Item description for Heart of Darkness by Joseph Conrad...
Joseph Conrad's "Heart of Darkness" in the revolutionary Bed Book Landscape Reading Format - a new approach to reading in bed as well as other places people enjoy reading while lying down, such as the beach, or on a grassy lawn in the park. Bed Books provide the freedom to lie in any comfortable position without being obligated to sit up in order to read. They can be an essential aid for readers who may be prone to back and neck strain when assuming the contorted body positions normally required for reading while lying down, and for those who have previously found it difficult or impossible to read books in bed, such as the elderly and the disabled. Bed Books can also be read sitting up as easily as with a conventional book. See the current Bed Book Catalog at: www.bedbooks.NET www.readinginbed.com
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Est. Packaging Dimensions: Length: 8.9" Width: 5.98" Height: 0.08" Weight: 0.26 lbs.
Release Date Oct 13, 2005
Publisher A Bed Book
ISBN 1933652195 ISBN13 9781933652191
Availability 0 units.
More About Joseph Conrad
Jacques Berthoud previously edited Conrad's Almayer's Folly and The Nigger of the 'Narcissus' for OWC
Joseph Conrad was born in 1857 and died in 1924.
Joseph Conrad has published or released items in the following series...
Reviews - What do customers think about Heart of Darkness?
"Mistah Kurtz--he dead." An influential work on five 20th century seminal works Oct 21, 2007
I read this book for a graduate Humanities course. Joseph Conrad's Heart of Darkness, written in 1899 is a seminal work about the ills of colonialism, as well as a postmodern look at the subject of mankind. Conrad's book had a crucial influence on five important works of the twentieth century: J. G. Frazier's book The Golden Bough. Jessie L. Weston's book From Ritual to Romance, T. S. Elliott's poem the Waste Land, Joseph Campbell's Hero with a Thousand Faces, and Francis Ford Coppolla's movie Apocalypse Now, screenplay by John Milius, was based on Conrad's book. Another interesting fact is that this work was read by Orson Welle's Mercury Theater Players on the radio and was to be his first movie. After doing some work on it he abandoned the project to do Citizen Kane! I would have loved to of seen what Welles could have done with this story. Conrad's story is so riveting in part, because he himself served as a riverboat captain. High school teachers and college professors who have discussed this book in thousands of classrooms over the years tend to do so in terms of Freud, Jung, and Nietzsche; of classical myth, Victorian innocence, and original sin; of postmodernism, postcolonialism, and poststructuralism.
Just a taste of the plot reels you in! Marlow, the narrator of Heart of Darkness and Conrad's alter ego, is hired by an ivory-trading company to sail a steamboat up an unnamed river whose shape on the map resembles "an immense snake uncoiled, with its head in the sea, its body at rest curving afar over a vast country and its tail lost in the depths of the land" (8). His destination is a post where the company's brilliant, ambitious star agent, Mr. Kurtz, is stationed. Kurtz has collected legendary quantities of ivory, but, Marlow learns along the way, is also rumored to have sunk into unspecified savagery. Marlow's steamer survives an attack by blacks and picks up a load of ivory and the ill Kurtz; Kurtz, talking of his grandiose plans, dies on board as they travel, downstream.
Sketched with only a few bold strokes, Kurtz's image has nonetheless remained in the memories of millions of readers: the lone white agent far up the great river, with his dreams of grandeur,his great store of precious ivory, and his fiefdom carved out of the African jungle. Perhaps more than anything, we remember Marlow, on the steamboat, looking through binoculars at what he thinks are ornamental knobs atop the fence posts in front of Kurtz's house and then finding that each is "black, dried, sunken, with closed eyelids-a head that seemed to sleep at the top of that pole, and with the shrunken dry lips showing a narrow white line of the teeth" (57).
I especially became interested in Joseph Conrad's Heart of Darkness from the movie Apocalypse Now. There is a scene in the movie that shows Colonel Kurtz's nightstand in his cave. T. S. Elliott's poem the Waste Land is one of three books on the nightstand. The other two are Jessie L. Weston's book From Ritual to Romance, and J. G. Frazier's book The Golden Bough. Anyone wanting to understand the movie Apocalypse Now, especially the character of Colonel Kurtz, and what Milius and Copolla are trying to tell their audience need to read these three books as well as Conrad's Heart of Darkness!
As a graduate student reading in philosophy and history I recommend this book for anyone interested in literature, myth, history, philosophy, religion and fans of Apocalypse Now.