Item description for Dororo Volume 1 by Osamu Tezuka...
Overview After Hyakkimaru's father sells his body parts to demons in order to gain unstoppable military power, a doctor finds him and provides him with artificial limbs; now older, Hyakkimaru sets out to regain his body parts.
Publishers Description Dororo is Tezuka's classic thriller manga featuring a youth who has been robbed of 48 body parts by devils, and his epic struggle against a host of demons to get them back.
Daigo Kagemitsu, who works for a samurai general in Japan's Warring States period, promises to offer body parts of his unborn baby to 48 devils in exchange for complete domination of the country. Knowing the child to be deficient, Kagemitsu orders the newborn thrown into the river.
The baby survives. Callling himself Hyakkimaru, ge searches the world for the 48 demons. Each time he eliminates one, he retrieves one of his missing parts. Hyakkimaru meets a boy thief named Dororo, and together they travel the countryside, confronting mosters and ghosts again and again. This the first in a 3 - volume series.
Tezuka's manga and animated films had a tremendous impact on the shaping of the psychology of Japan's postwar youth. His work changed the concept of Japanese comics, transforming it into an art form and incorporating a variety of new styles in creating "story comics." "Tezuka's work is about as essential and far-reaching as manga gets, and Apollo's Song only adds that much more weight to an already massive reputation. Start here, and if you're intrigued, Ode to Kirihito and Buddha also await you. There's never been anything like Tezuka's body of work, and there probably never will be again." - Serdar Yegulalp
"Osamu Tezuka invented a whole new grammar of comics storytelling and his place in the history of Japanese comics is about as central as Siddhartha's place in the history of Buddhism." - Art Spiegelman
"Sleek in design and swift in pacing, the story's blend of mayhem and laffs and depression creates a uniquely chaotic world... The monster designs are excellent, ranging from detailed etchings to gargantuan masses of doomy scribbles." --Jog-The Blog
"Tezuka's masterwork is an enlightening demonstration of the limitless potential of the comics medium."- Gordon Flagg
“It's the pioneer of the manga tradition wading neck deep into the mire of freakish swordsmen, ghouls and historical messiness: Kurosawa and Leone meets Romero... Dororo stands as a classic that showcases Osamu Tezuka's unique approach to manga and to the world.” —Ain't It Cool News
“Platinum Award. Tezuka blends high-adventure plotting with deep and thoughtful themes in his inimitable style... It seems a shame it's only all been in Japanese until now.” —Advanced Media Network
"The pacing is blistering...Osamu Tezuka's ability to immerse his readers in the lives and hardships of his characters is staggering.At its core, Dororo is an awesome action/adventure title with strong characterizations and a gripping setting." — Manga Maniac Cafe
"He (Osamu Tezuka) wasn't only an artist, but a phenomenal story teller, director, and editor. I can't say enough about this man and if you've never read anything by him, do yourself a favor and let this book introduce you to the world that he created. You can't have a manga collection without this book in your library." —About Heroes
"Simply put, Vertical's English translation of Osamu Tezuka's late '60s swords-and-goblins saga is a work of such genius that one must term it not only inspired but also inspiring--it's a reminder of why one reads manga in the first place. Exquisitely rendered and mind-bogglingly creative." --Firefox News
Osamu Tezuka (1928-89) is the godfather of Japanese manga comics. He originally intended to become a doctor and earned his degree before turning to what was then a medium for children. His many early masterpieces include the series known in the U.S. as Astro Boy. With his sweeping vision, deftly interwined plots, feel for the workings of power, and indefatigable commitment to human dignity, Tezuka elevated manga to an art form. The later Tezuka, who authored Buddha, often had in mind the mature readership that manga gained in the sixties and that had only grown ever since. The Kurosawa of Japanese pop culture, Osamu Tezuka is a twentieth century classic.
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Est. Packaging Dimensions: Length: 7.8" Width: 5.98" Height: 0.79" Weight: 1.06 lbs.
Release Date Apr 29, 2008
ISBN 1934287164 ISBN13 9781934287163
Availability 0 units.
More About Osamu Tezuka
Osamu Tezuka was born on November 3, 1928, in Osaka. He grew up in an open-minded family exposed to comics and Walt Disney. As a boy he also had a love for insects, which he would later as a grown-up incorporate into pen name. Having developed an intense understanding of the preciousness of life from his wartime experience, Osamu Tezuka aimed to become a physician and later earned his degree in medicine, but ultimately chose the profession he loved best: manga artist and animated film writer. Tezuka's manga and animated films had a tremendous impact on the shaping of the psychology of Japan's postwar youth. His work changed the concept of Japanese comics, transforming it into an art form and incorporating a variety of new styles in creating the "story cartoon." Osamu Tezuka lived out his entire life tirelessly pursuing his efforts, passing away at the age of 60 on February 8, 1989. In all, Tezuka produced more than 150,000 pages of graphic storytelling before his death. Posthumously Tezuka's work have won a number of awards in the U.S., including the 2009 Eisner Award given to his series Dororo.
Reviews - What do customers think about Dororo Volume 1?
Great Pace and Direction for a Tezuka Work Aug 20, 2008
I try and get my hands on all Tezuka's work I can. Phoenix saga was great, Buddha saga was great, Adolf and the list goes on and on. Dororo volume 1 is hot from start to finish. Good action, good art plus an interesting story line = a satisfied Tezuka fan. It almost reminds me a bit of the anime Inuyasha, but done by Tezuka. Volume 2 is on the way and I know Haykkimaru will encounter many more demons and regain what was fausted to the evil spirits by his father. I love being excited for Tezuka. Thanks.
Lesser Tezuka, but still pretty darn good Jul 27, 2008
If you've never read a manga by Osamu Tezuka before, Dororo is not the place to start. Almost any of his other works-- Ode to Kirohito, Apollo's Song, Buddha, Phoenix-- will give you a better introduction to the artistic depth and range of the "godfather of manga."
If you already like Tezuka, you'll like Dororo. Will you like it as much as the many great Tezuka works released in English over the past few years? Probably not. The artwork in Dororo seems rushed and relatively simplistic by Tezuka's high standards. Its story hints at deeper meanings hidden beneath the surface (as the back cover says, "nobody is born whole") but doesn't pursue those themes with enough depth, at least not in this first volume. We've seen characters much like the wild young thief Dororo in many other Tezuka works (Buddha and Apollo's Song, to name only a few). And, finally, it's unfinished, as Tezuka never gave it an ending.
That said, there is something very unique and special about Dororo. It's set in Japan's feudal era and follows a wandering swordsman named Hyakkimaru and his companion, a scrappy thief named Dororo. Hyakkimaru has been cursed and must battle 38 demons to reclaim various parts of his body. Dororo, orphaned, follows Hyakkimaru in a search for a normal life. There is something quite moving about this duo's quest-- to be happy, to be whole, to be safe-- and the incredible obstacles and challenges each must overcome to attain those simple goals. The manga follows many of the feudal genre tropes-- the plight of the peasants, tryannical samurai, ghost and spirits-- but is much darker than the films of Kurosawa and other works I know that portray Japan's samurai days. Finally, without giving anything away, there's a very Tezuka-like chutzpah in the way Hyakkimaru fights.
Like many Tezuka works, the second and third acts are best, and readers should keep in mind that this volume is largely an introduction to the characters. The series gets even better as it goes on.
Dororo in English at last! May 22, 2008
This is the first of the recent run of Vertical translations of vintage Tezuka to be in the original manga format. Personally I have been awaiting Dororo in English for close to four decades. I love that tag line [volume title?] on the back - NOBODY IS BORN WHOLE. The front cover is growing on me. The anatomical background not only reflects Tezuka's physician background, but it also reflects what was taken from Hyakkimaru by his father and the 48 demons. I will be eager to see what the image across the spine portrays when volume 3 arrives this fall. Hyakkimaru's father promised 48 demons a portion each of his soon to born son then literally sends the result down the river in a basket. The basket is found by a doctor who cares for the baby. When the baby communicates telepathically with him, the doctor creates prostatic body parts to replaces those the demon took. Once he becomes proficient at propelling himself, Hyakkimaru leaves the doctor to find and destroy the 48 demons in order to reclaim himself. He is followed by death spirits that can take any form, but that deaf, dumb, blind kid sure wields a mean katana. He rescues and is joined by an even younger sidekick Dororo [the juvenile pronunciation of Dorobo - the word for thief]. Following just the cinematic visuals for forty years I thought that Dororo was a riff on Pinocchio. I was surprised that Hyakkimaru is a 14 year old telepath. Could Dororo in its Sunday Comics volumes and The X-Men at Marvel have reverberated on the same frequency when they first appeared in the 1960's? This Vertical edition pretty much matches the Akita Bunko publication [minus the opening pages in color plus the creature from page 127 backing up the Table of Contents]. After re"reading" and enjoying Dororo visually for decades, I am eagerly await reading the entire saga "dubbed" with "subtitles".
Great Manga, too bad about the translation May 2, 2008
Great Manga, too bad about the translation. Another beautiful presentation of Tezuka's work by Vertical. I just wish they would stop the insertion of unnecessary urban slang and colloquialisms into these fantastic stories. They stand well enough on their own. Hang the translator! Hang the editor! But keep the books coming!