Item description for Ferdinand Hodler by Katharina Schmidt, Laszlo Baan & Matthias Frehner...
Swiss painter Ferdinand Hodler is one of Europe's best least-known artists. Though he remained in Switzerland for his entire life, his international reputation has been growing in the past several decades, beginning with a traveling retrospective in the early 1970s. Hodler, who kept up on the latest movements brewing in Paris, is considered a Symbolist who tempered that movement's flights of fancy with Realism. He is regarded as a bridge between the Modern period and the impulses of mid-1800s Realism, Symbolism and Art Nouveau. As may be expected with such a range of influences at his disposal, Hodler's style fluctuated widely throughout his career. His most well known painting may be "The Woodcutter" (1908), which was commissioned as an illustration for the Swiss 50 franc note. "The Woodcutter" is a strange and engaging mixture of Expressionism--the subject is depicted mid-chop in vigorous brush strokes--and Symbolism, as the ghostly landscape behind the figure supports an odd, bright blue, orb-like cloud. More than two dedades since his last retrospective, this fresh and extensive assessment of Hodler's paintings finds much new territory to uncover.
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Est. Packaging Dimensions: Length: 0.5" Width: 9.75" Height: 11.25" Weight: 0.75 lbs.
Release Date Jul 1, 2008
Publisher Hatje Cantz
ISBN 3775720634 ISBN13 9783775720632
Availability 0 units.
More About Katharina Schmidt, Laszlo Baan & Matthias Frehner
Oskar Batschmann is professor of the history of art at the University of Bern, and codirector of the Institute for the History of Art. He is also the coauthor of "Hans Holbein.""