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War For The Oaks: The Screenplay [Paperback]

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Item Number 251410  
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Item description for War For The Oaks: The Screenplay by Emma Bull...

Adapting the award-winning magical realism classic about a war between faerie kingdoms in modern-day Minneapolis.

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Item Specifications...

Pages   176
Est. Packaging Dimensions:   Length: 8" Width: 4.9" Height: 0.6"
Weight:   0.45 lbs.
Binding  Softcover
Release Date   Aug 31, 2004
Publisher   Hollywood Comics
ISBN  1932983082  
ISBN13  9781932983081  

Availability  145 units.
Availability accurate as of Oct 28, 2016 12:03.
Usually ships within one to two business days from La Vergne, TN.
Orders shipping to an address other than a confirmed Credit Card / Paypal Billing address may incur and additional processing delay.

More About Emma Bull

Register your artisan biography and upload your photo! Emma Bull's "War for the Oaks" won the "Locus" Award for Best First Novel. Her subsequent works have included "Falcon, "the Hugo, Nebula, and World Fantasy Award-finalist "Bone Dance, Finder, " and (with Steven Brust) "Freedom and Necessity." She lives in Tucson, Arizona.

Emma Bull currently resides in Bisbee, in the state of Arizona. Emma Bull was born in 1954.

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Product Categories

1Books > Subjects > Science Fiction & Fantasy > Authors, A-Z > ( B ) > Bull, Emma
2Books > Subjects > Science Fiction & Fantasy > Authors, A-Z > ( S ) > Shetterly, Will
3Books > Subjects > Science Fiction & Fantasy > Fantasy > General

Reviews - What do customers think about War For The Oaks: The Screenplay?

A Worthy Screenplay:   Jan 16, 2005

"In film and television, thousands of fine scripts by established writers are never produced. The Black Coat Script Library is dedicated to presenting some of those scripts." (Back cover)

A requirement of fantasy often is the element of the quest where someone is required to make a journey or perform a task or service. Either because the person has some inherent and unknown "gift" or just is lucky enough to be in the wrong place at the wrong time, the person is drafted into service. Usually the individual is less than thrilled initially and that certainly sums up the plight of Eddie McCandry.

Eddie is part of a band and dating the lead guitarist, Stuart. Stuart has become more trouble than he is worth, both professionally and personally. Fueled by jealousy over artistic issues and alcohol, he is ruining any future they had together as well as any future the band had as a group. After another public performance ruined by his drinking and bad behavior, Eddie contemplates leaving the band, which will also require her to end her relationship with Stuart.

Fellow band member and good friend Carla not only is willing to leave with her; she wants Eddie to start her own band. Something Eddie finds overwhelming and she decides she will think about things on a walk home. Along the way she is confronted by creatures that turn out to be nobles from the Summer Court of the Fey folk. They are going to fight the Winter Court after some of the Summer Court's lands have been seized. Eddie, as a mortal, has been chosen by the nobles of the Summer Court to be present for the coming battle. To enhance their chances of victory, assassins sent on behalf of the Winter Court will seek her out and try to kill her. Having placed her in jeopardy by their selection, the nobles of the Summer Court have selected a creature known as "Pooka" to guard her.

They have made their choice and she has no choice but to do their bidding. Something Eddie does not want to do and makes very clear to one and all. The "Pooka," in the forms of a male human, a large dog, and others as well as having numerous other talents, understands her predicament and soon saves her from assassination. Drawn into a battle she did not want by forces she did not believe existed, she quickly finds out more about herself and her place in the world than she ever thought possible.

Based on the novel of the same name written by Emma Bull, this script features an intriguing and diverse cast of characters and plenty of action and secondary storylines with slight changes to the original novel. What really makes all of this work is the element of magic, which is so prominent it deserves top billing itself. With the use of creatures that can change shape at the blink of an eye, spontaneous combustion, shimmering see through veils, and other things, those wishing to turn this great story into a filmed version will have to have the financial resources and access to technology to develop the project correctly. Otherwise, what is at this point a very enjoyable read would be ruined in a film version. Here is hoping that someone is paying attention in Hollywood to this script and looking to do something different than the normal, run of the mill stuff.

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