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God and the American Writer (Vintage) [Paperback]

By Alfred Kazin (Author)
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Item description for God and the American Writer (Vintage) by Alfred Kazin...

From the reigning authority on American literature comes a beautifully written survey of the ways in which our greatest writers have grappled with the problem of God.

Publishers Description
God and the American Writer does more to illuminate the fundamental purposes and motivations of our greatest writers from Hawthorne to Faulkner than any study I have read in the past fifty-five years--that is, since the same author's On Native Grounds.
--Louis S. Auchincloss
This is the culminating work of the finest living critic of American literature. Alfred Kazin brings a lifetime of thought and reading to the triumphant elucidation of his fascinating and slippery subjects: what the meaning of God has been for American writers, and how those writers, from the New England Calvinists to William Faulkner, have expressed it. In a series of trenchant critical studies of writers as divergent as Hawthorne, Melville, Emerson, Lincoln, Whitman, Dickinson, Twain, William James, Eliot, Frost, and Faulkner, Kazin gives a profound sense of each, and his quotations from their works are artfully chosen to pursue the main theme. The centerpiece of the book is the reflection in American writing of the great American tragedy, the Civil War--so deeply involved in the whole complex issue of religion in America. An enthralling book by a major writer.
"This is a book about the place of God in the imaginative life of a country that for two centuries countenanced slavery and then engaged in a fratricidal war to end it. For Americans no subject is more compelling or, in its entanglement with the deepest roots of the national soul, more terrible. And no one has ever written as incisively, as movingly, or as unforgivingly about it as Alfred Kazin has here."
--Louis Menand

"In the era of willful obfuscation, Alfred Kazin is the good, clear word, a brilliant scholar and an original reader. His latest book, God and the American Writer, which comes fifty-five years after On Native Grounds, proves he has lost nothing and gives us everything he has."
--David Remnick
"American writers have been born into all sorts of religious sects, but have had to struggle in solitude to make sense of God. Alfred Kazin, a cosmos unto himself, has written brilliantly and affectingly of how a dozen or so of our finest authors--poets, novelists, philosophers, and one president--endured and illuminated that struggle. Kazin is sometimes passionate, even fierce, especially in his discussions of slavery and of his hero (and mine), Abraham Lincoln. But, as ever, Kazin's writing is tempered by an enormous American empathy and by his sense of irony about our country and its spiritual predicaments. Spare, sharp, and immensely learned, God and the American Writer is the most moving volume of criticism yet by our greatest living critic."
--Sean Wilentz

Citations And Professional Reviews
God and the American Writer (Vintage) by Alfred Kazin has been reviewed by professional book reviewers and journalists at the following establishments -

  • New York Times - 01/10/1999 page 24

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Item Specifications...

Studio: Vintage
Pages   272
Est. Packaging Dimensions:   Length: 8.02" Width: 5.21" Height: 0.7"
Weight:   0.55 lbs.
Binding  Softcover
Release Date   Oct 27, 1998
Publisher   Vintage
ISBN  0679733418  
ISBN13  9780679733416  

Availability  1 units.
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More About Alfred Kazin

Register your artisan biography and upload your photo! Alfred Kazin was born in Brooklyn in 1915. His first book of criticism, On Native Grounds (1942), was a groundbreaking study of American literature that changed radically our way of looking at it, and established him overnight as a major figure. In a series of books of his own since then, and in many critically edited texts of classic American literary works, he has established himself as our preeminent man of letters. He has taught widely at Harvard, Smith, Amherst, Hunter College, the Graduate Center of the City University of New York, and elsewhere. In 1996 he received from the Truman Capote Literary Trust its first Lifetime Achievement Award in Literary Criticism (in memory of Newton Arvin). He lives in New York City.

Alfred Kazin lived in the state of California. Alfred Kazin was born in 1915 and died in 1998.

Alfred Kazin has published or released items in the following series...
  1. Everyman's Library Classics & Contemporary Classics
  2. Harvest Book
  3. Penguin Twentieth-Century Classics
  4. Signet Classics

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Product Categories

1Books > Subjects > Literature & Fiction > History & Criticism > Criticism & Theory > General
2Books > Subjects > Literature & Fiction > History & Criticism > Criticism & Theory
3Books > Subjects > Literature & Fiction > World Literature > United States > United States > General
4Books > Subjects > Literature & Fiction > World Literature > United States > History & Criticism > General

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Reviews - What do customers think about God and the American Writer (Vintage)?

Religions of Freedom  Aug 14, 2002
The famous American critic, Alfred Kazin, explores in this book various ideas of God and religion in the works of major American writers. The book is not limited to novelists but includes considerations of poets, essayists, philosophers, and Presidents as well. The book begins with the Puritan period of Jonathan Edwards and Anne Bradstreet and concludes with a glance at Thomas Pynchon and John Updike. There are chapters on Hawthorne, Harriet Beecher Stowe, Melville Whitman, Lincoln, Dickinson, William James, Mark Twain, T.S. Elliot, Frost, and Faulkner.

Although the book describes many American approaches to religion, it is not until near its end that Kazin offers something of a definition of what he thinks the search is about. Kazin writes (p. 236) "I think of religion as the most intimate expression of the human heart, as the most secret of personal confessions, where we admit to ourselves alone our fears and our losses, our sense of holy dread and our awe before the unflagging power of a universe that regards us as indeed of 'no account'". It is not surprising, given both the nature of his subject matter and Kazin's own understanding of it, that the book invites us to see religion in personal, noninstitutional terms. We are also warned away (see p. 141) from an "American Civil Religion" in which Americans worship their own culture and history as evidenced by a smug materialism.

There is a great emphasis in the book, as there should be, on slavery, the Civil War and continuing issues of race in America. Here Kazin gives Abraham Lincoln the strongest word, as a leader, a writer, and a religious thinker. Lincoln was a nonchurchgoer and was not religious in any traditional sense. He indeed exemplified a theme that appears to run through this book -- that in the United States people are encouraged to find religion and meaning for themselves outside the bounds of formal creed. Yet, in the Second Inaugural Address, Lincoln gave us a profound meditiation both on Divine Justice and on Divine Inscrutability and on the related, even though conflicting, themes of retribution and forgiveness.

Most of the book covers familar authors and familiar books. I enjoyed in particular reading Kazin's discussion of Melville because it focuses on Melville's little-known epic poem Clarel. This poem is based on Melville's own trip to what was then Palestine and it explores Melville's tortured thought on the relationship between religion and secularism.

This book is a valuable study both of American literature and American religious thought with an emphasis on the effect of freedom and secularism on the nature of religion in the United States. It may encourage the reader to explore, or to think about anew, the nature of American literature and to rethink for him or herself the nature of religious ideals and practices.

Kazin will cause you to think.  Jun 12, 1998
What do such diverse writers as Hawthorne, Melville, Emerson, Lincoln, Eliot, William James, Twain, Frost, and Faulkner have in common? Alfred Kazin maintains that it is a creativity born of each writer's inner turmoil over the issue of slavery. Whether God has anything to do with it is debatable, unless, of course, one is satisfied with understanding God as merely a synonym for the individual moral conscience. I'm not. But this does seem to be the underlying assumption of Kazin's book.

Anyway, Kazin's point is taken. And it is left for the reader to decide if he's right.


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