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Alaskaphrenia (New Issues Poetry & Prose) [Paperback]

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Item description for Alaskaphrenia (New Issues Poetry & Prose) by Christine Hume...

Winner of the 2003 Green Rose Prize

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Item Specifications...

Pages   78
Est. Packaging Dimensions:   Length: 9.5" Width: 6" Height: 0.4"
Weight:   0.4 lbs.
Binding  Softcover
Publisher   New Issues Poetry & Prose
ISBN  193097440X  
ISBN13  9781930974401  

Availability  0 units.

More About Christine Hume

Register your artisan biography and upload your photo! Christine Hume is the author of two previous books of poetry, and a chapbook with CD, Lullaby: Speculations on the First Active Sense (Ugly Ducking Presse 2008). She teaches for and directs the interdisciplinary Creative Writing Program at Eastern Michigan University, where she co-directs BathHouse Events and hosts Poetry Radio, which features contemporary and historic sound art, performance art, sound poetry, collaborations between writers and musicians, available through iTunes U. She lives in Ypsilanti, Michigan, with her daughter, Juna, and partner, Jeff Clark.

Christine Hume currently resides in Denver, in the state of Colorado.

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Product Categories

1Books > Special Features > New & Used Textbooks > Humanities > English > American Literature
2Books > Subjects > Literature & Fiction > Poetry > General
3Books > Subjects > Literature & Fiction > Poetry > Single Authors > United States
4Books > Subjects > Literature & Fiction > World Literature > United States > Poetry > 20th Century
5Books > Subjects > Literature & Fiction > World Literature > United States > Poetry > General

Reviews - What do customers think about Alaskaphrenia (New Issues Poetry & Prose)?

Deja Vu  Apr 8, 2005
Christine Hume's Alaskaphrenia incorporates the skeletal organization of a textbook and exploits its conventions. The book opens with comprehension questions which imply a narrative to come. We have knowledge of Alaska before we pick up Hume's poems but the story of this Alaska which awaits us is like none we might have expected. The first poem insinuates that we have already read the story or that our journey begins at the end. On our way through, we encounter titles which serve as glossaries, an index of ecology, an appendix ready to burst, and prefatory comments which prepare us for the exit out of the book. Except we can't leave Hume's poems so easily. The tidy rhetoric of textbooks can't prepare us for the richness we encounter. Asked to answer Hume's comprehension questions, we set images of Alaska against one another. But we are stultified when we come to the conclusion that the figures in her poems are absolute: they have no shadows, no Alaskan ghosts. The poems raise poetry up over Alaska as if to say poems are as big as Alaska, and they can't be flattened. Yes, textbook rhetoric can be fun, but it will get you nowhere. What remains is the nakedness of each word, the absolute conviction that the poems could not be expressed in any other way, cannot be reduced to content, comprehension be damned. Instead, there is an unqualifiable speech which is never obscure.
Five Stars for Six Letters  Apr 4, 2004
This book is like fire. Snapping, hot, untameable. And it is like a stand of cold trees that have never been, cannot be infected. It is said that Alaska is vast, unpioneerable, killing, cold, attached to these states by force of will; it is huntable, secret, majestic, frozen, remote. In _Alaskaphrenia_, it is six letters and the roar of a tongue and guts that have left it, thought it, seen it. This book would have been read and recognized by Maiakovksi, Laure, Mina Loy, and Artaud. As a contemporary work, it is in dialogue with no one, it feeds from no one else's work, it borrows nothing except for air in order to burn, and it has the speed of nature.

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