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The Book of All Saints: Part One [Hardcover]

By Adrienne Von Speyr (Author), Hans Urs Von Balthasar (Author) & D. C. Schindler (Author)
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Item description for The Book of All Saints: Part One by Adrienne Von Speyr, Hans Urs Von Balthasar & D. C. Schindler...

In this amazing spiritual work, the reader is able to participate in the devotional and spiritual life of the Church throughout the centuries by learning how numerous saints and holy people prayed, thus reflecting the timelessness and beauty of the prayer of the church.

Publishers Description
Adrienne von Speyr, a renowned mystic and spiritual writer from Switzerland, was received into the Catholic Church at the age of 38 by one of the theological giants of he 20th century, Fr. Hans Urs von Balthasar, on the Feast of All Saints, 1940. Balthasar became her spiritual director and confessor until her death in 1967 during which time Adrienne was favored with many gifts of authentic mystical prayer. Balthasar considered one of the central characteristics of Adrienne's prayer to be her transparency to the inspirations she received from God, along with a deep personal communion with the saints. Over a period of many years, Adrienne would see the saints (and other holy people)) at prayer, and she would dictate what she saw to Fr.von Balthasar--while she was in a state of mystical prayer. This book presents these powerful, mystical insights into the prayer lives of many saints and holy people taken from Adriennes direct visions of them in prayer. Fr. von Balthasar gathered these spiritual vignettes into the first volume of the Nachlasswerke (works intended to be published only after Adrienne's death), the Book of All Saints. In this amazing spiritual work, the reader is able to participate in the devotional and spiritual life of the Church throughout the centuries by learning how numerous saints and holy people prayed, thus reflecting the timelessness and beauty of the prayer of the Church. On the whole, I received far more from Adrienne, theologically, than she did from me . . . Today, after her death, her writings appear far more important to me than mine. I am convinced that when her works are made available, those in a position to judge will concur with me about their value andwill thank God with me that He has granted such graces to the Church in our time.

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Item Specifications...

Studio: Ignatius Press
Pages   429
Est. Packaging Dimensions:   Length: 9.26" Width: 6.8" Height: 1.36"
Weight:   1.68 lbs.
Binding  Hardcover
Release Date   May 1, 2008
Publisher   Ignatius Press
ISBN  1586171925  
ISBN13  9781586171926  

Availability  0 units.

More About Adrienne Von Speyr, Hans Urs Von Balthasar & D. C. Schindler

Register your artisan biography and upload your photo! Adrienne von Speyr (1902-1967) was a Swiss medical doctor, convert to Catholicism, a mystic, wife and author of over 60 books on spirituality and theology. She collaborated closely with the renowned theologian Hans Urs Von Balthasar, her confessor for 27 years, and they co-founded the Community of Saint John. Her numerous writings, published by Ignatius Press, are recognized by leading theologians and writers as a major contribution to the mystical and spiritual writings of the Church. Among her most important works are Book of All Saints, Confession, The World of Prayer, Handmaid of the Lord, and The Passion from Within.

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1Books > Subjects > Religion & Spirituality > Christianity > Catholicism > General
2Books > Subjects > Religion & Spirituality > Christianity > Catholicism
3Books > Subjects > Religion & Spirituality > Christianity > Church History > Church History
4Books > Subjects > Religion & Spirituality > Christianity > Worship & Devotion > Meditations

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Mystical Book of Saints: Devotions  May 30, 2008
Excerpt from Hans Urs von Balthasar's introduction to this work.
This work came into being over the course of several years, as new portraits were constantly added on occasion or at my own request. In the beginning, Adrienne was shown individual saints during times when she was not at all thinking of these particular people. For the most part, they were shown in their general disposition and, then, often in prayer that was particularly characteristic of them. Adrienne was each time able to reproduce their disposition when we recorded the dicta-tion, and the words they spoke in prayer were given to her again during the dictation. Once the dictation was over, she would most often completely forget what she had seen and heard, as always was the case when Adrienne had "settled" something in obedience and put herself at the disposal of a new task. In the first period, she was also often given the vision of a saint during the night while she was at prayer, and she would report to me the next day that she had seen this or that saint, asking whether she could tell me about him or her. Frequently, she would be shown the essence of the person she saw without know-ing exactly what the person's name was. Once she said, "Today I have seen Gregory." "Which one?" I asked. She confessed that she did not know there was more than one; she had no idea which person it was with whom she had interacted. I asked her then to begin, and after just a few sentences it became clear to me that it could have been none other than Gregory Nazianzen, as the section in this book will confirm. Later came Gregory the Great and Gregory of Nyssa to join him. Another time she said to me, "Today I received Catherine", and to my question, "Which Catherine?" she could only say, "Not the one from Siena; I know her." With the description, I guessed that it must have been Catherine of Genoa, whose life I myself had never read; a subsequent comparison with her biography and especially a comparison of the prayer with the account of the visions Adrienne had received gave me the certainty that it could have been no one else.
Later, the choice of the saints that were to be described was increasingly left to me. At first, I would jot down names for myself on a scrap of paper, and it might happen that, when I placed the paper before Adrienne, she would immediately say, "I can do this one." Another name she might take with her into her nightly prayer and then describe him to me on the following day. Later, I was able to request from her whatever saint or special personality I wished: a brief prayer would transpose her to the "place" of vision, she would close her eyes, look for a moment in the Spirit on what was shown her with intensity and inner excitement, and then the description would begin, slowly at first, in very clearly stamped words, and then more quickly, without the slightest hesitation, making new judgments with every sentence. Those who were still alive, and whose fate still lay in their free decision, were not shown, or (as, for example, with Therese Neumann) only in very brief glimpses. The definitive text on the little "Rest" as well as on John XXIII, were written only after their deaths.
Adrienne had either no knowledge or just a glimmer of an idea about the majority of the personalities whose names I presented to her. Quite often the outcome of her description took me completely by surprise; I had expected something altogether different. I also presented her with names that were for me nothing more than names; I got some of them from a list of people who had received the stigmata, above all, in order to see what sort of piety or attitude in each case lay behind the phenomenon; a few names were taken from the book by P. Herbert Thurston, behind whose purely psychological and physiological descriptions the properly religious and Christian destinies and decisions remained hopelessly hidden and unrecognizable. What might the truth be, one wants to ask, about a Maria Castreca or the enigmatic Maria de la Visitación? In most cases, I did not verify the answers with documents that may finally have come to my attention; but the things that were shown, which were always extremely precise and bore a unique personal quality, already arranged the individual and disconnected traits into an internally plausible portrait.
It is important for the reader to bear in mind that the only thing intended to be shown here is the particular person's prayer and attitude toward prayer in relation to God. This attitude can in some cases be considerably different from the person's other achievements in the world and also for the Church (as, for example, the surprising and indeed shocking portrait drawn of Thomas Aquinas shows). The degree of integration between inner life and external work can vary quite significantly.
Particularly in the earlier periods of this work, Adrienne possessed an altogether extraordinary need for purity and transparency. Each time, she would ask, almost with anxiety, whether she was in fact "clean enough", whether I was able to see perfectly through her soul. She preferred to go to confession every time before she under-took this work, desirous as she was to be in every case in a perfect state of confession. In this regard, she dictated to me the following sentences:
As long as a person lives in this world, he always clings in some sense to the things that belong to him. In confession, by contrast, a person must set the things that belong to him free; he must let the world go; he must bring forth everything and hand it over to the Church. He must become like a child. Then a person can allow everything God wishes to pass through him. Everything the Spirit says. But in confession a person gathers together all his sins, 'as God sees them'. He becomes dispossessed of his own judgment over himself in order to leave judgment to God alone. Only when a person leaves judgment to God alone can he, when he is shown a saint, say how it is that the Holy Spirit sees him. The Holy Spirit's judgment often turns out to be different from what the saint himself expects. For this reason, it can happen that something is shown of which the saint and those around him were scarcely aware; the Spirit underscores certain things that he takes to be important in the saint's soul, whether they be positive or negative.
The state of confession, in which Adrienne sought to remain, means: pure openness and readiness, the whole of the soul being nothing more than a photographic plate, able to take up and reproduce anything that is given to it, just as it is given. If this purity were not there, according to Adrienne, it would not be possible to see "how much of what was given belonged to the saint himself and how much belonged to me. In fact, it would disproportionately increase precisely what I had kept of my own, hidden in myself, in the transmission of what came from the other, and would thus make the objectivity of the portrait impossible." The more absolute the obedience demanded was (and here it was truly demanded in an absolute sense), the greater would be the guilt if some-one wanted to keep something hidden. It is clear, however, that such an "experiment" could be performed only with a soul that had been completely purified. The complete self-effacement that was demanded has of course nothing in common with Buddhism and Zen; it is a pure work of Christian love; it is the highest possible approximation to the Church's attitude as the Bride of Christ, in whose bosom and spirit all the saints and those who pray find their shelter. It is the attitude of the soul that has been known, since Origen's time, as the anima ecclesiastica, the ecclesial soul, it is the perfection of the Ignatian sentire cum Ecclesia.
Adrienne takes the prayers of the saints and other believers into her soul through a perfect reenactment of them. That is why she occasionally shows some awkwardness when she has to reproduce an imperfect prayer: she herself would have preferred to pray a different way. Or, if the prayer contains traces of vanity (as, for example, in Gregory Nazianzen), she feels afterward somewhat stained. On the other hand, she feels personally enriched by all the things in the prayers that are good. She receives all of this with her own "organ of prayer". If she herself had not prayed so much, she would not have been able to transmit any prayers, and if she did not herself have some experience of everything that appears in all these prayers, she would also not have been able to reproduce them. Nevertheless, she was not permitted to be anything but an instrument in the moment of transmission. More-over, she was not able to carry through these transmissions in the presence of anyone but her confessor, because the whole was a work of obedience.' (The one attempt I made to request something of this sort in the presence of a third person (a young Jesuit priest, who was a friend of ours, was present) was such a torture to Adrienne that I immediately perceived the falseness of the endeavor and never repeated it.
[To make public what is private is the very principle, the very method of the Church. The old principle of public confession flows under the whole of Christianity. The Christian in the parish, in Christianity, is always the first Christian, always the ancient believer, who is always ready, always subject to public confession, to a common and, as it were, mutual confession.])
If, on Adrienne's part, it is a work of obedience, then on the side of the saints it was a work of humility. Of a heavenly humility that does not shy from displaying itself before the earthly Church in an unshielded attitude of confession. If Peguy considers public confession to be an indispensable principle of the earthly Church, how much more valid-ity it holds for the heavenly Church, where nothing private exists any-more! The examples will show that nothing happens outside of love and discretion, for the sake of mere curiosity, and that everything that is shown is an aid in some sense to Christianity on earth.
The various series came to be at different times. In the first series, one finds sections included that occurred at a later date. The series dealing with the threefold attitude and the series with the recited prayers came into existence within the space of a relatively brief period of time. When Adrienne had finished her description, I was given the freedom to ask questions in order to fill in some blanks. These questions, or the answers to them, can be recognized in the text because they are preceded by a line space. It is significant that Adrienne, who was doubtless in a form of ecstasy, nevertheless heard the voice of her confessor by virtue of her obedience, understood his questions, and was able to answer them in view of what she saw.
The choice of the saints' portraits remains of course arbitrary; there could have been many more such portraits to be had. Regarding the wording of the dictation, very little has been changed; nothing at all has been changed in terms of the meaning, though the sentence structure was here and there tightened; French words (Adrienne's native language was French, and she was not always able to find immediately the fitting word in German) were often left untranslated. A bit more variety was brought to her somewhat poor vocabulary through the occasional use of synonyms.
In judging these portraits, the reader ought to focus his attention on the center of the things said rather than getting caught up in the mar-gins or in trivial matters. Certain details might be expressed in a one-sided manner, perhaps even badly characterized. But no one is going to deny that Michelangelo is able to draw well just because in one of his drawings there happens to be a "stray" line. In reading, one reads the Spirit in the illuminated background, not in the letter. No one who reads the following pages can fail to see the power of the things said, whose intellectual differentiation and characterization presuppose a wholly uncommon natural intelligence and a just as uncommon supernatural discernment of spirits. It should be clear, however, that this work is given to the modern, prayer-weary Church in order to awaken in her an astonishment over the riches of the "world of prayer" and a new joy in praying.
The second part of the Book of All Saints will fill out things in this first volume in a variety of ways.
Hans Urs von Balthasar

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