Item description for The End of the Game: The Last Word from Paradise by Peter H. Beard...
Researched, photographed, and compiled over 20 years, Peter Beard's End of the Game tells the tale of the enterprisers, explorers, missionaries, and big-game hunters whose quests for adventure and "progress" were to change the face of Africa in the 20th century. This landmark volume is assembled from hundreds of historical photographs and writings, starting with the building of the Mombasa Railroad ("The Lunatic Line") and the opening-up of darkest Africa. The stories behind the heroic figures in Beard's work-Theodore Roosevelt, Frederick Courtney Selous, Karen Blixen (Isak Dinesen), Denys Finch-Hatton (the romantic hero of Out of Africa), Philip Percival, J. A. Hunter, Ernest Hemingway, and J. H. Patterson (who became famous as the relentless hunter of the "Man-Eating Lions of Tsavo")-are all contextualized by Beard's own photographs of the enormous region. Shot in the 1960s and '70s in the Tsavo lowlands during the elephant-habitat crisis and then in Uganda parks, Beard's studies of elephant and hippo population dynamics document the inevitable overpopulation and starvation of tens of thousands of elephants and rhinos.Originally published in 1965 and updated in 1977, this classic is resurrected by TASCHEN with rich duotone reproduction and a new foreword by internationally renowned travel and fiction writer Paul Theroux. Touching on themes such as distance from nature, density and stress, loss of common sense, and global emergencies, this seminal picture history of eastern Africa in the first half of the 20th century shows us the origins of the wildlife crisis on the continent, a phenomenon which bears a remarkable resemblance to the overpopulation and climate crises we face today.
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Est. Packaging Dimensions: Length: 1.25" Width: 10" Height: 11" Weight: 3.5 lbs.
Release Date Jun 20, 2008
ISBN 3836505304 ISBN13 9783836505307
Availability 0 units.
More About Peter H. Beard
Born in New York City in 1938, Peter Beard began taking photographs and keeping diaries from early childhood. By the time he graduated from Yale University, he had developed a keen interest in Africa. Throughout the 1960s and '70s he worked in Tsavo Park, the Aberdares, and Lake Rudolf in Kenyas's northern frontier. His first show came in 1975 at the Blum Helman Gallery, and was followed in 1977 by the landmark installation of elephant carcasses, burned diaries, taxidermy, African artifacts, books and personal memorabilia at New York's International Center for Photography. In addition to creating original artwork, Beard has also worked as a Vogue photographer and collaborated on projects with Andy Warhol, Andrew Wyeth, Richard Linder, Terry Southern, Truman Capote, and Francis Bacon. In 1996, shortly after Bear was trampled by an elephant, his first major retrospective took place at the Centre National de la Photographie in Paris, France, followed by shows in Berlin, London, Milan, Stockholm, Tokyo, and Vienna, among others. He lives in New York City, Long Island, and Kenya with his wife, Nejma, and daughter, Zara.
Reviews - What do customers think about The End of the Game: The Last Word from Paradise?
Mayjah Mojo Dec 27, 2007
Moleskine Pocket Journal - Plain Pages
I love this book! I lived in North Africa, briefly, but had friends that lived in Kenya and places where safaris actually happen. So, I have heard many first hand accounts of life in modern day Africa, (Malaria!) but thanks to the gorgeous photographs, torn bits of history, diary entries, drawings and Beard's interesting explanations, I could experience a different Africa. Aside from actually undergoing a painful series of shots, venturing into the grasslands, climbing Kilamanjaro, or just trying to figure out the settings on my camera, I think reading or just gazing at this book makes the perfect African holiday. Romantic, tragic and inspiring...I still fear mossies the most!
This book will blow your Mind....... Sep 5, 2007
I first happened upon this book while engaged in my day-to-day duties in the shelves of the Augsburg College Library in Minneapolis where I worked as a student library assistant in the mid-70's. As I began paging through it, I began to realize that I had never seen a "nature" book like this before. The book and the characters in it were at once bold, daring, mesmerizing and weird. You just have to read it.
The end of the big game - A book to protect today'swildlife Jan 6, 2004
Published in 1965, the book is the most famous book of Peter Beard. The book is shoking as most photos are pictures of dead animals, it is definitely not a book to look at before your safari. Black and white pictures are excellent. Sadly, the last pages are only photos of elephant's carcasses (too much?). The Beard's touch is a book full of old illustration, tiny pics, small and odd drawings and detailed texts - most of them taken from the British Museum. The book is about the Old Africa and text about Mt Kenya, the Man-eaters of Tsavo, Nairobi and Karen Blixen are not easy and you must have a knowledge of Kenyan history to understand them fully. This book is essential for any African collection as it has shocked and marked history.
Old Africa brought to life Nov 11, 2001
An excellent book for those that can handle the truth. It shows what will happen when nature is left to manage itself and what happens when men don't control themselves. It's about hard times and history-a way of life long forgotten. If you are a product of the spoonfed Disney age, then you'll find this book shocking. It may well be your first taste of truth about wild animals,wild places, and the true spirit of man. This book is about Old Africa and should not be judged with today's politically correct eye. It is an account of things happened in a forgotten time, and a lost way of life.
Old Africa-brought to life Nov 11, 2001
It's a very real look at Old Africa. It shows the truth of man's bad luck, bad descisions, greed, and life filled with hard times. It shows nature in it's true self, not some Disney version of happy animals dancing around. This is an excellent book and should serve as a wake up call for the multitudes of Americans who believe the garbage that is spoon fed to them on their televisions. It may be well more than most readers can handle, because the truth is not sugar coated here.