Item description for Hong Kong Connections: Transnational Imagination in Action Cinema by Meaghan Morris...
Since the 1960s, Hong Kong cinema has helped to shape one of the world's most popular cultural genres: action cinema. Hong Kong action films have proved popular over the decades with audiences worldwide, and they have seized the imaginations of filmmakers working in many different cultural traditions and styles. How do we account for this appeal, which changes as it crosses national borders?
Hong Kong Connections brings leading film scholars together to explore the circulation of Hong Kong cinema in Japan, Korea, India, Australia, France, and the United States, as well as its links with Taiwan, Singapore, and the Chinese mainland. In the process, this collection examines diverse cultural contexts for action cinema's popularity and the problems involved in the transnational study of globally popular forms, suggesting that in order to grasp the history of Hong Kong action cinema's influence we need to bring out the differences as well as the links that constitute popularity.
Contributors. Nicole Brenez, Stephen Chan Ching-kiu, Dai Jinhua, David Desser, Laleen Jayamanne, Kim Soyoung, Siu Leung Li, Adrian Martin, S. V. Srinivas, Stephen Teo, Valentina Vitali, Paul Willemen, Rob Wilson, Wong Kin-yuen, Kinnia Yau Shuk-ting, Yung Sai-shing
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Est. Packaging Dimensions: Length: 9.3" Width: 6.2" Height: 1" Weight: 1.4 lbs.
Publisher Duke University Press
ISBN 1932643192 ISBN13 9781932643190
Availability 0 units.
More About Meaghan Morris
Lawrence Grossberg is Professor of Communication Studies at University of North Carolina, Chapel Hill. He co-edited the seminal volume "Cultural Studies" (l990) and is the author of "We Gotta Get Out of this Place" (1992) and "Bringing it All Back Home" (l997). He also co-authored "Media-Making: Mass Media in Popular Culture" (with Ellen Wartella and D. Charles Whitney, l998).
Tony Bennett is Professor of Sociology at the Open University. He is the author of "The Birth of the Museum: History, Theory, Politics" (l995) and "Culture: A Reformer's Scienc"e (l998), and is co-editor of "Culture in Australia: Policies, Publics, and Programs" (with David Carter, 2001).
Meaghan Morris is Chair Professor of Cultural Studies at Lingnan University. She is the author of "The Pirate's Fiancee: Feminism, Reading, Postmodernism" (1988), "Translation and Subjectivity" (l997), and "Too Soon Too Late: History in Popular Culture" (l998), and is co-editor (with John Frow) of "Australian Cultural Studies: A Reader "(l993).
Meaghan Morris currently resides in Sydney. Meaghan Morris has an academic affiliation as follows - Lingnan University, Hong Kong University of Technology University of T.