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Daphnis And Chloe: with 42 colour plates after the lithographs [Paperback]

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Item description for Daphnis And Chloe: with 42 colour plates after the lithographs by Marc Chagall...

Inspired by a journey through Greece, Marc Chagall, one of the twentieth-century's most popular painters, created a wonderful series of lithographs that brought to life this ancient Greek love story.

The story of Daphnis and Chloe, a pastoral romance attributed to the Greek poet Longus, follows the adventures of two foundling children raised by adopted parents who are humble shepherds in the idyllic setting of the Isle of Lesbos. As Daphnis and Chloe grow to be young adults tending their adopted parents' sheep and goats on the sun-drenched Grecian hillsides and pastures, they discover that their friendship is turning to love but in their innocence they do not know how to proceed. Together they experience many trials and tribulations before finally realizing their true fate. Daphnis and Chloe has served through the ages as an inspiration for nearly every love story that has followed including Romeo and Juliet.

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Item Specifications...

Pages   150
Est. Packaging Dimensions:   Length: 10.7" Width: 7.3" Height: 0.6"
Weight:   1.35 lbs.
Binding  Softcover
Release Date   Jan 28, 2005
Publisher   Prestel Publishing
ISBN  3791332767  
ISBN13  9783791332765  

Availability  0 units.

More About Marc Chagall

Register your artisan biography and upload your photo! Marc Chagall (1887-1985) was born in Vitebsk, Belarus, and lived in France for much of his life. One of the most celebrated artists of the twentieth century, his work is included in museum collections around the world.

Marc Chagall was born in 1887 and died in 1985.

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Product Categories

1Books > Special Features > New & Used Textbooks
2Books > Subjects > Arts & Photography > Art > Art History
3Books > Subjects > Arts & Photography > Art > General
4Books > Subjects > Arts & Photography > Artists, A-Z > General
5Books > Subjects > Literature & Fiction > Poetry > General

Reviews - What do customers think about Daphnis And Chloe: with 42 colour plates after the lithographs?

Erotic, tender, and romantic ancient tale with incredible illustrations by Marc Chagall  Aug 26, 2006
"Daphnis and Chloe" is one of the best known early Greek romances, precursors to the modern novel. Admired by Goethe, it has been reinterpreted in music and art by Ravel and Chagall.
Written by Longus in the second century A.D, it is a classical romance involving the adventures of two foundling children raised by adopted parents who are humble shepherds in the idyllic setting of the Isle of Lesbos. It is a famous love story that captures the awakening of a first love between two teenagers who don't know what is happening to them. The novel that is written almost two thousands years ago is surprisingly modern; it is erotic, tender, romantic, sensual, and simply beautiful. When I read it first time many years ago (I was very much into the ancient art, literature, history, and philosophy), I asked myself why the literature and art did not stop right there and then - nothing better could be possibly done. It is not true, of course but it was one of the rare moments that you'd like to capture and cherish forever. Last month while visiting the National Gallery of Art in Washington, DC, I bought a miniature book that includes a suite of 42 Lithographs created by Marc Chagall (1887-1985) to illustrate "Daphnis and Chloe". Chagall's visual interpretation of the Greek pastoral romance of the 2nd (or 3rd) century AD is unique and unforgettable. Even if you don't like Chagall's style, you will not be able to forget it. With his 42 Lithographs, Chagall created a monument to both, Longus and himself. "Daphnis and Chloe" is known as one of the great illustrated books of our time.
A delightful tale  Jan 31, 2004
The story dates from classical Greece. After two thousand years, the story is still fresh and charming - the sign of a true classic. It's about young love, eager and inept, with gods, pirates, and other harmless excitement. The writer included the happy fumblings of physical affection that a modern author would have shied from, sweet and not at all salacious. The story finishes with an improbable and triumphantly happy ending. Good happy fun, and not a lengthy read.

Beyond the story itself, I found this book very informative. The story is supposedly one that Shakespeare read, and it shows. Some of the Bard's endings look a bit recycled once you've read Daphnis and Chloe. I also found that it explained Marc Chagall's cycle of lithographs - the images make more sense, now that I've seen their inspiration. In addition, there's satisfaction in knowing that this story, with such influence on such great minds, and is now a part of my education, too.

All that was extra reward, though. I wanted the book because Chagall's illustration. It's there, in dozens of beautiful color reproductions, including some two-page spreads. Up til now, Marc Chagall has always been in the lower ranks among my favorite artists. After seeing his work in this book, I have a new respect for it. He's still not among my very favorites, but I enjoy the lithos shown here. Even more, I enjoy them as a coherent body visual work and as a narrative.

Best, though, is quality of this book for its price. It's well printed on heavy stock, and the color printing is strong and nuanced. The production values in the color pages and the sheer number of them are quite astonishing for a book that costs so little. I plan to enjoy this book for a long time.

Implausible and ludicrous - just like true love  Aug 10, 2003
"Charming" and "Idyllic" are two words you'll meet often when reading reviews of this ancient tale. And certainly it is both those things. It is the best known and best loved of the "Erotici Graeci", or Greek love stories, that date from the early centuries of the Common Era. It is characteristic of the genre, featuring as it does pirates, supernatural events and some highly implausible plot elements.

The Penguin Classics edition has an excellent translation, introduction and notes by Paul Turner.

The story includes the curious conceit, common in folk tales, that an infant of aristocratic parentage, raised by peasants, will grow up exhibiting all the innate qualities of nobility, like cuckoo chicks raised in another bird's nest. Nature is all; nurture is nothing. This idea can be found in literature until at least late in the nineteenth century. To (most) modern readers it seems ludicrous. In comparison, the belief in Pan and the Muses appears quite reasonable.

Historians and archeologists can tell us much about ancient civilizations, except for the most interesting thing of all; what were these people really like? Novels, drama and poetry give us glimpses into their very hearts and minds. We learn about their relationships between each other and between themselves and their gods. Sometimes we wonder at how alien and strange they appear; at others we are struck at how much like us - like people always, everywhere - they are. Some things never change. Among them are the pains and joys of young love. For as long as there are young lovers, there will be "Daphnis and Chloe".

Sheer, unadulterated bliss.  May 10, 2001
Man...Daphnis and Chloe. Surely, this is one of the Best Things Ever. An utterly gorgeous evocation of innocent, sweetly naive pastoral life. I honestly can't think of a single work of literature I've enjoyed more. It's short, but richly deserving of multiple readings. If you're not capable of enjoying it, I don't want to know you. It is truly Great, capital 'G'. However, in the interest of objectivity, I should note that there is one thing about it that somewhat irks me: in the end, the title characters are revealed to by of noble birth. That's not a spoiler; you know it right from the get-go. So, while it was inevitable, it just didn't quite work for me. I would have liked to see them go on in idyllic splendour (note the British spelling) forever.

That, however, is a minor quibble. You must read this. It could even save your life: let's say you've read it, and then, sometime later, for whatever reason, you decide to commit suicide. You'd be very likely to think, at some point, 'hey, wait a minute--I can't die now; I need to reread Daphnis and Chloe!' So then you'd turn the engine off, and after you finished your rereading, you'd realize, 'hey--life is GOOD! What was I thinking?' And you'd be right. Something like this couldn't exist if the world wasn't in some sense fundamentally good.

The Ancient Pastoral Romance  Oct 12, 2000
Longus's ancient novel, "Daphnis and Chloe" tells the absolutely charming story of a boy (Daphnis) and a girl (Chloe), left to die by exposure in the Greek countryside. Miraculously, the deities are watching out for them--a goat is selected to nurse Daphnis, and a sheep to nurse Chloe--until a goatherd, Lamo, and a shepherd, Dryas, respectively discover the two children. They are raised in the town of Mytilene, a humble agricultural community, where they tend their adopted fathers's herds of goats and sheep.

Here, the mischievous god of love, Eros, sets them aflame with love for each other. Both Daphnis and Chloe are extremely innocent in their affections throughout the novel, experimenting with their feelings and exposing the amusing limits of their little knowledge. Various incidents involving pirates, kidnapping, inter-city war between Mytilene and Methymna, and the suit of Chloe by a host of lusty young men all provide interesting diversions from the main love story. With a very casual cultural attitude towards homoerotic love, we also see the impertinent male slave, Gnatho, make advances toward the clueless Daphnis. Daphnis's run-in with Lycaenium, a married woman of Mytilene, is also an episode of note in the complex sexual landscape of Longus's novel.

Another intriguing factor in Longus's novel is the relationship between humanity and nature. The figure of the goat is omnipresent throughout the novel. Standing apart from our own cultural/religious associations with the goat, in "Daphnis and Chloe," the goat is all at once associated with maternity, reverence, respect, and honesty. In the novel, we see humanity in general in harmony with the natural world all around: plant, beast, and natural divinities.

Into this seemingly innocent landscape, Longus introduces the problematics of class and wealth. The love story between Daphnis and Chloe is further stalled while these issues play themselves out. Society's intrusion into the pastoral story seems to indicate the fantastic nature of the idyll itself. "Daphnis and Chloe" is a brilliant and beautiful ancient tale, and well worth the short time it takes to read.


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