Item description for Back in No Time: The Brion Gysin Reader by Brion Gysin, Jason Weiss & Jason Weiss...
Brion Gysin (1916 - 1986) was a visual artist, historian, novelist, and an experimental poet credited with the discovery of the 'cut-up' technique -- a collage of texts, not pictures -- which his longtime collaborator William S. Burroughs put to more extensive use. He is also considered one of the early innovators of sound poetry, which he defines as 'getting poetry back off the page and into performance.' Back in No Time gathers materials from the entire Gysin oeuvre: scholarly historical study, baroque fiction, permutated and cut-up poetry, unsettling memoir, selections from The Process and The Last Museum, and his unproduced screenplay of Burroughs' novel Naked Lunch. In addition, the Reader contains complete texts of several Gysin pieces that are difficult to find, including "Poem of Poems," "The Pipes of Pan," and "A Quick Trip to Alamut."
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Est. Packaging Dimensions: Length: 1" Width: 5.75" Height: 8.75" Weight: 1.3 lbs.
Release Date Jan 31, 2002
ISBN 0819565296 ISBN13 9780819565297
Availability 0 units.
More About Brion Gysin, Jason Weiss & Jason Weiss
Brion Gysin (1916-1986) was a painter, writer, sound poet, and performance artist born in Taplow, Buckinghamshire.
Reviews - What do customers think about Back in No Time: The Brion Gysin Reader?
A great starting point for understanding Gysin Jan 2, 2007
Embracing the totality of Brion Gysin's output and influence was essentially impossible prior to the publication of this book. Weiss's study of Gysin's work and his long friendship with the writer/musician/visionary results pays off: opening the door to creative and intellectual explorations that continue reverberating to this day.
Essential reader to the work of a beat generation figurehead May 28, 2004
Gysin's work is so overlooked (and so hard to find) that he's assumed the reputation of a cult-figure within a literary movement his work helped create. Here, together in one volume, are excerpts from his most important writings. "To Master, A Long Goodnight" (a biography of the man who was the basis for Harriet Beecher Stowe's anti-slavery classic "Uncle Tom's Cabin"), published in 1946, is included along with his script for Burroughs's "Naked Lunch," written in the 1970s. There's a revealing selection of his cut-ups ("The Third Mind," a Burroughs collaboration); songs, set to music scores by Steve Lacy; as well as gallery notes and art from the 1960s. There are also five chapters from "The Process," the novel that synthesized much of Gysin's philosophy of belief, magic, art, and drugs in the service of self-discovery. Editor Jason Weiss has done a terrific job linking these disparate sources into a coherent whole without leaving the first-time reader feeling as though he were on a guided tour. The book is a great starting point for anyone interested in learning more about the roots of the beat generation.