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America, My Brother, My Blood / Amrica, mi hermano, mi sangre: A Latin American Song of Suffering and Resistance (Ocean Sur) [Paperback]

By Pablo Neruda, Alexandra Keeble (Editor) & Rachel Kirby (Editor)
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Item description for America, My Brother, My Blood / Amrica, mi hermano, mi sangre: A Latin American Song of Suffering and Resistance (Ocean Sur) by Pablo Neruda, Alexandra Keeble & Rachel Kirby...

Overview
Pablo Neruda's political poems accompany the art of indigenous Ecuadorian painter Oswaldo Guayasamin as the two artists combine to make a plea for the dignity and sovereignty of Latin America.

Publishers Description
Bilingual in English and Spanish throughout, with extracts from Neruda's most significant poetic work, Canto General, and paintings from every major period of Guayasamin's long artistic career, America, My Brother, My Blood brings to life the battles, losses, victories, and heroes in Latin America's history of resistance.

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Item Specifications...


Pages   120
Est. Packaging Dimensions:   Length: 0.5" Width: 11.25" Height: 13"
Weight:   2.3 lbs.
Binding  Softcover
Release Date   Nov 1, 2006
Publisher   Ocean Press
ISBN  192088873X  
ISBN13  9781920888732  


Availability  0 units.


More About Pablo Neruda, Alexandra Keeble & Rachel Kirby


Register your artisan biography and upload your photo! Neftali Ricardo Reyes, whose pseudonym was to be Pablo Neruda, was born in Parral, Chile, in 1904. He grew up in the pioneer town of Temuco, briefly encountering Gabriela Mistral, who taught there for a time. In 1920 he went to Santiago to study, and the following year published his first collection of poetry, La Cancion de la Fiesta. A second collection, Crepusculario, brought him critical recognition; and in 1924 the hugely successful Veinte Poemas de Amor y una Cancion Desesperadaappeared. From 1927 to 1943, Neruda lived abroad, serving as a diplomat in Rangoon, Colombo, Batavia, Singapore, Buenos Aires, Barcelona, Madrid, Paris, and Mexico City. This is the period that saw the publication of the first two volumes of his celebrated Residencia en la Tierra. He joined the Communist Party of Chile after World War II, was prosecuted as a subversive, and began an exile that took him to Russia, Eastern Europe, and China. Already the most renowned Latin American poet of his time, he returned to Chile in 1952. He died there in 1973, having just seen the fourth edition of his Obras Completasthrough the press. In receiving the Nobel Prize in 1971, he had said that the poet must achieve a balance "between solitude and solidarity, between feeling and action, between the intimacy of one's self, the intimacy of mankind, and the relevation of nature."

W.S. Merwin
has published many highly regarded books of poems, for which he has received a number of distinguished awards the Pulitzer Prize, Bollingen Award, Fellowship of the Academy of American Poets and the Governor's Award for Literature of the state of Hawaii among them. He has translated widely from many languages, and his versions of classics such as The Poem of the Cid and The Song of Rolandare standards.

Cristina Garcia is the author of Dreaming in Cuban, which was nominated for a National Book Award.

"

Pablo Neruda was born in 1904 and died in 1973.

Pablo Neruda has published or released items in the following series...
  1. Latin American Literature and Culture
  2. New Directions Books
  3. P.S.
  4. Penguin Classics


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Product Categories

1Books > Subjects > Arts & Photography > Art > Art History > Regional > Caribbean & Latin American
2Books > Subjects > Arts & Photography > Art > General
3Books > Subjects > Arts & Photography > Art > Art Instruction & Reference > General
4Books > Subjects > Arts & Photography > Art > Painting > General
5Books > Subjects > Arts & Photography > Art > Sculpture > General
6Books > Subjects > Literature & Fiction > Authors, A-Z > ( N ) > Neruda, Pablo
7Books > Subjects > Literature & Fiction > Poetry > General
8Books > Subjects > Literature & Fiction > Poetry > Spanish



Reviews - What do customers think about America, My Brother, My Blood / Amrica, mi hermano, mi sangre: A Latin American Song of Suffering and Resistance (Ocean Sur)?

sisters, brothers, aunts, fathers, mothers and cousins in blood  Sep 14, 2008
Battered and broken, the bodies, the beings in Oswaldo Guayasamin's paintings don't rest on walls or canvas. They cry and scream out to you in shrieking voices that only physical torture can bring about. Or they weep quietly on the bloody ground. Too exhaused to cry out. They disappear inside themselves in the sorts of emotional trauma that all too many have known, and all too many others have ignored.

That's what happens when I open this book. I'd never heard of Oswaldo two years ago but I stumbled across this book in the library and ended up checking it out a bunch of times until I finally gave in and bought it. I'm tempted to say his paintings have a texture all their own, but I don't know that for sure. Maybe someone else out there gets this sort of texture, too. Some of these paintings seem to be somewhere between sand painting and ancient cave painting. Others look like they were painted out of wood and blood and bone, but with a topical concern that crushes you in the weight of the horrors these people have witnessed, suffered, or inflicted upon others. They oftentimes don't even seem to be people. It's as if we're seeing emaciated, bipedal, spectral cousins. Not apes, but not human. The way their captors and killers must have seen them.

This book entwines poems from Pablo Neruda's Canto General, 50th Anniversary Edition (Latin American Literature and Culture, 7) with paintings from throughout Oswaldo's career. Oswaldo has some of the most viscerally emotional paintings I've ever seen. As much as the poems add to the feel of the book, you wouldn't need any words to know that wherever these paintings came from, there was suffering, brutality and desperation behind them. I'd spent over an hour looking at it before I ever read any of the poems, and even now it's the paintings first and foremost that draw me back to america, my brother, my blood. Still, there's no denying the symbiosis. It's as if you hold a Neruda poem in front of a mirror but the reflection is a Guayasamin painting.

I'm a little miffed at society because nowhere along the way before 2006 or early 2007 did I stumble upon anyone who pointed Oswaldo out to me as someone I shouldn't overlook. It's very similar to the way I felt after first reading Directed by Desire: The Collected Poems of June Jordan. Hopefully my review will lead someone else to this giant teller of the human story.

All the best pictures are inside. Don't disregard this book because of a 3-inch picture of the cover on a website. Art/books like this are why "better late than never" is a much-loved cliche.
 

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