Item description for Ysengrimus: Text With Translation, Commentary, and Introduction (Mittellateinische Studien Und Texte Bd 12) by J. Mann & 12th Cent Nivardus...
The Ysengrimus is the first fully-fledged medieval beast-epic, and the poem in which Reynard the Fox makes his first appearance on the stage of world literature. It thus occupies a key position in the long and fertile tradition of medieval beast-literature, but it also claims attention as a masterpiece in its own right, the work of one of the most daring and original satirists of the Middle Ages. Despite its importance, the Ysengrimus has been comparatively neglected because of its linguistic difficulties. Jill Mann eases these difficulties by presenting an English translation alongside the Latin text, and accompanying it with a detailed commentary. A full- length introduction offers an original account of the poem which shows how literary structure and historical dimensions are fused into an original satiric vision of compelling power. This book will not only interest medieval Latin specialists, but will make this major text accessible to those working on the related vernacular traditions. Its analysis of the poem's allusions to contemporary persons and events will also be of considerable interest to historians of twelfth-century Flanders.
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Studio: Brill Academic Publishers
Est. Packaging Dimensions: Length: 1.75" Width: 6.5" Height: 9.5" Weight: 2.55 lbs.
Binding Library Binding
Release Date Aug 1, 1997
Publisher Brill Academic Publishers
ISBN 9004081038 ISBN13 9789004081031
Availability 0 units.
More About J. Mann & 12th Cent Nivardus
J. Mann has an academic affiliation as follows - University of Reading.
Reviews - What do customers think about Ysengrimus: Text With Translation, Commentary, and Introduction (Mittellateinische Studien Und Texte Bd 12)?
To take is the law, to give the exception. Dec 2, 2002
This epic is one of the most cynical and grim satires ever written. Ysengrimus is the prototype of the monk disguised as a wolf. Christ was a shepherd for his sheep, the monks are wolves. With a strong and blasphemous vocabulary, Nivardus insults relentlessly the Church and her representatives: 'They sell human beings for money, and even God'. 'You may commit what sins you want, you will be absolved if you can pay'. What only counts for the monk Ysengrimus is power and money. If you have them you stay above the law; if you don't, you are lost. But Nivardus takes revenge on the corrupt and wicked Ysengrimus through the hands of his nephew, Reinaert, the fox, who exploits in a gruesome manner the craving for power and money of his uncle. Ultimately, the Monk's skin is stripped off and his corps is thrown to the swine.
Apparently, this is the first time that the character of Reinaert, the fox, appears in the medieval literature. Here he is the avenger of the righteous, the poor, the real Christians.
In the latter works, Reinaert is portrayed as a cunning and cynical exploiter of human weaknesses. The social criticism of the Church disappeared. In this way, one could say that the author of the second Reinaert (Van den Vos Reinaerde) took revenge on the Ysengrimus by painting the fox as a not reliable and immoral character.
This epic is a powerful, colourful, lively and very modern work. A masterpiece.