Item description for Felix Gonzalez-Torres by Felix Gonzalez-Torres & Julie Ault...
Felix Gonzalez-Torres, one of the most influential artists of his generation, lived and worked resolutely according to his own idealistic principles, determined to "make this a better place for everyone." He combined elements of Conceptual art, Minimalism, political activism, and poetic beauty in an ever-expanding arsenal of media, including public billboards, give-away piles of candy and posters, and ordinary objects--clocks, mirrors, light fixtures--used to startling effect. His work challenged the notions of public and private space, originality, authorship and--most significantly--the authoritative structures in which he and his viewers functioned. Editor Julie Ault has amassed the first comprehensive monograph to span Gonzalez-Torres's career. In the spirit of his method, she rethinks the very idea of what a monograph should be. The book, which places strong emphasis on the written word, contains newly commissioned texts by Robert Storr and Miwon Kwon among other notables, as well as significant critical essays, exhibition statements, transcripts from lectures, personal correspondence, and writings that influenced Gonzalez-Torres and his work. Ample visual documentation adds another important layer of content. We see works not just in their completed state, but often in process, which for Gonzalez-Torres could mean the process of disappearing as viewers interacted with them. A crucial reference.
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Est. Packaging Dimensions: Length: 1.25" Width: 8.75" Height: 11" Weight: 4.4 lbs.
Release Date Jul 1, 2006
ISBN 3865211968 ISBN13 9783865211965
Availability 0 units.
More About Felix Gonzalez-Torres & Julie Ault
Felix Gonzalez-Torres was born in Cuba in 1957 and grew up in Puerto Rico before moving to New York City. His work has been the subject of several major solo exhibitions both during his life and after his death in 1996. His estate is represented by Andrea Rosen Gallery in New York.
Reviews - What do customers think about Felix Gonzalez-Torres?
The meaning of art? Jul 30, 2007
Felix Gonzales-Torres ( 1957-1996 ) was a many-sided artist. He uses photographs, A1 sheets of paper stacked one upon the other, light bulbs ( white not colored ) and even large amounts of candy wrappers with the same colour.
He has everything of a minimal art performer and yet the materials he uses ( albeit not at the same time ) and the different ways of displaying his art ( walls of buildings, corridors, rooms and staircases ) are so complex that it would be laughable to call his work 'minimal art'. If it's necessary to give him a name I would call him an explorer. I believe it's the purpose of an artist to search what lies beyond the horizon.
I believe also in the value of abstract art. It emphasizes the essence of what we see: colour, shape and the different relations between one and the other.
Art with artificial light is the fascinating area between abstract painting and sculpture. Only a few artists so far, had the courage to walk that borderline and one of them was Gonzales-Torres. His 'light-art' is simple ( He uses for instance only burning white lamps ). For example a large corridor in a modern building has several garlands of light against one wall, or strings of white lights attached to the ceiling and pouring down like rain to the floor to form a pool of light.
If you want to know all about Gonzales and his different forms of art, please read the fascinating book " Felix Gonzales-Torres " by Miwon Kwon.
AMAZING Mar 8, 2007
A truly truly beautiful book on who I consider to be the most important, influential and sublimely talented artist since Warhol. Edited by Felix's close friend Julie Ault, this is a beautiful beautiful informative book - a must have.
Long overdue Jan 21, 2007
Great in depth look at one of the most important artists of the past 30 years. Not just an overview of the work, analysis from Ault, Storr, and contributions from Marguerite Duras and Wallace Shawn. The latter are not just in there to be interesting, their interests and those of Gonzalez-Torres overlap in thought and practice. Also, there are many statements and interviews with Gonzalez-Torres about the work's formal structure as well as its content. Overall, a great analysis without sentimentality - rare when an artist dies at the height of her/his creative powers.