Item description for The Fine Art of Cabinetmaking by James Krenov, Jonathan Hull, Susan Proctor, Andrea Rossi, Kevin Ergil, Pat McEown, Glenn Barr & Kevin Nowlan...
Overview An authoritative instructional resource on the art and craft of cabinetmaking offers a series of lessons that explain how to use and understand the various woods and their properties, how to hone and sharpen tools properly, construction techniques, finishing touches, hardware and accessories, and other important topics. Original.
With continual themes of perfection of technique and building to the limits of one's skill, this authoritative resource provides in-depth instruction for mastering the craft of cabinetmaking. A bevy of topics, including the proper way to sharpen and hone tools, hollow grinding methodology, and obtaining proper grinding angles, are detailed in this comprehensive cabinet-making sourcebook. Lessons devoted to using and understanding various woods, including common or exotic pieces, learning how to read grain, and the pros and cons in working with air-dried wood versus kiln-dried wood, will educate any level of woodworker. Chapters devoted to resawing as well as problems and concerns due to moisture content and wood movement are also included.
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Est. Packaging Dimensions: Length: 0.5" Width: 8.5" Height: 11" Weight: 1.34 lbs.
Release Date Oct 30, 2007
Publisher Linden Publishing
ISBN 1933502096 ISBN13 9781933502090
Availability 0 units.
More About James Krenov, Jonathan Hull, Susan Proctor, Andrea Rossi, Kevin Ergil, Pat McEown, Glenn Barr & Kevin Nowlan
James Krenov is the author of "The Fine Art of Cabinetmaking," "The Impractical Cabinetmaker," and "Worker in Wood." He directs the Cabinetmaking Program at the College of the Redwoods, one of the premier woodworking programs in the United States. He lives in Fort Bragg, California.
James Krenov currently resides in Fort Bragg, in the state of California.
Reviews - What do customers think about The Fine Art of Cabinetmaking?
Must Read Jun 30, 2008
A must read for all new woodworkers before accumulating all the power tools they think they need. More than a great instructional book; it is also a philosophy.
Some people just call it furniture - author and craftsman James Krenov, however, believes it be an art form Jun 8, 2008
Some people just call it furniture - author and craftsman James Krenov, however, believes it be an art form. "The Fine Art of Cabinetmaking" is a guide to turn what's nothing more than storage space to some into a work of art that can be appreciated for something far more than just a place to put things. Going over everything readers need to make a masterpiece of a cabinet, such as wood quality, good hinges, and more, "The Fine Art of Cabinetmaking" leaves nothing to guesswork, making it highly recommended to any woodworking enthusiast and community library woodworking shelves.
More James Please Jan 31, 2008
Mr. Krenov's work speaks for itself. What is great about this book is he shares with us his feel for wood , and it's spirit. He is a wood fanatic. He is excited by its touch, look and feel. How long should I keep a piece of wood before I use it? Moisture content? Integrating the wood and the piece I am making?
Each persons experience of wood and woodworking is different. I have technical books, written well, and some poorly.
This could be called "Zen and the art of woodworking."
When I need inspiration I look to the masters. Mr. Kenov connects me to the wood.
Learning From A Perfectionist May 26, 2006
James Krenov is one of woodworking's treasures - an acknowledged master craftsman who is open about both his aesthetics and his techniques. For many of us he is a role model who started out on a shoe string in Sweden and has gone on to create a whole style all his own. He is as devoted to teaching as he is to his work and has a gift for inspiration and straightforward exposition.
Unlike A Cabinet Maker's Notebook, The Fine Art of Cabinet Making spends most of its time talking about technique. The first 50 pages is a vast, rambling essay on wood and how to relate to it. His point, an important on, is that the process of selecting and using wood is every bit as important and any other creative process. If you pay attention you will get a deep dive into the way Krenov's designs come to be - a whole new level beyond buying some dimensioned lumber and whipping up a cabinet.
Then he introduces you to his workshop and tools. Krenov actually does use power tools, but sparingly. Many of us have been taught to value the clean, sharp edged work that a modern power woodshop can produce. Krenov is just the opposite, to him the marks of craftsmanship are part of the harmony of the work. Krenov makes his own planes, and spends a great deal of time explaining how to do the same yourself. I have to admit I'm quite happy with my Lie-Nielson's, but one has to admire the intensity of a man who wants everything 'just so.'
The remainder of the book covers details of Krenov's cabinetmaking, and it is here that you discover the extent of his quality. Whether it be dovetails, delicately curved doors, or cabinet backs, Krenov never settles for less than the best he can do. I admit to a few moments of extreme jealousy when he explains that he never clamps dovetail joints, but, as his discussion demonstrates, his attention to detail is such that he shouldn't have to use clamps. I just wonder how many years of practive it will take to accomplish the same thing.
For all that this is a technically focused book, it is also an inspiring one. A book that will have you eyeing potential lumber completely differently, and making yourself take the time to get things right.
Must have for every woodworker Nov 27, 2005
I love all of Krenov's books. It's easy to find better books on tools or techniques but nowhere will you find books that breathe a love for wood and craft more than Krenov's (Nakashima's "The Soul of a Tree" comes closest.) I've read through each of his books several times and always pick up on something new. "The Fine Art of Cabinet Making" is a bit more advanced than his earlier works in that he covers coopered doors and frame-and-panel work but his philosophy is always evident. Krevnov's love for wood is infectious. After reading his books you find yourself `playing' more with wood. Wondering how things will work if you move this one way and that another. Instead of churning out furniture I instead start to think about the piece I want to make: what wood would look nice? What kind of pulls will fit? How will it sound when the door closes? Somehow all of this combines to make the journey (the making) as nice as the end product. Frankly I think most furniture makers will go broke trying to work like this unless you have a whole lot of cash behind you or can charge very expensively for your work. I really think, though, that these books should be on every woodworker's shelf.