Item description for Sir Gawain and the Green Knight, Pearl, Sir Orfeo by J. R. R. Tolkien...
Overview The scholar-fantacist offers faithful translations of the three classics of Medieval English verse
Publishers Description SIR GAWAIN AND THE GREEN KNIGHT, PEARL, and SIR ORFEO are masterpieces of a remote and exotic age--the age of chivalry and wizards, knights and holy quests. Yet it is only in the unique artistry and imagination of J.R.R. Tolken that the language, romance, and power of these great stories comes to life for modern readers, in this masterful and compelling new translation.
When the siege and the assault had ceased at Troy,
and the fortress fell in flame to firebrands and ashes,
the traitor who the contrivance of treason there fashioned
was tried for his treachery, the most true upon earth—
it was Æneas the noble and his renowned kindred
who then laid under them lands, and lords became
of well-nigh all the wealth in the Western Isles.
When royal Romulus to Rome his road had taken,
in great pomp and pride he peopled it first,
and named it with his own name that yet now it bears;
Tirius went to Tuscany and towns founded,
Langaberde in Lombardy uplifted halls,
and far over the French flood Felix Brutus
on many a broad bank and brae Britain established
where strange things, strife and sadness,
at whiles in the land did fare,
and each other grief and gladness
oft fast have followed there.
And when fair Britain was founded by this famous lord,
bold men were bred there who in battle rejoiced,
and many a time that betid they troubles aroused.
In this domain more marvels have by men been seen
than in any other that I know of since that olden time;
but of all that here abode in Britain as kings
ever was Arthur most honoured, as I have heard men tell.
Wherefore a marvel among men I mean to recall,
a sight strange to see some men have held it,
one of the wildest adventures of the wonders of Arthur.
If you will listen to this lay but a little while now,
I will tell it at once as in town I have heard
as it is fixed and fettered
in story brave and bold,
thus linked and truly lettered,
as was loved in this land of old.
This king lay at Camelot at Christmas-tide
with many a lovely lord, lieges most noble,
indeed of the Table Round all those tried brethren,
amid merriment unmatched and mirth without care.
There tourneyed many a time the trusty knights,
and jousted full joyously these gentle lords;
then to the court they came at carols to play.
For there the feast was unfailing full fifteen days,
with all meats and all mirth that men could devise,
such gladness and gaiety as was glorious to hear,
din of voices by day, and dancing by night;
all happiness at the highest in halls and in bowers
had the lords and the ladies, such as they loved most dearly.
With all the bliss of this world they abode together,
the knights most renowned after the name of Christ,
and the ladies most lovely that ever life enjoyed,
and he, king most courteous, who that court possessed.
For all that folk so fair did in their first estate
Under heaven the first in fame,
their king most high in pride;
it would now be hard to name
a troop in war so tried.
While New Year was yet young that yestereve had arrived,
that day double dainties on the dais were served,
when the king was there come with his courtiers to the hall,
and the chanting of the choir in the chapel had ended.
With loud clamour and cries both clerks and laymen
Noel announced anew, and named it full often;
then nobles ran anon with New Year gifts,
Handsels, handsels they shouted, and handed them out,
Competed for those presents in playful debate;
ladies laughed loudly, though they lost the game,
and he that won was not woeful, as may well be believed.
All this merriment they made, till their meat was served;
then they washed, and mannerly went to their seats,
ever the highest for the worthiest, as was held to be best.
Queen Guinevere the gay was with grace in the midst
of the adorned dais set. Dearly was it arrayed:
finest sendal at her sides, a ceiling above her
of true tissue of Tolouse, and tapestries of Tharsia
that were embroidered and bound with the brightest gems
one might prove and appraise to purchase for coin
That loveliest lady there
on them glanced with eyes of grey;
that he found ever one more fair
in sooth might no man say.
But Arthur would not eat until all were served;
his youth made him so merry with the moods of a boy,
he liked lighthearted life, so loved he the less
either long to be lying or long to be seated:
so worked on him his young blood and wayward brain.
And another rule moreover was his reason besides
that in pride he had appointed: it pleased him not to eat
upon festival so fair, ere he first were apprised
of some strange story or stirring adventure,
or some moving marvel that he might believe in
of noble men, knighthood, or new adventures;
or a challenger should come a champion seeking
to join with him in jousting, in jeopardy to set
his life against life, each allowing the other
the favour of fortune, were she fairer to him.
This was the king's custom, wherever his court was holden,
at each famous feast among his fair company
So his face doth proud appear,
and he stands up stout and tall,
all young in the New Year;
much mirth he makes with all.
Thus there stands up straight the stern king himself,
talking before the high table of trifles courtly.
There good Gawain was set at Guinevere's side,
with Agravain a la Dure Main on the other side seated,
both their lord's sister-sons, loyal-hearted knights.
Bishop Baldwin had the honour of the board's service,
and Iwain Urien's son ate beside him.
These dined on the dais and daintily fared,
and many a loyal lord below at the long tables.
Then forth came the first course with fanfare of trumpets,
on which many bright banners bravely were hanging;
noise of drums then anew and the noble pipes,
warbling wild and keen, wakened their music,
so that many hearts rose high hearing their playing.
Then forth was brought a feast, fare of the noblest,
multitude of fresh meats on so many dishes
that free places were few in front of the people
to set the silver things full of soups on cloth
Each lord of his liking there
without lack took with delight:
twelve plates to every pair, good beer and wine all bright.
Now of their service I will say nothing more,
for you are all well aware that no want would there be.
Another noise that was new drew near on a sudden,
so that their lord might have leave at last to take food.
For hardly had the music but a moment ended,
and the first course in the court as was custom been served,
when there passed through the portals a perilous horseman,
the mightiest on middle-earth in measure of height,
from his gorge to his girdle so great and so square,
and his loins and his limbs so long and so huge,
that half a troll upon earth I trow that he was,
but the largest man alive at least I declare him;
and yet the seemliest for his size that could sit on a horse,
for though in back and in breast his body was grim,
both his paunch and his waist were properly slight,
and all his features followed his fashion so gay
for at the hue men gaped aghast
in his face and form that showed;
as a fay-man fell he passed,
and green all over glowed.
All of green were they made, both garments and man:
a coat tight and close that clung to his sides;
a rich robe above it all arrayed within
with fur finely trimmed, shewing fair fringes
of handsome ermine gay, as his hood was also,
that was lifted from his locks and laid on his shoulders;
and trim hose tight-drawn of tincture alike
that clung to his calves; and clear spurs below
of bright gold on silk broideries banded most richly,
though unshod were his shanks, for shoeless he rode.
And verily all this vesture was of verdure clear,
both the bars on his belt, and bright stones besides
that were richly arranged in his array so fair,
set on himself and on his saddle upon silk fabrics:
it would be too hard to rehearse one half of the trifles
that were embroidered upon them, what with birds and with flies
in a gay glory of green, and ever gold in the midst.
The pendants of his poitrel, his proud crupper,
his molains, and all the metal to say more, were enamelled,
even the stirrups that he stood in were stained of the same;
and his saddlebows in suit, and their sumptuous skirts,
which ever glimmered and glinted all with green jewels;
even the horse that upheld him in hue was the same,
a green horse great and thick,
a stallion stiff to quell,
in broidered bridle quick:
he matched his master well.
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Studio: Del Rey
Est. Packaging Dimensions: Length: 0.5" Width: 3.25" Height: 7" Weight: 0.2 lbs.
Release Date Jul 1, 1988
Publisher Del Rey
ISBN 0345277600 ISBN13 9780345277602
Availability 0 units.
More About J. R. R. Tolkien
John Ronald Reuel Tolkien was born on January 3, 1892, in Bloemfontein, South Africa. After serving in World War I, he embarked upon a distinguished academic career and was recognized as one of the finest philologists in the world. He was a professor of Anglo-Saxon at Oxford, a fellow of Pembroke College, and a fellow of Merton College until his retirement in 1959. He is, however, beloved throughout the world as the creator of Middle-earth and author of such classic works as The Hobbit andThe Lord of the Rings. He died on September 2, 1973, at the age of eighty-one.
J. R. R. Tolkien was born in 1892 and died in 1973.
J. R. R. Tolkien has published or released items in the following series...
Reviews - What do customers think about Sir Gawain and the Green Knight, Pearl, Sir Orfeo?
Not Free SF Reader Sep 3, 2007
Slightly more interesting piece of output, due to the theme being the old Green Knight story. That tale is usually quite entertaining, and is in this version, as well. The other piece is eminently forgettable, however. I suppose you would say that it is for Tolkien completists only.
Enter into late-Medieval Adventure and Piety Aug 11, 2006
These three texts from the translating pen of J.R.R. Tolkien coprise an uplifiting trio that give the reader a glimpse of times when literature was aimed at both beauty and the edification of proper values. This is particularly true in the first two texts.
Sir Gawain and the Green Knight presents a late Arthurian legend which was penned in a relatively obscure West-Midland dialect of early Middle English. The text, as translated by Tolkien, still maintains the auditory alliteration used to drive the poem itself. This in itself is a blessed treasure to the reader, as it is a rarely used method of poetry. The story is a gem in that it presents a fallible human, Gawain, who strives by the Grace of God to fulfill his oaths made. It is an exposition of piety, casting the Arthurian knight into a wholly Christian light.
Pearl, written in a dialectic style of poetic meter, is a moving poem of grief and understanding in the face of the death of a two-year-old child. The imagery used in it is absolutely breathtaking, drawing heavily on the Apocalypse of John for its material. The discourse is a journey of enlightenment and eventual peace, marked with profound trust in God. I found this poem to be absolutely stunning in itself. Pearl, along with Gawain, exposes the existence of a great deal of Marian piety at the time of the writing. This presents an intriguing scenario which reminds Christians of the ongoing understanding of Mary's role in the Christian faith.
Sir Orfeo, related in many ways to Classical myth, is a much more light-hearted adventure. It is a quick read that presents the reader with the brave quest of King Orfeo for his lost wife,Heurodis. The sybols used are mixed from Classical as well as English/Celtic sources. While the story is not wholly inventive, it is a fun read and has been presented very well by professor Tolkien.
I suggest this set of texts to everybody, for they present the reader with poetry which is not only grounded in romance/adventure but also in morality (particulary I and II) and faith.
The Great Magic Oct 23, 2005
"Sir Gawaine and the Green Knight" is a great and holy work of literature and I return to it on an annual basis to breathe the air of its strong magic and to observe with awe its rutheless moral rigor. What a profound joy it is to foresake the barren land of contemporary hack literature and enter once more into a world where the colors are brighter, the language is grander, and the characters stride across the mysterious landscape like gods or faery-figures lit from within by a mystic sun. The great J.R.R. Tolkien did us all a supreme kindness when he advocated for the deep spiritual and aesthetic significance of "Beowulf" (for whom his own writings bear covert relations) and he doubled it when he translated this masterpiece of the enchanted but decidedly anonymous soul who wrote it.
Five stars are a poor return for such pleasure and wisdom offered.
Arthurian Legend at its best Oct 13, 2005
I've always been fascinated with the old Arthurian legends, so this tale appealed to me greatly. Sir Gawain was everything a knight should be considering the fact that he's not perfect due to the fact that he's human. The animals depicted in the hunting scenes directly tie in with the storyline with Sir Gawain and the lady of the castle. The deer represented that Sir Gawain tried to flee away from having to deal with the lady of the castle. The wild boar represented difficulty since it was stated that the boar in the hunt had killed a man. Finally, the fox represented the fact that Sir Gawain was planning to be sly and conceal the fact that the lady of the castle had given him her girdle. The fact that he would lie to the lord of the castle, shows that he is truly human and that he would like to keep his own head when he has to go meet back up with the Green Knight the following day. The hunt over three days represents a series of three tests which later comes to aid or hinder Sir Gawain in his quest to keep his oath as a knight and follow through with the guidelines of "the beheading game". The girdle at the end that all the knights in King Arthur's court take to wearing symbolizes that they are human and that they are not perfect and that humility should be observed.
Pearl of Wisdom Mar 29, 2004
Gawain is the Tolekin translation of one of many versions of the story. The story is exciting but ultimately disappointing because of the incongruence of the ending with the opening. The opening indicates that King Arthur is all too aware of the false beheading trick being played in his court as he primes the action for the hapless Gawain. The ending indicates the Green Man alone instigated the trick with Morgan le Fay. The point missed by Tolkein (jnr) in the Introduction is that the brocade is the sole tangible due to the green man in the exchange of acquisitions, so a real dishonour. Anyway Camelot' s self advertised mythology is well and truly pricked. Pearl, on the other hand is a true medaeval pagan gem, arguing that religion is the exploitation of bereavement. Religion claims the deceased for heaven; it offers reunion to the survivor conditional on temporal faith. If the departed is beloved of a survivor then that cat runs headlong into the priest' s bag with little prompting. The poet becomes so seduced by the vision of the New Jerusalem he comes to see his former reason as madness and so went the world. The strength of Christian theology surely developed from these kinds of rational resistence. Ultimetely reason conquered and theology relapsed to a dogmatic statement of faith in the shape of pearl (Aquinas). A great and thoroughly authentic work of transitional pagan genius saved by Tolkein.