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The Dark Domain (Dedalus European Classics) [Paperback]

By Stefan Grabinski, Miroslaw Lipinski (Translator) & Madeleine Johnson (Afterword)
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Item description for The Dark Domain (Dedalus European Classics) by Stefan Grabinski, Miroslaw Lipinski & Madeleine Johnson...

Poland's strong Catholic faith engendered in its literature a lively awareness of the Devil and a love of the supernatural and the fantastic. These stories are explorations of the extreme in human behaviour, where the bizarre chills the spine, and few authors can match Grabinski's depiction of seething sexual frenzy. The Dark Domain will introduce to English readers one of Europe's most important authors of literary fantasy.

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Item Specifications...

Pages   153
Est. Packaging Dimensions:   Length: 0.5" Width: 5.25" Height: 8"
Weight:   0.4 lbs.
Binding  Softcover
Release Date   Jan 15, 2006
Publisher   Dedalus,
ISBN  1903517419  
ISBN13  9781903517413  

Availability  0 units.

More About Stefan Grabinski, Miroslaw Lipinski & Madeleine Johnson

Register your artisan biography and upload your photo! One of the most important voices in fantastique literature, Stefan Grabinski, was born in the small town of Kamionka Strumilowa, Poland on 26 February 1887. Not part of any literary clique or movement, he suffered for his originality and the limitations imposed on him by being a writer in a country that did not fully recognize his work or take it seriously. Sickly and suffering from bone tuberculosis at an early age, Grabinski became seduced by the supernatural and introverted explorations into the mysteries of life. For his daily bread, he worked as a teacher in a secondary school, but his passion was writing strange fictions that focused on his atypical concerns and interests. Though he was regularly published in Poland and received attention for his train collection, Demon ruchu (The Motion Demon), Grabinski remained a marginal figure in his native land and was not part of any fashionable literary school or clique. Upon his death in 1936 (from tuberculosis), he was almost completely forgotten. In recent decades there has been a resurgence of interest in his work, and he is now becoming internationally acknowledged as a master of the weird tale, with short stories collections published in translation in various languages.

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Product Categories

1Books > Subjects > Science Fiction & Fantasy > Fantasy > Anthologies
2Books > Subjects > Science Fiction & Fantasy > Fantasy > General
3Books > Subjects > Science Fiction & Fantasy > Science Fiction > General

Reviews - What do customers think about The Dark Domain (Dedalus European Classics)?

Grabinski - On par with Poe and Other Dark Masters  Feb 17, 2008
I read this book in an evening. The stories are intoxicating, grim, beautiful and pensive. Grabinski's world is filled with foreboding, the sensual one step away from the macabre. For me, Dedalus continues to be the most reliable source of the ghoulish and supernatural in literary European fiction. This book is its own reward. (However...I seem to get a little sad after finishing a great read - story collections like this are few and far between. Each story is worth a second, if not a third, fourth or fifth read.)

As for the author: Stefan Grabinski was relatively unknown in his native land, fantasy writing at the beginning of the 20th century was not especially popular amongst the Polish reading public. He died in near obscurity. Thankfully, his works have been revisited by a new generation of readers. Roman Polanski, the controversial filmmaker has been said to be inspired by the Grabinski' horror style. Stanislaw Lem, the great Polish sci-fi author is a big fan of his works.

Reading through this collection, you might see the world with Grabinski-esque glasses - I don't think I'll be able to look at trains, snow drifts, empty houses and watchmakers in the same light. (I also recommend the story collections of Bruno Schulz, they are very comparable to Grabinski's work.)

Once again, Dedalus delivers.
A Polish master of horror  Oct 15, 2006
Great horror story writers have a unique imaginative inner vision that distinguishes them from other writers. Stories by Poe, Lovecraft, Arthur Machen, and W. H. Hodgson could have come only from them. Stefan Grabinski is one of the great ones. His work reflects bizarre personal obsessions that recur throughout his tales: the metaphysical meaning of fire; trains as a symbol of the vast, implacable power that machines give man over his surroundings and also of man's relentless journey to who knows where; strange sexual phantoms that emerge from either unplumbed dimensions or from man's own twisted pshyche. These stories are gripping, haunting, and have the power to pull you into Grabinski's warped but somehow universal reality and to keep a part of you there long after you have turned the last page and read the last word. As with the other great horror story writers, Grabinski's inner demons make a connection with each of his reader's inner demons and create an indelible impression.

My favorite of the stories in the collection is "Fumes", but the others are all strangely great and compelling as well. Two other exquisite Grabinski tales are unfortunately not in this book. However, English translations of "The Dark Hamlet" can be found in "The Dedalus Book of Polish Fantasy", and "The White Wyrak" can be found in "100 Creepy Little Tales". I look forward to the day when all of Grabinski's horror shorts are available in English translation.
One of the great names of european fantasy & the absurd  Jul 23, 2002
For everyone interested in fantasy in its purest state this is a gemm. This anthology mixes the many themes that cross the polish author's short stories. The pure horror, the ghost story, the surrealist (before its time), really erotic images, all of this with just enough hints of a certain modernism or post-modern that rends the stories an extra quality.

It's a must and will certainly fill a gap on fantasy literature.

The train stories are just amazing - This guy wrote one collection of stories just around trains he worked with the modern concept of speed as a moto for the future society which would be obliterated by it... I wonder if he didn't just get it right...


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