Item description for Emma (Classic Fiction) by Jane Austen...
Arrogant, self-willed and egotistical, Emma is Jane Austen's most unusual heroine. Her interfering ways and inveterate matchmaking are at once shocking and comic. She is 'handsome, clever and rich' and has 'a disposition to think too well of herself'. When she decides to introduce the humble Harriet Smith to the delights of genteel society and to find her a suitable husband, she precipitates herself and her immediate circle into a web of misunderstanding and intrigue, from which no-one emerges unchanged. Juliet Stevenson, an incomparable reader, is for many the voice of Jane Austen.
Promise Angels is dedicated to bringing you great books at great prices. Whether you read for entertainment, to learn, or for literacy - you will find what you want at promiseangels.com!
Studio: Naxos Audiobooks
Est. Packaging Dimensions: Length: 5.3" Width: 5.3" Height: 2.1" Weight: 0.9 lbs.
Release Date Aug 30, 2006
Publisher Naxos Audiobooks
ISBN 962634394X ISBN13 9789626343944
Availability 0 units.
More About Jane Austen
Jane Austen (16 December 1775 – 18 July 1817) was an English novelist whose works of romantic fiction, set among the landed gentry, earned her a place as one of the most widely read writers in English literature. Her realism, biting irony and social commentary have gained her historical importance among scholars and critics.
Austen lived her entire life as part of a close-knit family located on the lower fringes of the English landed gentry. She was educated primarily by her father and older brothers as well as through her own reading. The steadfast support of her family was critical to her development as a professional writer. Her artistic apprenticeship lasted from her teenage years into her thirties. During this period, she experimented with various literary forms, including the epistolary novel which she then abandoned, and wrote and extensively revised three major novels and began a fourth. From 1811 until 1816, with the release of Sense and Sensibility (1811), Pride and Prejudice (1813), Mansfield Park (1814) and Emma (1816), she achieved success as a published writer. She wrote two additional novels, Northanger Abbey and Persuasion, both published posthumously in 1818, and began a third, which was eventually titled Sanditon, but died before completing it.
Austen's works critique the novels of sensibility of the second half of the 18th century and are part of the transition to 19th-century realism. Her plots, though fundamentally comic, highlight the dependence of women on marriage to secure social standing and economic security. Her work brought her little personal fame and only a few positive reviews during her lifetime, but the publication in 1869 of her nephew's A Memoir of Jane Austen introduced her to a wider public, and by the 1940s she had become widely accepted in academia as a great English writer. The second half of the 20th century saw a proliferation of Austen scholarship and the emergence of a Janeite fan culture.
Jane Austen was born in 1775 and died in 1817.
Jane Austen has published or released items in the following series...
Reviews - What do customers think about Emma (Classic Fiction)?
Austen's nosensical girl Emma expertly read by Juliet Stevenson Feb 10, 2010
EMMA, Jane Austen's fourth novel was published in 1815 and dedicated to the Prince Regent, later King George IV. Austen privately abhorred the Regent for the treatment of his wife Princess Caroline and his dissipated lifestyle. In 1813 she wrote to her friend Martha Lloyd, "I suppose all the World is sitting in Judgement upon the Princess of Wales's Letter. Poor woman, I shall support her as long as I can, because she is a Woman, & because I hate her Husband." She did however recognize the value of his name and agreed to the dedication. Upon publication EMMA also had its own share of critics. What impressed early readers was not that it lacked energy and style, but that its story was dull and uneventful. Even Austen's famous publisher John Murray thought it lacked "incident and romance" and Maria Edgeworth, a contemporary author so greatly admired by Austen that she sent her one of the twelve presentation copies allotted by her publisher, could not read past the first volume and thought "there was no story in it." Ironically, what these two prominent and well read individuals attributed as a weakness is actually EMMA'S greatest strength.
If one looks beyond the surface, EMMA is an intricate story focused on the astute characterization and social reproof which Austen is famous for. Emma Woodhouse is a complex character that on first acquaintance is rather a pill. Austen gave herself a great challenge in creating "a heroine whom no one but myself will like." In contrast with her other heroines, Miss Woodhouse does not have any social or financial concerns and thus no compelling need to marry. Therein lives the rub. We have no sympathy for her whatsoever. She's rich, she's spoiled and she's stuck up. Who indeed could possibly like such a "troublesome creature"? During the course of the novel we witness her exerting her superior notions of who is suitable for whom as she match makes for her friends with disastrous results. It is no wonder that Maria Edgeworth gave up reading EMMA after the first volume. At that point we have met most of the characters in Emma's insular world and are coming to fully understand her ignorance and misguided perceptions in relation to them. She is truly exasperating. Austen tests our endurance fully as the novel progresses and her heroine continues to make mistakes. It is a testament to her skill as a writer and deft comedian that she holds our fascination with the "busy nothings" of every-day country life in Highbury, a small village filled with endearingly flawed characters. The transformation of the heroine from spoiled and insufferable into a contrite, mature and likeable young lady that you want to root for, is nothing less than remarkable. It is truly a shame that Edgeworth could not recognize the genius of Austen's sly sashay of characterization into a world that could be your own neighborhood. We can only account that, "One half of the world cannot understand the pleasures of the other."
If you liked the new BBC/PBS miniseries Emma (2009), enjoy the original novel with all of Austen's resplendent language in this expertly produced audio recording. Read by acclaimed British actress Juliet Stevenson, viewers of the 1996 movie adaptation of EMMA will remember her superb portrayal of the vulgar a vacuous Mrs. Elton and know you are in for a treat. Adding equal measure of energy and humor to each of the characters, Stevenson's perfect blending of a classic novel and a sensitive interpretation enhanced my enjoyment greatly. Pop this one into your CD player or iPod during your commute to work. I highly recommend it. "It is such a happiness when good people get together -- and they always do." Ch 21