challenging the boundaries between architecture and art. Natural History explores that challenge, examining how the work of this formidable pair has drawn upon the art of both past and present, and brought architecture into dialogue with the art of our time. Echoing an encyclopedia, this publication reflects the natural history museum structure of the exhibition which it accompanies, organized by the Canadian Centre for Architecture. Models and projects by Herzog & de Meuron, as well as by other artists, are structured around six thematic portfolios that suggest an evolutionary history of the architects' work: Appropriation & Reconstruction, Transformation & Alienation, Stacking & Compression, Imprints & Moulds, Interlocking Spaces, and Beauty & Atmosphere. Each section is introduced with a statement from Herzog, and more than 20 artists, scholars, and architects have contributed essays, including Carrie Asman, Georges Didi-Huberman, Kurt W. Forster, Boris Groys, Ulrike Meyer Stump, Peggy Phelan, Thomas Ruff, Rebecca Schneider, Adolf Max Vogt, and Jeff Wall.
A building is a building. It cannot be read like a book; it doesn't have any credits, subtitles or labels like pictures in a gallery. In that sense, we are absolutely anti-representational. The strength of our buildings is the immediate, visceral impact they have on a visitor. --Jacques Herzog
Edited by Philip Ursprung. Contributions by Fernando Romero, Carrie Asman, Boris Groys, Gernot Bohme, Jeff Wall, Thomas Ruff, Alfred Richterich, Adolph Max Vogt, Alejandro Zaera-Polo, Reinhold Hohl, Petros Koumoutsakos, Albert Lutz, Christian Muoeix, Hurzeler, Catherine, Rebecca Schneider and Remy Zaugg. Foreword by Phyllis Lambert. Introduction by Kurt W. Forster.
Hardcover, 480 pages, 300 color and 200 b&w illustrations
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Est. Packaging Dimensions: Length: 1" Width: 6.5" Height: 9.5" Weight: 2.14 lbs.
Release Date Feb 1, 2006
Publisher Lars Müller Publishers
ISBN 3037780495 ISBN13 9783037780497
Availability 0 units.
More About Philip Ursprung
Philip Ursprung is Swiss National Science Foundation Professor for Art History at the Swiss Federal Institute of Technology in Zurich, Visiting Curator at the Canadian Centre for Architecture, and an elected member of the Swiss Federal Commission for the Arts.
Reviews - What do customers think about Herzog & de Meuron: Natural History (Herzog & de Meuron)?
art of H & DeM Mar 16, 2007
H & DeM have always been influenced by art & you can even argue that their body of work could be an entire exhibiton. This book follows up some of their selected projects with interviews of the architects themselves as well as the collaborative artists. It does well to probe into theie unique process of design & actualization of their work. Jaques Herzog says that Art is roughly 20 years ahead of architecture. This vivid book clearly shows the great accomplishments by two men who are constantly trying to even up the odds between art & architecture through inspirations from the natural world.
layers of history, time, artifacts, translated into architecture Jun 3, 2006
I don't think this is an "object book" but a book in which herzog & de meuron want readers to understand their work like an archaelogical history. you cannot flip through it like an photographic architectural essay, but you really have to sit down, have a cup of coffee/tea, and really read the book, think about what they are saying, how other ideas such as art, history, materials, cultural, industrial changes, and etc. are interacting to their architectural process. certainly, they have the depth in their thoughts to publish a book that doesn't depend on photographs/architectural drawings. quite refreshing.
Herzog & De Meuron: Natural History Apr 11, 2003
Another object book with content that matches the originality of the design. Herzog & De Meuron, the Basel-based architects, are best known for their art museums, but also for creating buildings that are works of art--even when the program is as mundane as a railroad signal box. This companion to the recent CCA exhibition is an anthology of interviews, stimulating essays by artists and clients, and pictures of objects that have inspired them, in addition to an illustrated catalogue of their 200 buildings and projects. (Michael Webb is the book reviewer for LA Architect magazine.)