Item description for Harry Callahan: Nature by Harry M. Callahan, Sarah Greenough & John Szarkowski...
"Callahan did somehow arrive quickly at the sure knowledge that the function of his own work was to describe not the public issues of the great world, but the interior shape of his private experience." John SzarkowskiNature is a selection of Harry Callahan's nature studies, 12 intimately scaled prints that the artist assembled into a series in the early 1990s, herein reproduced as beautiful tipped-in plates. Over the course of a career that spanned six decades, Callahan made nature of one his foremost themes, and continually researched new ways of seeing trees, weeds, snow and surf. Ranging in date from 1941 to 1991, these images are typical of the artist's innovative approach to these subjects, as well as of his intention to "capture a moment that people can't always see." Some images give a striking description of surface detail on natural forms, while others reduce those forms to compelling abstract patterns. Consistent throughout the series is the technical refinement that distinguishes Callahan's style and that has secured his place among the foremost American photographers of the twentieth century.
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Est. Packaging Dimensions: Length: 0.25" Width: 7.5" Height: 9" Weight: 0.55 lbs.
Release Date Jul 1, 2007
Publisher Steidl/Pace/ MacGill Gallery, New York
ISBN 3865214371 ISBN13 9783865214379
Availability 0 units.
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A Concise Compilation Apr 27, 2000
Harry Callahan was the most influential and important figure in photography throughout the last half of the 20th century. This edition of his work shows chronologically how Callahan's approach to the medium evolved and changed, while his vision remained ever faithful to modernity. The book begins in Detroit, where Callahan worked for Chrysler while pursuing photography as a serious hobby. It was also during this time that he married Eleanor Knapp, who would later become the subject for many of his strongest images. The accompanying essay by Sarah Greenough is succinctly written, blending biographical information to the photographs Callahan took throughout his long, photographic journey (Callahan died in 1999). Callahan's outlook on photography changed dramatically after having met Ansel Adams, at a photography workshop in Detroit. Taking some of Adams' philosophy and refining it, Callahan created his own style of photographing/printing, made apparent by such images as `Weeds in Snow' and `Detroit, 1942'. In these images and throughout the rest of his life, Callahan easily turned the simplest subject matter into monumental works of photographic art. The book provides powerful examples of this, in both black & white and color. After leaving his job to pursue photography full time, Callahan moved to Chicago and taught at the Institute of Design. Continuing the experimentation he began in Detroit, Callahan worked and refined his style during his Chicago years, utilizing double exposure, collage, close-ups, and the use of positive and negative space. The book then turns to Callahan's New England period. It was during this time that Callahan taught at the Rhode Island School of Design, in Providence. The book captures this period vividly, with images of varying contrast and mood. Here we see Callahan's ability at adapting to his environment by producing increasingly poetic images of nature, as well as urban and suburban street scenes. In his later work from 1972-1992, the photographs in "Harry Callahan" document the photographer's travels in other countries, with an increased attention on color. It remains clear by the images shown in his later years, that Callahan continued to explore photography by constantly challenging himself and the medium. Where most photographers are known for one particular style or body of work (Cartier-Bresson's `decisive moment' or Robert Frank's publication of The Americans), Callahan is known for many different styles and bodies of work. The photographs in "Harry Callahan" prove this with each turn of the page. Callahan was a photographic artist in the truest sense, if we choose to believe an artists' goal is not only to create but to constantly evolve. Callahan was, continues to be, and always will be an influence to those photographers who seek not only perfection in the creation of their photographic art, but also change.