Item description for Agnes Martin: Writings by Dieter Schwarz Agnes Martin...
Agnes Martin's abstract works adhere to no catalogue of rules but appear instead as contemplative, intuitive signs. Her "floating abstractions," in which lines and free bands of color emerge almost imperceptibly, can be reproduced only with difficulty. Her writings, on the other hand--although certainly not intended as programmatic statements--offer valuable clarity regarding her own works and poetic insight about art in general. Since its original publication in 1991, this volume of Martin's writings has been a fundamental document for libraries of artists, collectors, and critics. Rather than identifying herself with her Minimalist peers, Martin has aligned herself with the ancient Greeks, Egyptians, and Chinese, asserting that "the function of art work is . . . the renewal of memories of moments of perfection." In combination with illustrations of her works, these texts--including lectures, stories recorded by critic Ann Wilson, passages ostensibly arranged in associative sequences, and "fragmentary ideas"--form an eloquent artist's statement by the creator of "silent paintings."
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Est. Packaging Dimensions: Length: 9.45" Width: 5.75" Height: 0.47" Weight: 1.15 lbs.
Release Date Jul 15, 2005
Publisher Hatje Cantz Publishers
ISBN 3775716114 ISBN13 9783775716116
Reviews - What do customers think about Agnes Martin: Writings?
one of a kind Feb 8, 2007
This book is a must have for every artist, any discipline and a gem for anyone. Agnes nails it and by her testimonial acknowledges difficult feelings and the impossible path of making art as well as it's unique role and brilliant emotion.
A wonderful voice behind the paintings Jul 6, 2003
How many great painters have been eloquent on their work or methods, or, for that matter, on art or culture in general? In recent times, only Ad Reinhardt compares with Agnes Martin, who has that rarest of gifts among the non-literary, a voice. In a series of articles, some of which were apparently talks given to art students, she delves into consciousness, creativity, judgment, personal development, self-assurance, transcendence, meaning, value. She takes on the big subjects with language that is gloriously unpretentious in a style epigrammatic and occasionally poetic.
Visiting an exhibition of her pencil-grid paintings a few years ago, I experienced the transformative power of her paradoxically simple physical means to create shimmering, magical spaces. The staying power of that work has inclined me to believe that she's one of the greatest painters of the second half of the twentieth century. This book of her writings is a delightful enhancement to that discovery.
Quiet and Quite... May 17, 2003
...lovely and profound.
Martin's work here and on the canvas is deceptively simple. Not really about silence but about the possibility of grace and knowledge within.
This book recommended for all artists and lovers of art, life, and silence.