Item description for Gulliver's Travels (Classic Fiction) by Jonathan Swift & Neville Jason...
When Lemuel Gulliver sets off from London on a sea voyage, little does he know the many incredible and unbelievable misadventures awaiting. Shipwrecked at sea and nearly drowned, he washes ashore upon an exotic island called Liliput--where the people are only six inches tall! Next he visits a land of incredible giants called the Brobdingnagians. They are more than sixty feet tall! he travels to Lapauta, a city that floats in the city, and to Glubbdubdrib, the Island of Sorcerers. his final voyage brings him into contact with the Yahoos--a brutish race of subhumans--and an intelligent and virtuous race of horse, the Houyhnhnms.
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Format: Abridged, Audiobook
Studio: Naxos Audiobooks
Est. Packaging Dimensions: Length: 1" Width: 5.75" Height: 5.25" Weight: 0.45 lbs.
Publisher Naxos Audiobooks
ISBN 9626340770 ISBN13 9789626340776
Availability 0 units.
More About Jonathan Swift & Neville Jason
Jonathan Swift was born in 1667, the son of Anglo-Irish parents. After an education in Ireland, Swift moved to England where he reluctantly chose a career in the church. There, he worked for Sir William Temple, in whose household he met Esther Johnson. The two fell in love, but were never publicly married. While in England, Swift discovered his talents as a satirist, producing texts such as "A Tale Of A Tub" and "The Battle of the Books" (1704). At age thirty-one, Swift returned to Ireland as chaplain to a lord justice. Swift maintained his energy and wit and, later in life, wrote "A Modest Proposal" (1729) and GULLIVER'S TRAVELS (1726). Swift died on October 19, 1745.
Jonathan Swift lived in Dublin. Jonathan Swift was born in 1667 and died in 1745.
Reviews - What do customers think about Gulliver's Travels (Classic Fiction)?
NOT Bringing Home the Bacon! Mar 27, 2008
Our hero Gulliver and his wife could use some counseling. It seems that every time he plops down on the sofa with his better-half and children, Gulliver gets restless and needs to go have another adventure. (Did they have sofas back then? If not, how did people crash out in front of their TV sets?) And he lives in idyllic old England, go figure!
Each time he does this (gets the traveling jones) he hops aboard some ship, tantamount to suicide in those days, eats salted meat and spoiled porridge for a few weeks, months or years, (unless there is a Chili's or Olive Garden nearby along the way--but he always seems to forget his coupons,) generally shipwrecks and sooner or later encounters some bizarre form of intelligent life in whatever fairyland he has found for himself this time, in whatever chapter of the book he happens to be sojourning in at this particular intersection of the time-space continuum.
Usually he is held captive, and then embosomed or exploited by whoever the freaks of nature are this time around, invariably escapes and by a series of miracles eventually finds his way home again, only to discover the same boring wife and children at the hearth waiting patiently despite the years that have passed without so much as a text message.
Along the way we are treated to Swift's amazing writing, great humor, wit and stellar imagination. Highly recommended, but it takes a bit of work to get through the whole thing.
Parody of man Feb 11, 2007
Europe in the 17th and 18th century was much like Latin America in the 20th century, a place where direct criticisms of those in power can be lethal, if not fatal. As a result, those with opinions to voice often do so by writing tales of fiction that parallel events and characters in the real world. Some of these tales have gone on to become great works in Western Literature. One example is this children's classic by Jonathan Swift; Gulliver's Travels. Set in fictional places and filled with fictional characters, this book tells the story of Gulliver, a ship's surgeon who experiences adventures beyond anyone's belief. By chance and accident, he is transported from one place to another, and at each point, he encounters a society that at first, is utterly different from his own. But upon closer inspection, the characteristics of each place are exaggerations of actual circumstances found in actual societies. In each place, he also describes his own world to the locals, who in turn are amazed, astounded, and sometimes disgusted by what they hear.
One example is when Gulliver arrives on the land of the Houyhnhnms, and the Yahoos they tolerate in their midst. The Yahoos are dirty, greedy, sedentary, and spend their time squabbling amongst themselves and digging along riverbanks for shiny stones. The Houyhnhnms on the other hand, are clean, upright, and roam free through the countryside. Such a story reminds one of the dichotomy between white settlers and Native Americans in North America. The latter roamed free throughout the countryside, and were known to bath themselves quite often. The former, however, rarely bathed, often fought amongst themselves, and spent a lot of time and effort digging for shiny stones that many of the natives found useless.
Another example is the war between the Lilliputs and the Blefuscu. This war, as the King of Lilliput tells Gulliver, has been going on so long that nobody remembers how it started, who started it, or what they are fighting for. This sounds quite similar to the never-ending wars between France and England throughout the 2nd millenia AD. And so the parallels and allusions go.
All told, this is one of the great works of English literature. The book combines sharp wit, irony, adventure, high drama, and some action into a great story of learning new things, meeeting new people, and coming to understand yourself better in the process.
Fellow Yahoos, read this book! Dec 31, 2006
Gulliver's Travels is not a children's fantasy written by an avuncular Englishman. This book, instead, is a searing indictment of the human race written by a brilliant satirist and misanthrope. The Lilliput episode is most clearly inscribed in the public consciousness, perhaps because it is the least overtly damning of the human species. By the end of the book, however, when Gulliver is forced to leave the equine utopia of the Houyhnhnms, the utter perfidy of humanity is laid bare without compunction. (And it is still as true and applicable to today's societies as it was three-hundred years ago.) No one likes being criticized, especially when guilty of the offense, and Swift is unsparing in his condemnation of our collective culpability. (He makes provision for the goodness of the individual, though, such as the Portuguese ship's captain.) One of the ten best books I've ever read.
Great book, great price Oct 4, 2006
I am quickly becoming a fan of the Dover Thrift editions of classic literature. They are well-made, sturdy, and a great bargain. All of them that I have bought and assigned to my students have been $2.50. What can you buy for $2.50 anymore? Now you can have an entire library of unabridged classics at a more than reasonable rate.
Jonathan Swift's "Gullivers Travels" is no exception to the rule. This brilliant 18th century satire endures to our times. Swift, in turns, attacks (in his subversive way) makind's vanities, follies, cruelties, and morals. The floating island crushing the lower island is still, to my mind, the best attack on England's merciless domination of Ireland.
Some readers think: "I've heard so much about this book, but I didn't think it was so great." Certainly, our expectations about something that is considered a classic may outweigh the book itself. Please put aside whatever you might have heard and approach this book with an open mind. You will see it for the monument of English literature that it is.
Rocco Dormarunno College of New Rochelle
A lazy edition Apr 3, 2006
A proper critical account of Swift's text would exceed by far the space given here. As someone doing scholarly work on Gulliver's Travels, I would merely like to point out that Mr. Rivero's edition is a bit confusing. For some reason, he has decided that it was a good idea to move the letter prefacing the text to the end (which, as the "Advertisement" itself says should be "prefixed" to the volume). The critical apparatus is truly commonsensical, and at times, reduces the novel to a sad, straightforward allegory. One would only wish that the criticism section were as interesting as it is extensive. All this said, there is nothing violently "wrong" with this edition.