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Music Copyright for the New Millenium [Paperback]

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Item description for Music Copyright for the New Millenium by David J. Moser...

The 21st century promises to be the greatest period of growth in musical expression the world has ever known, as new technologies have made it easier and less costly to produce and distribute creative works on a worldwide basis. Copyright law and the ownership of intellectual property will continue to be the lifeblood of the music industry and the source from which the income of musicians will be derived. "Music Copyright for the New Millennium" will give you a thorough understanding of copyright law as it applies specifically to music. In an easy-to-understand style, this book provides explanations of the relevant provisions of U.S. copyright law and demonstrates how they are used in the music industry.

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Item Specifications...

Pages   181
Est. Packaging Dimensions:   Length: 0.5" Width: 8.25" Height: 10.75"
Weight:   1.2 lbs.
Binding  Softcover
Release Date   May 1, 2001
Publisher   Artistpro
ISBN  1931140162  
ISBN13  9781931140164  
UPC  073999846386  

Availability  0 units.

More About David J. Moser

Register your artisan biography and upload your photo! David Moser is a professor in the Mike Curb College of Entertainment and Music Business at Belmont University where he teaches courses in Intellectual Properties, Legal Issues in the Music Industry, Music Publishing, and Multimedia Law. Moser is also an attorney with more than ten years of experience in intellectual property and entertainment law. He represents clients such as record companies, music publishers, songwriters, recording artists, producers, managers, and Internet businesses. He also teaches an online copyright course at UCLA Extension School and is a recipient of a Fulbright Scholar Award to conduct research on intellectual property piracy in the Philippines. Moser is a frequent guest speaker and panelist at music industry and legal education seminars and operates a website at

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Product Categories

1Books > Special Features > New & Used Textbooks > Humanities > Art & Music > Music
2Books > Subjects > Entertainment > Music > Business
3Books > Subjects > Entertainment > Music > General
4Books > Subjects > Law > General
5Books > Subjects > Law > Intellectual Property > General

Reviews - What do customers think about Music Copyright for the New Millenium?

Save me....  Mar 21, 2005
Being in the copyright profession I have read numerous copyright and IP related books and this one is the worst one I have ever suffered through. I actually had Moser as a professor in college and thought I would give his book a try. I'm not sure why since every student hated his class with a passion. But I figured surely his book would be somewhat better.....I was wrong. This book is no different than most of what is out there. It gives no new perspective, just rehashes the same old same old we have been hearing about for years. I had a hard time with this book keeping my attention. If you are completely new to copyright and IP one could benefit, but I think there are other books out there that are easier to read and give a great overview. If you are an IP "scholar" skip it completely. You will be bored to tears.
Great Book For Musicians  Sep 28, 2003
This is a very useful and practical book especially for musicians like myself who want to know how their music is legally protected. Its written in an easy to understand style with lots of interesting examples. If you want to learn about copyright, this book is well worth it.
Exceptionally Informative Book  Mar 30, 2002
Music Copyright For The New Millennium is an extremely useful reference for anyone involved in the music industry. The book's author, David Moser, writes in a very easy to understand style and provides many examples and tips to illustrate how copyright law really applies to real life situations. It also clears up many of the common misconceptions musicians have about registering copyrights, co-ownership of songs, etc. The last chapter which covers the most currently controversial issues involving copyright and the use of music on Internet is especially informative. If this book existed when I started my career in the music industry, I would have been much more knowledgeable and avoided many problems.

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