Item description for ECHO PARK (Roca Editorial Criminal) by Michael Connelly...
Overview Thirteen years after he began investigating the disappearance of Marie Gesto, Harry Bosch finally gets a chance to put the case to rest when a man accused of two brutal killings agrees to come clean about several other murders.
Promise Angels is dedicated to bringing you great books at great prices. Whether you read for entertainment, to learn, or for literacy - you will find what you want at promiseangels.com!
Est. Packaging Dimensions: Length: 1.5" Width: 5.75" Height: 9" Weight: 1.44 lbs.
Release Date Jan 1, 2008
ISBN 8496791602 ISBN13 9788496791602
Availability 0 units.
More About Michael Connelly
Michael Connelly is a former journalist and the author of the #1 bestsellers The Reversal, The Scarecrow, The Brass Verdict and The Lincoln Lawyer, the bestselling series of Harry Bosch novels, and the bestselling novels Chasing the Dime, Void Moon, Blood Work, and The Poet. Crime Beat, a collection of his journalism, was also a New York Times bestseller. He spends his time in California and Florida.
Michael Connelly currently resides in the state of Florida. Michael Connelly was born in 1956.
Michael Connelly has published or released items in the following series...
Reviews - What do customers think about ECHO PARK (Roca Editorial Criminal)?
Echo Park Jun 16, 2008
This book was a gift to my son. Instead of English, he was sent a Spanish version. That didn't do him any good.
Interesting premise May 25, 2008
The story is interesting, though I am not sure if it's truly original. A murder convict takes the blame of an unsolved crime...but is it what it seems to be. The characters are well-developed and can be easily imagined as real-life people. I also liked the plot and the pace of the story, with Echo Park at the center stage. I would love to see this story turned into a TV show or a movie. However, I have couple of issues grappling with the reason behind Mario Gesto's murder, the main murder case. Was she killed just because she looked like someone else? Also, why would such a random killing happen with the killer having no past history of killing? He intimidated kids at one point and had a volatile relationship with his girlfriend, but is it enough to kill someone? I don't think there was enough justification provided for murdering Mario Gesto. Secondly, the revelation of the Raynard Waits' true name came by fluke or chance. I would have liked a more detailed assessment of the key events that happened in the novel and not about the build-up. Apart of that, I would still recommend this novel to any crime novel lover for creating a wonderful atmosphere and believable characters.
An Average Entry in the Bosch Series May 7, 2008
At this point I've probably read about 3/4 of the Harry Bosch books, albeit completely out of order. The series has always been somewhat borderline for me -- I really love the level of detail and authenticity Connelly brings from his years as a crime reporter for the LA Times. However, the storylines tend to be a little too over the top, and Harry Bosch has never been that interesting a protagonist to me. This twelfth entry in the series is a great example of these strengths and weaknesses.
At this point in his career, Bosch is working the Open/Unsolved Unit with his partner Kiz Ryder. One thing likes to do as part of his open-ended duties is revisit past failures, reviewing all the evidence, keeping tabs of key players, and looking for new leads (something he also did during his brief retirement). One of these cases is the 13-year-old disappearance and presumed murder of Marie Gesto (whose apartment is in the distinctive building seen in the Robert Altman film The Long Goodbye). The book rewinds in time so that we get to see Bosch and his then partner Jerry investigate her disappearance and get nowhere. Over the years, Bosch's infamous instinct has led him to suspect the son of a local oil tycoon as the killer. However, with no evidence, he has never come close to being able to make a case.
Returning to the present, a lucky traffic stop results in the capture of a serial killer who admits to killing a number of women, including Marie Gesto. The hitch is that he will only confirm this by revealing the locations of his victims' corpses if the city's prosecutor agrees to drop the death penalty. The prosecutor and an LAPD detective are soon in touch with Bosch, seeking his case notes and cooperation in trying to determine if the serial killer really knows where the bodies are. Thus Bosch gets entangled in this case, which has various political ramifications since the prosecutor is running for DA. The serial killer angle also causes Bosch to reconnect with his onetime flame, an FBI profiler who has appeared in previous books. References to previous cases and characters from the series also pop in and out, which may make readers new to Bosch feel somewhat adrift at times.
In any event, when the serial killer is introduced the book goes rather downhill for me. I'm not a fan of the serial killer subgenre, and watching Bosch and the killer play various head games with each other is boring -- we've seen/read it all before. It doesn't help that Connelly completely telegraphs a major incident in the book by suddenly shifting to an narrative mode in which every single step is detailed, tipping the reader off that Something Big Will Happen Any Minute. Fortunately, this is redeemed by the ensuing manhunt, which does a good job of showing how pursuing a paper trail can lead to a killer's lair. Unfortunately, Connelly then invokes the lame "we don't have time to call for backup" card, and allows Bosch to make a totally elementary (and implausible for him) mistake -- one most reader will spot coming.
As with most crime fiction, and the Bosch series in particular, the story is dominated by themes of moral corruption. At this point in the series, it's a well-trodden path, and it's somewhat tiresome to once again see all Bosch's instincts borne out, and arrive at the end to learn that those in high places are entirely disreputable. Once again, a decent ride-along with Bosch, but with enough flaws and thematic repetition to leave me feeling rather unenthusiastic about it.
Best Bosch yet May 3, 2008
All the entries in the Harry Bosch series have been good, but Echo Park is the best yet. The first few chapters set up the mystery, and from there on out, the action and suspense ratchet up and never stop. Even the final wrap up is a page turner. An open and shut case turns into a first rate conundrum, and Bosch has never been in a tougher position, trying to separate fact from emotion, trying to follow his own compass. His partner's been taken down, the woman in his life has trouble reconciling her roles as lover and profiler, and Bosch himself has been taken for a ride. High jingo strikes again. But for Harry, it's always a question of making choices that will allow him to live with himself, and no case has ever made that more of a challenge. First rate crime fiction, with outstanding characterization and plotting.
Grind It Into Powder Mar 19, 2008
OK, four stars should be 4.5 and the only slight demerit in Connelly's case is because the bar is set so high. This is another wonderful Harry Bosch book. At one point, Bosch mentions how he wants to take an idea and grind it into powder and examine it under a microscope. I thought that was a perfect description of exaclty how Connelly approaches his writing. Every step, thought, movement and moment in sure, steady hands. This takes the words 'police procedural' down to sub-atomic particles. You couldn't point to one sentence and say 'wow.' It's the accumulation of detail and how hard both Connelly (and Bosch) must work to get it right. The pleasure comes from riding along with Bosch and watching his mind work, analzying the details of the case and how he handles his own miscues, particularly with the politics of the cop world. "Echo Park" has a nifty series of layers to it and the peaks of action and plot keep rising in a natural way, one on top of the other. The only slight problem is the puppeteer behind the whole script is pretty easy to spot and for the scene in the swimming pool near the end just didn't quite ring true. Nonetheless, a model of clean, driven prose.