Item description for Japanese Experience: Inevitable, The (In the Floating World: Slash with a Knife, 1999) by Margrit Brehm, Takashi Murakami, Kaikai Kiki, Aya Takano, Masahiko Kuwahara, Yoshitomo Nara & Hiroshi Sugito...
At first sight, it appears brand new, pure Tokyo pop. But The Japanese Experience: Inevitable reveals far more than the successful cloning of morphed manga motifs onto stretched canvas and museum walls. It represents eight positions in contemporary Japanese art and scrutinizes their complex visual vocabulary, noting references to Japanese and Western art traditions as frequently as the borrowing of mass culture motifs from the realms of manga and anime. Takashi Murakami's MR. DOB questions the place of contemporary art in our global society; Aya Takano's glowing watercolors combine Japanese sensitivity, issues of female identity, and sci-fi; Masahiko Kuwahara's mutant animals provide shades of softness and mysterious openness, and Yoshitomo Nara's reworking of historical Japanese woodcuts disturbs the floating world. Not only are the artists' visual repertoires new and surprising, but their creative methods and strategies help conquer a public that is mostly untouched by contemporary art. Published in association with the Ursula Blickle Foundation.
Promise Angels is dedicated to bringing you great books at great prices. Whether you read for entertainment, to learn, or for literacy - you will find what you want at promiseangels.com!
Est. Packaging Dimensions: Length: 0.75" Width: 6.5" Height: 9.25" Weight: 1.7 lbs.
Release Date Mar 2, 2003
Publisher Hatje Cantz Publishers
ISBN 3775712542 ISBN13 9783775712545
Availability 0 units.
More About Margrit Brehm, Takashi Murakami, Kaikai Kiki, Aya Takano, Masahiko Kuwahara, Yoshitomo Nara & Hiroshi Sugito
Reviews - What do customers think about Japanese Experience: Inevitable, The (In the Floating World: Slash with a Knife, 1999)?
In-depth and informative... Mar 25, 2008
An excellent source of information on the recent Japanese pop art movement. Prominent figures such as Murakami and Nara make their appearances within its pages, and images of each artist's work are presented in large numbers.
As an analysis of the movement, the essays of "Japanese Experience" show both a historical context as well as a future vision of what these artists are trying to achieve. Simultaneously, the book serves as a good visual record of the artists' work and provides them in high quality.
A Japanese Arts Favourite Jun 14, 2006
Not only the selection of artists and artist's work is good but the stories they tell about each of them is between the finest you can find. The writer makes it easy to understand the artist's mind in very few words. I'm sorry I didn't go to the exibition that generated this catalog.
Surely one must pay attention... Apr 30, 2005
This is a fantastic catalogue of an important exhibition held in Kraichtal, Germany in 2002. The curator was Margrit Brehm. So, do not be mislead: this is not a Murakami-curated exhibition, unlike the current Japan Society show entitled "Little Boy." (This book does contain works by Murakami and others of the Kaikai Kiki alongside other important contemporary figures). Also important to note is that as this is a catalogue of an important art event, it contains several essays on topics relevant to the Japanese Neo Pop movement. It is not necessary that one fully comprehend these essays in order to enjoy the artwork reproduced here. However, these essays are very valuable for anyone interested in placing these works in a historical context.
Peter Max carves out a space? Apr 8, 2005
HMMMMMMM? where is Tenmyouya Hisashi's masterful work that actually engages what is going on in Japanese culture. Why Murakami's pandering to the west when the JApanese clearly do not buy into his cheapened schemes? This is a great book to peruse if you are hell-bent on finding insipid mis-information about Japanese culture. with flights being ~$500 from NYC (round-trip) go see for yourself that his strategy preys on western ignorance and is really a self-exoticized version of what is not really happening in Japan. If you like this book you must surely beleive everything Geroge Jr. says about the links of WMD and Al Queda in Irak :P hahahahaahha
well worth it. Feb 16, 2005
i bought this book pretty much sight unseen (it was wrapped in plastic), and for a not so thrifty price. that said, i do not regret that decision at all. this is a great informative book, and i think it handles the distinction between "high art" and "pop culture" quite well. i wish more american artists would follow this lead, basing great works of beauty on comics and tv. highly recommended.